OPTIMOD-AM DIGITAL
OPERATION
3-31
We recommend no more than 10 dB gain reduction as shown on the meters for
band 3. More than 10dB, particularly with the
F
AST
release time, will often create a
“wall of sound” effect that many find fatiguing.
To avoid excessive density with the
F
AST
multiband release time, we recommend us-
ing no more than 5 dB gain reduction in band 3, and compensating for any lost
loudness by speeding up the
M
ULTIBAND
R
ELEASE
instead. This is what we did in the
factory
L
ESS
-M
ORE
presets for the
F
AST
multiband release time.
MB REL
(“Multiband Release”) control can be switched to any one of seven settings:
The
Slow
(
SLOW
and
SLOW2)
settings produce a very punchy, clean,
open sound that is ideal for Adult Contemporary, Soft Rock, Soft Urban,
New Age, and other adult-oriented formats whose success depends on
attracting and holding audiences for very long periods of time. The
SLOW
and
SLOW2
settings produce an unprocessed sound with a nice
sense of dynamic range. With these settings, the 9300 processing pro-
vides gentle automatic equalization to keep the frequency balance con-
sistent from record to record (especially those recorded in different eras).
And for background music formats, these settings ensure that your sound
doesn’t lose its highs and lows. Because it creates a more consistent fre-
quency balance between different pieces of source material than does
the Two-Band structure,
SLOW
is almost always preferable to the Two-
Band structure for any popular music format.
The
Medium Slow
settings (
MED
and
MED2
) are appropriate for more
adult-oriented formats that need a glossy show-business sound, yet
whose ratings depend on maintaining a longer time spent listening than
do conventional Contemporary Hit Radio (CHR) formats. With the single-
ended noise reduction activated, it is also appropriate for Talk and News
MB Attack / Release / Threshold
Full Name
Advanced Name
Range
MB REL
Multiband Release
Slow, Slow2, Med, Med2, MFast, MFast2,
Fast
---
B1 Compression Threshold
–16.0 … –1.5, Off
---
B2 Compression Threshold
–16.0 … –1.5, Off
---
B3 Compression Threshold
–16.0 … –1.5, Off
---
B4 Compression Threshold
–16.0 … –1.5, Off
---
B5 Compression Threshold
–16.0 … –1.5, Off
---
B1 Attack
8 … 23ms, Off
---
B2 Attack
8 … 23ms, Off
---
B3 Attack
8 … 23ms, Off
---
B4 Attack
8 … 23ms, Off
---
B5 Attack
8 … 23ms, Off
---
B1 Delta Release
–6 … 6
---
B2 Delta Release
–6 … 6
---
B3 Delta Release
–6 … 6
---
B4 Delta Release
–6 … 6
---
B5 Delta Release
–6 … 6
Table 3-6: MB Attack/Release Controls
Summary of Contents for OPTIMOD-AM 9300
Page 1: ...Operating Manual OPTIMOD AM 9300 Digital Audio Processor Version 2 0 Software...
Page 7: ...Operating Manual OPTIMOD AM 9300 Digital Audio Processor Version 2 0 Software...
Page 178: ...3 46 OPERATION ORBAN MODEL 9300...
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Page 221: ...OPTIMOD AM DIGITAL TECHNICAL DATA 6 21...
Page 222: ...6 22 TECHNICAL DATA ORBAN MODEL 9300 CONTROL BOARD PARTS LOCATOR...
Page 228: ...6 28 TECHNICAL DATA ORBAN MODEL 9300...
Page 229: ...OPTIMOD AM DIGITAL TECHNICAL DATA 6 29 I O DSP BOARD LEFT AND RIGHT ANALOG INPUTS...
Page 230: ...6 30 TECHNICAL DATA ORBAN MODEL 9300 I O DSP BOARD ANALOG OUTPUTS...
Page 231: ...OPTIMOD AM DIGITAL TECHNICAL DATA 6 31...
Page 238: ...6 38 TECHNICAL DATA ORBAN MODEL 9300 FRONT VIEW REAR VIEW FRONT PANEL PARTS LOCATOR DIAGRAM...