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6 : 8.Amplifier settings: Idle mode

The idle mode function is a power saving feature. When 

this function is activated, the output stage is turned off after 
no input signal greater than a selected threshold is detected 
for a user selectable amount of time, saving about 40 W of 
power per channel. This results in reduced heating, longer 
amplifier and fans life, and, especially for fixed installations 
which are permanently turned on, a lower electricity bill. 
Exiting from idle mode is quasi-instantaneous.

The timeout range goes from 0 to 720 minutes.

6 : 9.DSP Settings: Common settings

6 : 9.1. Source selection

This menu allows to choose the input signal to be pro-

cessed by the DSp. The possible options are:

f

f

Stereo

: the signal coming from channel 1 is processed 

and routed out to output channel 1. Similarly, the input 
signal coming from channel 2 is processed and then 
routed out to output channel 2.

f

f

Parallel from CH1

: the input signal from channel 1 

feeds two parallel, distinct and independent process-
ing branches. The result of one branch is sent to 
output channel 1, while the result of the other branch is 
sent to output channel 2.

f

f

Parallel from CH2

: the input signal from channel 2 

feeds two parallel, distinct and independent process-
ing branches. The result of one branch is sent to 
output channel 1, while the result of the other branch is 
sent to output channel 2.

f

f

Mono Mix

: the input signals from channel 1 and 2 are 

summed together and routetd to both output channels 
in order to maintain a consistent output level. 

6 : 9.2. AES3

This menu controls the aES3 input stream options. The 

aES3 source can enter the amplifier from the rear XLr con-
nector or from the kaESOp board (if present) based on the 
type of input selection.

6 : 9.2.1. Gain trim (dB)

This menu allows the user to set the gain to be applied 

to the signal coming from the aES3 digital input. Setting a 
0 dB gain makes the full-scale digital signal equivalent to a 
20 dBu analog input signal.

6 : 9.2.2. If no link

This menu controls the amplifier’s behavior should the 

aES3 signal connection fail or become unreliable. The aES3 
connection is considered unreliable when transmission 
errors are greater than 1% of total data transmitted. The 
possible options are:

f

f

Mute

: when the aES3 connection fails, the amplifier 

mutes the output.

f

f

Analog

: when the aES3 connection fails, the amplifier 

will rely on the analog input as backup. This source 

signal switching is done in real time in order to avoid 
any glitches in the audio feed. if the input levels are 
correctly matched between analog input and aES3 
input (use the aES3 Gain trim parameter), the switch 
between aES3 and analog will be inaudible.

When using the analog input to backup a failed aES3 

feed, the analog input connection must be setup based on 
source type of input aES3 stream:

f

f

AES3 from rear XLR

 – the primary audio signal for 

this configuration is an aES3 fed via the rear XLr 
(aES3 

 DSp 

 Out). The backup analog cable, with 

an analog signal identical to that provided by aES3, 
should be plugged in the channel 1 XLr input. if the 
aES3 feed should fail, the amplifier will automatically 
fall back to channel 1 analog input (we suggest to set 
the DSp source selection to “parallel from cH1”). The 
signal levels of both primary aES3 and backup analog 
signals should be carefully matched. This can be 
done using the gain trim parameter or by adjusting the 
analog signal level.

f

f

AES3 from KASEOP

 – the primary audio signal for 

this configuration is an aES3 fed via the rJ45 port 
(kaESOp 

 DSp 

 Out). The backup analog cable, 

with an analog signal identical to that provided by the 
kaESOp, should be plugged in the channel 1 XLr and 
channe 2 XLr (set to analog) connectors. The DSp’s 
source selection can be set to any possible input. if 
the kaESOp feed should fail, the amplifier will auto-
matically fall back to the analog input on the channels 
1 and 2. The signal levels of both primary kaESOp and 
backup analog signals should be carefully matched. 
This can be done using the gain trim parameter or by 
adjusting the analog signal level.

When the aES3 stream is lost and the analog backup 

kicks in, a message on the front panel is displayed and if a 
remote client (e.g. armonía) is connected to the amplifier, an 
alarm is sent to it.

