CONTENTS
1.
Types and Differences of HD Video Formats
1-1
High-Quality HD/SD Multi-Format Recording
1
1-2
HD/SD Multi-Format Recording with the AG-HVX200
3
1-3
720 Progressive Scan HD Images with Higher Resolution than Interlaced 1080i
5
1-4
24p HD and a Cine-Like Gamma Curve Meet Film Production Needs
7
2.
Advantages of DVCPRO HD
2-1
DVCPRO HD and the DVCPRO Family: A Proven Track Record in Broadcasting
9
2-2
DVCPRO's Intraframe Compression System:
Designed to Retain All Image Information
11
2-3
DVCPRO HD's 4:2:2 Sampling Rate Is Most Beneficial
for Professional Video Production
13
2-4
Differences in Audio Recording
15
2-5
Video Format and Codec Supported by AG-HVX200
16
3.
A Revolution in Recording with the P2 Card
3-1
The P2 Card — A Breakthrough in Professional Media
17
3-2
The New P2 Card Workflow
19
3-3
P2 Card Recording Functions on the AG-HVX200
21
3-4
The P2 Workflow Following Acquisition
23
4.
What's a Variable Frame Rate?
4-1
An Important Part of the VariCam's Creative Expressiveness
25
4-2
Overcranking and Undercranking by Changing the Frame Rate
27
4-3
Slow-Motion and Fast-Motion Effects
29
4-4
Native Mode (720/24pN and 720/30pN)
for Special Effects Using only the Camera-Recorder
33
4-5
720p (over 60p) Mode Provides Extra Convenience
for VariCam and Other Systems
35
5.
Camera Functions and Operating Ease
Inheriting the Popular DVX100 Series Design
37
6.
Applications and Workflows
6-1
High-End Production of Movies and Commercials
41
6-2
Video and Independent Movie Production
44
6-3
Events and Other Professional Video Work
47
6-4
Image Production Workflow Together with Tape
49
6-5
File-Based Image Production Workflow
51
6-6
DV-Based Image Production Workflow
53
6-7
News Workflow
55
7.
Terminology and Specifications
Terminology
57
Specifications
63