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The last option, adjusting the
Mixer
, is designed to provide a final
minor
trim to the spectrum. If you've noticed that
we calibrated these controls in 0.10 dB steps, then you know what we mean when we say these controls are for fine
trim!
Since this stage is
after
all of the dynamic AGC and Limiting, a radical change in level in the
Mixer
will result in
additional and possibly excessive final limiting or clipping distortion of audio in that band. We suggest that changes
implemented here be limited to no more than about 1.0 dB. Naturally, the decrease in mix level can be done to any
desired amount.
Thunder Bass
Omnia ONE
FM has the power to shake the walls with low end! If your source material has it,
Omnia ONE
FM can
expose that deep bass and do it with muscle! Tailoring Thunder Bass for more dominance is simple, and is done by
adjusting the following parameters and in the order listed:
1.
Increase the amount of
Bass
boost in the
Enhancers
section.
2.
Increase the
Drive
to the
Low Frequency Limiter.
3.
Increase the
Release
setting in the
Low Frequency Limiter.
4.
Increase the
Drive
to the
Bass Clipper.
Just as in the section on ‘overdoing’ processing, again moderation is the key. If all of the above changes are made in
unison there is a possibility of severe low frequency buildup. This would unbalance the audio spectrum and produce
the illusion of “lost” presence and high frequencies.
Generally, an increase in the Bass boost alone will provide a sufficient enhancement to the low end. Bass
adjustments should typically be done after selecting the preset you wish to use.