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

IN2

(analog)

carrying the same signal as the CH2 of the AES3 feed

carrying the same signal as the CH1 of the AES3 feed

IN1

(analog)

CH1 out

CH2 out

Analog back up cabling

Analog back up cabling

Main digital AES3 stream via RJ-45

CH1
CH2

Analog back up cabling

carrying the same signal as the CH1 of the AES3 feed

Digital main cabling

IN1

(analog)

IN2

(AES/EBU)

CH1
CH2

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

CH1 out

CH2 out

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

IN2

(analog)

carrying the same signal as the CH2 of the AES3 feed

carrying the same signal as the CH1 of the AES3 feed

IN1

(analog)

CH1 out

CH2 out

Analog back up cabling

Analog back up cabling

Main digital AES3 stream via RJ-45

CH1
CH2

Analog back up cabling

carrying the same signal as the CH1 of the AES3 feed

Digital main cabling

IN1

(analog)

IN2

(AES/EBU)

CH1
CH2

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

CH1 out

CH2 out

FIG. 2: AES3 from XLR.

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

IN2

(analog)

carrying the same signal as the CH2 of the AES3 feed

carrying the same signal as the CH1 of the AES3 feed

IN1

(analog)

CH1 out

CH2 out

Analog back up cabling

Analog back up cabling

Main digital AES3 stream via RJ-45

CH1
CH2

Analog back up cabling

carrying the same signal as the CH1 of the AES3 feed

Digital main cabling

IN1

(analog)

IN2

(AES/EBU)

CH1
CH2

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

CH1 out

CH2 out

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

IN2

(analog)

carrying the same signal as the CH2 of the AES3 feed

carrying the same signal as the CH1 of the AES3 feed

IN1

(analog)

CH1 out

CH2 out

Analog back up cabling

Analog back up cabling

Main digital AES3 stream via RJ-45

CH1
CH2

Analog back up cabling

carrying the same signal as the CH1 of the AES3 feed

Digital main cabling

IN1

(analog)

IN2

(AES/EBU)

CH1
CH2

DSP Source Selection mode: Parallel from CH1

main digital connection
analog backup connection
(used if digital fails)

CH1 out

CH2 out

FIG. 3: AES3 from KAESOP.

English | 27

Summary of Contents for K2 DSP+AESOP, K3 DSP+AESOP

Page 1: ...l for future reference 2016 Powersoft K Series S rie K Serie K DO000208 00 R00 quick GUIDE Guide rapide gu a r pida K2 K3 K2 DSP AESOP K3 DSP AESOP K6 K8 K10 K6 DSP AESOP K8 DSP AESOP K10 DSP AESOP K2...

Page 2: ...iamenti senza preavviso Per gli aggiornamenti si prega di consultare la versione inglese disponibile online su www powersoft audio com http www powersoft audio com http www powersoft audio com Alle An...

Page 3: ...Espa ol English Fran aise 20 40 60 K Series S rie K Serie K Table of contents 3 Table des mati res 4 Tabla de contenido 5 Regulatory information 19 K Series 1...

Page 4: ...Page intentionally left blank 2 K Series...

Page 5: ...0 3 Polarity 28 6 10 4 Ch Delay us 28 6 10 5 Gain 28 6 10 6 Peak Limiter et Power Limiter 29 6 10 7 Damping Control 31 6 11 DSP Settings Ch1 setup Ch2 setup 32 6 11 1 Aux Dly ms 32 6 11 2 Diagnostics...

Page 6: ...1 EQs Egaliseurs 48 6 10 2 Filters LP et HP 48 6 10 3 Polarity 49 6 10 4 Ch Delay us 49 6 10 5 Gain 49 6 10 6 Peak Limiter et Power Limiter 49 6 10 7 Damping Control 52 6 11 DSP Settings Ch1 setup Ch2...

Page 7: ...res 68 6 10 2 Filters LP and HP 68 6 10 3 Polarity 69 6 10 4 Ch Delay us 69 6 10 5 Gain Ganancia 69 6 10 6 Peak Limiter et Power Limiter 69 6 10 7 Damping Control 72 6 11 DSP Settings Ch1 setup Ch2 se...

Page 8: ...A K2 K3 K2 DSP AESOP K3 DSP AESOP 465 32 2 496 456 5 9 482 439 44 32 6 K Series...

Page 9: ...B K6 K8 K10 K6 DSP AESOP K8 DSP AESOP K10 DSP AESOP K20 K20 DSP AESOP 465 32 2 465 4 472 4 5 9 482 440 44 32 K Series 7...

Page 10: ...C D E K2 K3 K2 DSP AESOP K3 DSP AESOP 8 K Series A F B C D E G 1 2 9 3 5 14 4 13 6 7 12 8 10 11...

Page 11: ...ogique pour l entr e 2 6 Entr e 2 le canal d entr e 2 analogique en mode analogique ou l entr e AES3 en mode AES3 selon la position du commutateur 5 7 Sortie ligne canal 2 8 Bouton Link lien entr e de...

