OPTIMOD-PC
OPERATION
3-51
and to permit the two-band compressor to perform all of the gain riding. This will
prevent excessive reduction of dynamic range, and will produce the most natural
sound achievable from the Two-Band structures.
With faster
2B
R
EL
control settings (above 8 dB/second), the sound will change sub-
stantially with the amount of gain reduction in the two-band compressor. This
means that you should activate the gain-riding AGC to ensure that the two-band
compressor is always being driven at the level that produces the amount of gain re-
duction desired. Decide based on listening tests how much gain reduction gives you
the density that you want without creating a feeling of over-compression and fa-
tigue.
Release in the two-band compressor automatically becomes faster as more gain re-
duction is applied (up to about 10dB). This makes the program progressively denser,
creating a sense of increasing loudness although peaks are not actually increasing. If
the gain-riding AGC is defeated (with the
AGC
O
N
/O
FF
control), you can use this
characteristic to preserve some feeling of dynamic range. Once 10 dB of gain reduc-
tion is exceeded, full loudness is achieved—no further increase in short-term density
occurs as more gain reduction is applied. This avoids the unnatural, fatiguing sound
often produced by processors at high gain reduction levels, and makes OPTIMOD-PC
remarkably resistant to operator gain-riding errors.
2B REL SHAPE
(“2B Release Shape”) selects a LINear or EXPonential release shape.
L
INEAR
causes the Two-Band compressor to release at a constant number of dB per
Two-Band Controls
Advanced Name
Range
2B Drive
–10 … 25 dB
2B Release
0.5 … 20 dB / S
2B Release Shape
Linear, Exponential
2B Gate Threshold
Off, –44 … –15 dB
2B Bass Coupling
0 … 100 %
Bass Clip Threshold
-6.0 … 0.0 dB
2B Master Compression Threshold
–15 … 0, Off
2B Bass Compression Threshold
-10.0 … 5.0 dB, Off
2B Master Attack
4 … 50, Off
2B Bass Attack
4 … 50, Off
2B Crossover
Allpass, Linear
2B Master Knee
0…50 dB
2B Master Ratio
1:1…infinity:1
2B Master Breakpoint
1…50 dB
2B Bass Knee
0…50 dB
2B Bass Ratio
1:1…infinity:1
2B Bass Breakpoint
1…50 dB
Loudness Threshold
Off, +10.0 … -14.0 dB
Loudness Attack
0…100%
Loudness Bass Couple
0…12 dB, Off
BS.1770 Threshold
0…6 dB, Off
Table 3-8: Two-Band Controls
Summary of Contents for Optimod-PC 1101
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