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10

11

Setups of musical

instrumen

ts

Tips for recording individual musical instruments      or musical performances

Place the LS-10 some distance in front of the singer(s). If breath 
noise is noticeable, set the LOW CUT switch to ON or attach the 
provided windscreen to the LS-10. Adjust the angle of the unit 
with care as the lowest and highest frequencies may be lost at 
certain angles.

Point the LS-10 at a point just slightly off the guitar's sound hole. 
Pointing the unit more toward the saddle will make the sound 
softer  and  more  reverberant,  while  pointing  it  more  in  the 
direction of the neck will make the sound sharper and crispier. In 
general, it is better to put the microphones closer to the guitar 
when  recording  the  rhythm  guitar,  and  further  away  when 
recording the lead guitar playing the main melody.

Place  the  LS-10  directly  in  front  of  the  guitar's  sound  hole,  but 
point  the  microphones  towards  the  singer's  mouth.  This  will 
record the vocal and guitar accompaniment with the optimum 
balance. If the LS-10 is positioned with one side facing down, the 
vocal  and  guitar  accompaniment  can  be  distributed  to  the  left 
and right channels and the balance can be adjusted later.

Point  the  LS-10  to  the  center  of  the  bell.  If  breath  noise  is 
noticeable,  point  the  unit  slightly  away  from  the  center  of  the 
bell.  When  the  recorder's  position  is  off-center  line,  high 
frequencies  will  be  more  noticeable  in  the  recorded  sound. 
When  the  recorder  is  moved  closer  to  the  instrument,  the 
recorded sound will have a crisper tone.

When  recording  a  string  musical  instrument  such  as  a  violin, 
place the LS-10 above the instrument by pointing it at the f-hole 
on the body. With a string instrument, decreasing the distance of 
the LS-10 from the instrument results in a clearer, more contoured 
sound, while increasing the distance results in a softer sound.

With a grand piano, point the LS-10 towards the center of the 
soundboard  located  inside  the  opening  of  the  piano.  To 
include  the  sounds  in  the  environment  where  the  piano  is 
located, place the microphones further away from the piano 
so  that  they  can  capture  the  overall  sound.  As  with  other 
instruments, the closer the microphones are to the piano, the 
clearer  the  recorded  sound,  while  the  further  away  they  are, 
the softer the sound.

An electronic musical instrument such as a keyboard does not 
itself emanate sound so its music signal should be input directly 
from the LINE OUT jack. An electronic instrument usually uses 
two 6.3 mm (1/4") dia. standard (phone) plugs for the output, so 
an adapter cable (commercially available) that can convert the L 
and  R  phone  plugs  into  a  3.5  mm  (1/8")  dia.  stereo  mini-plug 
should be used. When the electronic keyboard uses a monaural 
output  or  when  recording  the  monaural  output  of  a  guitar 
amplifier,  purchase  an  adapter  cable  (commercially  available) 
that  can  convert  the  6.3  mm  (1/4")  dia.  monaural  phone  plug 
into a 3.5 mm (1/8") dia. stereo mini-plug. It is recommended to 
use a non-resistance type cable.

To  record  the  sound  output  from  the  speaker  of  a  guitar 
amplifier, place the LS-10 at a distance from the amplifier and 
point  it  at  the  center  of  the  speaker  cone.  If  the  guitar 
amplifier has two speakers, aim the recorder at a central point 
between the two speakers if you want to record in stereo, or 
point  it  at  a  position  slightly  away  from  the  center.  It  is 
recommended  to  set  the  MIC  SENSE  switch  to  LOW  when 
recording  the  sound  output  from  a  guitar  amplifier.  If  you 
want to record the signal output from the LINE OUT directly, 
connect it in the same way as an electronic keyboard.

When recording the performance of an orchestra, big band or 
choir in a concert hall, mount the LS-10 on a stand and place 
it on the extension of the stage center line, so that all of the 
performers  are  included  in  the  microphone  directivity 
coverage.

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Vocals

|

Acoustic guitar

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Sing-along with guitar

|

Wind instrument

|

String instrument

|

Piano

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Electronic keyboard

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Electric guitar

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Recording in a concert hall, etc.

Positioning if breath noise is 

noticeable

Deviate slightly 

from the sound hole.

At a certain 

distance in front 

of the sound hole.

The balance can 

be adjusted later.

The tone of the recorded 

sound varies depending 

on the positioning of the 

recorder.

When breath noise is

 noticeable

Twin phone plugs - 3.5 mm dia. stereo mini-plug 

converter cable

LINE IN

Guitar amp

Guitar amp

Orchestra, big band, choir, etc.

Sharp, crispy sound

Soft, reverberant sound

Point at the f-hole.

Point at the soundboard.

Keyboard

LINE OUT

Speaker

Speakers

Summary of Contents for LS-10 - Linear PCM Recorder 2 GB Digital Voice

Page 1: ...How to Capture Live Sound Linear PCM Recorder http www olympus com ...

Page 2: ...solute fidelity For stable reliable performance the LS 10 features built in microphones accommodated in machined aluminum housings Superior audio quality is further assured by using separate boards for the microphone amplifier circuitry s system control and audio control operations thereby minimizing internally generated noise Despite its compact lightweight go anywhere design the LS 10 delivers p...

Page 3: ...n SD SDHC card varies depending on the card Check the Olympus website http olympus com for compatible SD SDHC cards High audio quality microphone amplifier circuitry The microphone amplifier circuitry is divided into independent left and right channels to eliminate interference between channels The analog circuitry is powered by an independent power supply provided separately from the digital powe...

Page 4: ...e remote control makes it possible to install the recorder in an ideal position and prevent capturing of grip noise Recording level can be selected from AUTO or MANUAL The MANUAL position is recommended when the priority is on the dynamic range In this case the recording level should be adjusted manually using the REC LEVEL dial on the side panel To prevent the sound from breaking up adjust the RE...

Page 5: ... recording is grating but the high sensitivity microphones of the LS 10 also capture soft rustling breezes that are usually not sensed by human ears This kind of wind noise can be attenuated by attaching the provided windscreen to the LS 10 Using external microphones to accurately capture the target source If the built in microphones cannot be placed close enough to the recording target it is reco...

Page 6: ...ts the closer the microphones are to the piano the clearer the recorded sound while the further away they are the softer the sound An electronic musical instrument such as a keyboard does not itself emanate sound so its music signal should be input directly from the LINE OUT jack An electronic instrument usually uses two 6 3 mm 1 4 dia standard phone plugs for the output so an adapter cable commer...

Page 7: ...g the virtual sound source technology of DiMAGIC Corporation Digitizing an analog source Application 1 CD creation on your PC Application 4 Playback editing on your PC Application 3 Excellent playback functions Application 2 You can create original CDs from the recordings you ve made with the LS 10 Whether it s your own original musical performances or found sounds such as bird songs bubbling broo...

Page 8: ...amic speaker x 2 stereo 3 5 mm dia mini jack impedance 2 kΩ 3 5 mm dia mini jack impedance approx 78 kΩ 3 5 mm dia mini jack impedance 8Ω or more 200 mW 200 mW 8Ω load Batteries Two AA batteries LR6 or ZR6 or Two Ni MH rechargeable batteries optional External power supply AC adapter 5 V optional Microsoft Windows 2000 XP Vista Mac OS X 10 2 8 10 5 5 18 x 1 89 x 0 88 in 131 5 x 48 x 22 4 mm without...

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