3-10
OPERATION
ORBAN MODEL 9300
When you start with one of our Factory Presets, there are two levels of subjective
adjustment available to you to let you customize the Factory Preset to your re-
quirements: Basic Control and Full Control. A third level, Advanced Control, is acces-
sible
only from the 9300’s PC Remote software
.
Spend some time listening critically to your on-air sound. Listen to a wide range of
program material typical of your format. Listen on several types of car, table, and
portable radios, not just your studio monitors.
Then, if you wish to customize your sound, read the rest of Section 3
it is important
to understand the functions and interactions of the audio processing controls before
experimenting with them.
See page 6-41 for a block diagram of the processing.
Basic Control
There are three sections in Basic Control:
Equalization
AGC (automatic gain control)
L
ESS
-M
ORE
for the dynamics processing
Basic Control
allows you to control three important elements of 9300 processing: the
AGC, equalizer and the dynamics section (multiband compression, limiting, and clip-
ping), which is adjusted via the
L
ESS
-M
ORE
control.
L
ESS
-M
ORE
changes
several dif-
ferent subjective setup control settings simultaneously according to a table that we
have created in the 9300’s permanent ROM (Read-Only Memory). In this table are
sets of subjective setup control settings that provide, in our opinion, the most favor-
able trade-off between loudness, density, and audible distortion for a given amount
of dynamics processing.
We believe that most 9300 users will never need to go beyond the Basic level of con-
trol. Orban’s audio processing experts have optimized the combinations of subjec-
tive setup control settings produced by this control by drawing on years of experi-
ence designing audio processing and hundred of hours of listening tests.
As you increase the setting of given
L
ESS
-M
ORE
control, the air sound in that chan-
nel will become louder, but (as with any processor) processing artifacts will increase.
Please note that the highest
L
ESS
-M
ORE
setting is purposely designed to cause un-
pleasant distortion and processing artifacts! This helps assure you that you have cho-
sen the optimum setting of the
L
ESS
-M
ORE
control, because turning the control up
to this point will cause the sound quality to become obviously unacceptable.
You need not (in fact, cannot) create a sound entirely from scratch. All User Presets
are created by modifying Factory Presets or by further modifying Factory Presets
that have been previously modified with a
L
ESS
-M
ORE
adjustment. It is wise to set
the
L
ESS
-M
ORE
control to achieve a sound as close as possible to your desired sound
before you make further modifications at the Advanced Control level. This is be-
Summary of Contents for OPTIMOD-AM 9300
Page 1: ...Operating Manual OPTIMOD AM 9300 Digital Audio Processor Version 2 0 Software...
Page 7: ...Operating Manual OPTIMOD AM 9300 Digital Audio Processor Version 2 0 Software...
Page 178: ...3 46 OPERATION ORBAN MODEL 9300...
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Page 221: ...OPTIMOD AM DIGITAL TECHNICAL DATA 6 21...
Page 222: ...6 22 TECHNICAL DATA ORBAN MODEL 9300 CONTROL BOARD PARTS LOCATOR...
Page 228: ...6 28 TECHNICAL DATA ORBAN MODEL 9300...
Page 229: ...OPTIMOD AM DIGITAL TECHNICAL DATA 6 29 I O DSP BOARD LEFT AND RIGHT ANALOG INPUTS...
Page 230: ...6 30 TECHNICAL DATA ORBAN MODEL 9300 I O DSP BOARD ANALOG OUTPUTS...
Page 231: ...OPTIMOD AM DIGITAL TECHNICAL DATA 6 31...
Page 238: ...6 38 TECHNICAL DATA ORBAN MODEL 9300 FRONT VIEW REAR VIEW FRONT PANEL PARTS LOCATOR DIAGRAM...