ix
Designating Areas with a Marker Pen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-51
One-point Designation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-51
Encircled Designation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-52
Making Copies with Basic Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-53
Changing the Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-55
The Limitations of Marker Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-57
Chapter 5
Inserting Text and Images
Inserting a Color Image into a Designated Area (Image Composition) . . . . .5-2
Inserting Characters from a Black-and-white Text Original into
a Color Original (Character Composition) . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-8
Character Composition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-8
Character Composition with Superimpose Settings . . . . . . . . . . . . . . . . . . . . . . . . . 5-8
Character Composition with Window Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-12
Character Composition Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-17
Character Composition Shift with Superimpose Settings . . . . . . . . . . . . . . . . . . . . 5-17
Character Composition Shift with Window Settings . . . . . . . . . . . . . . . . . . . . . . . . 5-20
Multiple Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-22
Multiple Editing with Superimpose Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-22
Multiple Editing with Window Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-25
Creating Color Separations of a Color Original (Offset Plate Original) . . . .5-29
Chapter 6
About Color
The Basics of Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2
The Primary Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2
Additive Primary Colors and Subtractive Primary Colors . . . . . . . . . . . . . . . . . . . . . 6-2
Full Color Images and the CLC 1180/1140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3
Hue, Density, and Saturation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-3
The Three Attributes of Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3
Color Balance Adjustment and the CLC 1180/1140. . . . . . . . . . . . . . . . . . . . . . . . . 6-4
The Complementary Colors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-4
Full Colors and Complementary Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5
Surprising Effects Using Complementary Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5
The Mechanism of Color Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-5
Chapter 7
Troubleshooting
When Copies Do Not Turn Out as Expected . . . . . . . . . . . . . . . . . . . . . . . . . . .7-2
Summary of Contents for CS120
Page 1: ...Oc CS120 125 Oc CS120 125 Copying Guide...
Page 2: ...COLOR LASER COPIER 1180 1140 Copy Guide Ot i o j...
Page 15: ...xiv...
Page 263: ...Selecting Colors with Each Function 3 76 Adjusting Color and Image Quality 3...
Page 351: ...Inserting Text and Images 5...
Page 363: ...8 2 Appendix 8...