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2) CALIBRATION PROCEDURE (THE EASY PART)

As trimpots on VCOs go out of adjustment over time, so do the trimpots on the power supplies that run them.  Therefore it’s best to cal
your VCOs while powered by the PSU they will connected to in the system.  This assures they are calibrated to the same supply voltage
they will see in their working environment. Before you do this:

1) Make sure you are powering your Model 15’s with the same power supply they will be powered from once remounted in your
synthesizer

2) Make sure the  VCOs you are calibrating  are on for at least ten minutes before you perform these tests.

3) Perform these tests in a comfortable room-temperature environment with little to no air flow (don’t attempt to cal a
synth module with an air conditioner, heater or fan blowing in over them.

A) FIRST CALIBRATION: 1 VOLT PER OCTAVE TRACKING ADUSTMENT

A1) Connect a 1v/oct standard CV into the 

1v/OCT 

input of your Model 15.  For best calibration, this should come from the output of a

midi to CV converter because you’re going to need a reference signal (that form either a midi or VA instrument) to set up the 1V/Oct
tracking.

A2) Make a patch by which you can simultaneously hear the output of your VCO and that of preferably either a VA softsynth  or some
Type of digital instrument - something you know is in calibration. (there’s no use calibrating to a false reference).  Configure this ref.
to a RAMPWAVE which BYPASSES ANY FILTERING, EFFECTS or PROCESSING.  A RAW WAVEFORM IS REQUIRED.

A3)  With your Model 15 sounding continuously in the speakers, play and hold a C1 on your midi keyboard.  While sustaining that note,
tune your Model 15 so that it is in tune with the pitch coming from your reference (digital) instrument.  This is probably the most critical
part of this test.  Take your time, tune carefully for the minimum amount of phasing.

A4)  Play and hold a C4 on your midi keyboard.  Using a plastic pot tweeker tool (see diagram 3), turn the 1 volt/octave trim pot (labeled
A in diagrams 2A and 2B) until the pitch form your M15 and your digital reference tone are tuned.

A5) Once they are in tune, play notes in-between C1 and C4 to verify tracking. If they don’t, then repeats steps A2 and A4 until they do.

A6) Now play and hold a C5 on your reference instrument and repeat the trim pot tuning performed in A4.  Once you’re there, repeat the
process with a C6, C7, etc...until you’ve reached the maximum usable calibrated range the Model 15.

A7)  If you a adjusting more than one Model 15, repeat steps A2 through A6 - 

but replace your digital reference with a Model 15 you

 have already adjusted.  

You need to make sure your VCOs are tracking with each other.  This is why their power is daisy-chained with a

single power cable and why you need to calibrate them all while running off the same PSU each will be while mounted in your synthesizer.

So go down the line of every Model 15 you’re adjusting, and use the previous one as the reference tone for the next, down the line until
they are all tracking not only to 1v/octave...but to each other.

Summary of Contents for 15 Complex VCO

Page 1: ...each of you because all of each and every user s operating conditions vary Step One The Right Tools for the Job Most important rule in doing any job make sure you ve got the correct tools to do it correctly The following may require a small investment on your part but the rewards will pay off immediately The tools you ll need for this cal are in two groups 1 1V OCT ADJUSTMENT A Adapter power cable...

Page 2: ...Once your connector is positioned where you want it and it s sitting straight perpendicular to the cable not cocked or crooked apply soft hand pressure and close the connector so that the teeth begin to bite into the ribbon cable Do this enough so that it stays in position You can t apply enough pressure manually to complete the crimp don t try for this you need a table vise or a tool especially m...

Page 3: ...not have to concern itself with high frequency compensation as do saw core VCOs which require that a mutli step process be repeated again and again to dial in accuracy The 1v octave cal of a Plan B VCO is much easier 1 Connect the power cables to the modules MAKING SURE PIN 1 RED BAND is correctly oriented see figure 1 VERY IMPORTANT NOTE FIGURE 1 SHOWS TWO REV 1 MODEL 15 S ON REV 2 MODEL 15 S ELE...

Page 4: ...ns of trim pots in Rev 2 XX Model 15 s LEGEND A 1 VOLT PER OCTAVE ADJUSTMENT POT B TRIANGLE SYMMETRY ADJUSTMENT POT C SINE PURITY ADJUST D RAMP SYMMETRY POT LEGEND A 1 VOLT PER OCTAVE ADJUSTMENT POT B TRIANGLE SYMMETRY ADJUSTMENT POT C SINE PURITY ADJUST D RAMP SYMMETRY POT ...

Page 5: ...ch BYPASSES ANY FILTERING EFFECTS or PROCESSING A RAW WAVEFORM IS REQUIRED A3 With your Model 15 sounding continuously in the speakers play and hold a C1 on your midi keyboard While sustaining that note tune your Model 15 so that it is in tune with the pitch coming from your reference digital instrument This is probably the most critical part of this test Take your time tune carefully for the mini...

Page 6: ...ices will give you readings which may make you think your VCO are not functioning properly While a perfectionist may argue that this constitutes a faulty sub standard musical instrument we feel that all these devices will do is verify the obvious that you re adjusting the tracking of a musical instrument not a piece of lab gear Your results will not be perfect If you wish to use test equipment to ...

Page 7: ... you re powering your Model 15 form TO do this simply run another patchcord from your Model 15 and attach an alligator test cable FROM THE RING GROUND portion of the open end of the patch cable TO THE GROUND INPUT OF THE SCOPE or ATTACH THE ALLIGAZTOR GROUND CLIP PROVIDED ON YOUR SCOPE PROBE to eh GROUND RING of the open end of the patch cord you re using for ground connection B3 Before you make a...

Page 8: ...h half of the ramp wave meet butt against one another i e come in contact with one another at ground Pay close attention to Figure 7 as a reference It is possible to adjust your ramp 90 degrees out of phase by making the wrong ends of each half butt against one another moving the trim pot the full extent of it s travel will quickly give you an indicaiton of which is the correct alignment Use FIgur...

Page 9: ...5 MS DIV ADJUST TRIMPOT RV2 TRI ADJ SO THAT TRIANGLE WAVE IS SYMMETRICAL TO GROUND 0 VOLTS O VOLTS HORIZONTAL SCALE 2V DIV VERTICAL SCALE 5 MS DIV TOO FAR ON THE HIGH END NOT SYMMTRICAL AROUND GROUND FIG 5 CALIBRATION No 2 TRIANGLE SYMMETRY GOOD BAD ...

Page 10: ... MS DIV ADJUST TRIMPOT RV5 SINE ADJ SO THAT THE ARC OF THE PEAK AND TROUGH ARE EQUAL FIG 6 CALIBRATION No 3 SINE SHAPE PURITY GOOD BAD O VOLTS HORIZONTAL SCALE 2V DIV VERTICAL SCALE 5 MS DIV ADJUSTED TOO FAR ON LOWER END PEAK IS NARROWER THAN TROUGH ...

Page 11: ...ENDS MEET FIG 7 CALIBRATION No 4 RAMP WAVE SYMMETRY GOOD BAD O VOLTS HORIZONTAL SCALE 2V DIV VERTICAL SCALE 5 MS DIV NEGATIVE SIDE SLIGHTY OFFSET DOES NOT MEET WITH POSITIVE END O VOLTS NEGATIVE SIDE GROSSLY OFFSET WAVE APPEARS OK BUT NEGATIVE END IS ACTUALLY 90 OUT OF PHASE TOO HIGH AND IS DOUBLING BASE FREQUENCY ...

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