3-14
OPERATION
ORBAN MODEL 1101
transmission is identical to that of other properly set up Dolby Digital transmis-
sions.
If you are not driving a Dolby Digital channel, we recommend turning
the 1101’s D
IALNORM
R
EFERENCE
S
OURCE
to O
FF
.
This
control is located in the
C
ONFIGURATION
tab in the 1101’s I/O
M
IXER
.
Unlike some familiar compressors and limiters (whose gain reduction is adjusted
via threshold controls), the 1101 limiter’s threshold is fixed with respect to the
input of the 1101’s digital output level control so the limiter’s drive level solely
determines the gain reduction. Two cascaded gain controls set this drive level.
One is
MB
L
IMIT
D
RIVE
; the second is a “hidden” control whose gain is set by the
1101’s active
D
IALNORM
value. This second gain control is only active when the
1101’s
D
IALNORM
drop-down
is set
O
FF
; otherwise, the control is set to 0 dB so it
does not affect the look-ahead limiter drive.
In the transmitted Dolby Digital bitstream, setting
D
IALNORM
to a less negative
value automatically turns down the home receiver’s volume control, so the 1101’s
output level must be turned up by the same amount to maintain a constant
loudness at the receiver. Because it is placed before the 1101’s look-ahead lim-
iter, the 1101’s hidden
D
IALNORM
gain control achieves this while allowing the
1101’s look-ahead limiter to prevent digital clipping in the downstream transmis-
sion chain regardless of the 1101’s
D
IALNORM
setting. This arrangement allows the
user to set the correct loudness at the 1101’s output solely by adjusting the
1101’s active
D
IALNORM
value—it is unnecessary to adjust any other controls with-
in a preset, so all TV presets automatically adapt to the 1101’s current
D
IALNORM
value.
Only the “TV” presets are set up to produce correct loudness at the con-
sumer’s receiver automatically. However, you can readily adjust other
presets to produce correct loudness in Dolby Digital transmissions by ad-
justing a preset’s MB
D
RIVE
control to make the 1101’s L
OUDNESS
L
EVEL
me-
ter peak at 0 dB on speech. Then save the result as a User Preset. The rea-
son that this works is that the 1101’s D
IALNORM
R
EFERENCE
control auto-
matically scales the sensitivity of the 1101’s L
OUDNESS
L
EVEL
meter when
the D
IALNORM
R
EFERENCE
S
OURCE
selector is not O
FF
.
When the R
EFERENCE
S
OURCE
selector is O
FF
, you can manually scale the sen-
sitivity of the loudness level meter via the L
OUDNESS
M
ETER
S
ENSITIVITY
con-
trol. This is useful for keeping the loudness level meter on-scale when us-
ing radio-style presets, which are generally louder than the “TV” presets.
This allows you to compare the loudness of radio-style presets.
Loudness Control
OPTIMOD-PC’s third-generation CBS Loudness Controller and BS.1770 Safety Limiter
cooperatively and automatically control subjective loudness. The BS.1770 Safety Lim-
iter follows the CBS Loudness Controller in the signal path.
Useful in sound-for-picture applications, particularly when government regulations
like the CALM Act require control of subjective loudness, the 1101’s third-generation
CBS Loudness Controller follows the multiband compressor in the 1101’s signal flow
diagram. However, it takes into account the effect of the following look-ahead lim-
Summary of Contents for Optimod-PC 1101
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