Page 12: ...F G K6 K8 K10 K20 K6 DSP AESOP K8 DSP AESOP K10 DSP AESOP K20 DSP AESOP 10 K Series 1 2 4 12 3 11 5 6 10 7 8 9...

Page 13: ...n mode analogique ou l entr e AES3 en mode AES3 selon la position du commutateur 5 7 Bouton Link lien entr e des canaux 1 et 2 8 Entr e 1 entr e analogique du canal 1 9 Connecteur de haut parleur sort...

Page 14: ...log line output XLR F pinout Pin 1 GND Pin 2 HOT Pin 3 COLD HOT 1 2 3 COLD GND Bridge tied load speakON connector Channel 2 output stage B LINK CHB CHB CHB CHB B speakON connector Channel 1 output sta...

Page 15: ...P AESOP Open the lock and insert the plug Ouvrir le verrou et ins rer la fiche Abra el seguro y conecte la clavija Lock the plug Bloquer la fiche Asegure la clavija L ground mains N Neutral L Line GND...

Page 16: ...s Amplifier Settings DSP Settings1 Network Settings2 Output meters Temperature Mains meters Amplifier name Lock presets Locked bank size Recall local preset Save local preset Change lock code Erase al...

Page 17: ...tput attenuation Input gain sens Inuput select Max output voltage Max mains current Clip limiter CH1 Clip limiter CH2 Gate CH1 Gate CH2 Mute at Power on Idle Mode see DSP Settings diagram Device mode...

Page 18: ...esh Vpk Attack ms Release ms Mode Soft knee Thresh W Attack ms Release ms Mode Equiv Rout Aux Dly ms Diagnostics Tone in alarm Tone in freq Tone in Vmin Tone in Vmax Tone out gen Tone out ampl Tone ou...

Page 19: ...TER CHANNEL DELAY FIR EQ Output current Output voltage output monitor 16 bands parametric EQ Custom FIR Enhanced limiter Cable loss compensation IIR and FIR linear phase crossover CHANNEL PEQ16 Load i...

Page 20: ...P Q 1 1 1 RU 1 RU 1 RU Mounting brackets Soportes de montaje Supports de fixation 1 1 2 2 2 2 3 3 3 3 4 4 4 4 5 18 K Series...

Page 21: ...the user s responsibility to dispose of their waste electrical and electronic equipment by handing it over to an approved reprocessor or by return ing it to Powesoft S p A for reprocessing For more i...

Page 22: ...mbers 9 and 13 apply only to K2 and K3 WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT ATTEMPT TO OPEN ANY PART OF THE UNIT NO USER SERVICEABLE PARTSINSIDE REFERSERVICINGTOQUALIFIEDSERVICEPERSONNE...

Page 23: ...utput power without having to change amplifier K Series amplifiers are K2 K2 DSP K3 K3 DSP K6 K6 DSP K8 K8 DSP K10 K10DSP K20 K20DSP 8 1000 W 1400 W 1300 W 1500 W 2000 W 2700 W 4 1950 W 2600 W 2500 W...

Page 24: ...hannels until the amplifier cools down to a safe operating temperature Normal operation is resumed automatically without the need for user intervention K Series amplifiers can be stacked one on top of...

Page 25: ...nced differential digital signal in AES3 XLR connectors the identification of hot and cold pins is not an issue Avoid the use of microphone cables in AES connections impedance mismatch can result in s...

Page 26: ...channel 1 needs to be wired link channel 2 to channel 1 by means of the link pushbutton located on the rear panel When operating with digital inputs i e AES3 and AESOP link the channels through Armon...

Page 27: ...ternal tests to determine the status of the amp If all parameters are normal READY will replace WAIT on the display System parameters are continuously monitored by the internal controller If any param...

Page 28: ...ge The max output peak voltage of K Series amplifiers can be set by the user It is possible to set output peak voltage levels for channel 1 channel 2 or both Available voltage ranges for each model ar...

Page 29: ...g signals should be carefully matched This can be done using the gain trim parameter or by adjusting the analog signal level f f AES3 from KASEOP the primary audio signal for this configuration is an...

Page 30: ...4 Low pass EQ 5 High pass EQ 6 Bandstop 7 Bandpass 8 Allpass By pressing the edit button the settings for the selected filter can be modified TAB 6 summarizes which parameters can be edited according...

Page 31: ...with the num ber of parallel speakers connected to the amplifier this is because the same voltage is applied to all the components in a parallel circuit When deciding parameters for a peak limiter of...

Page 32: ...according to the number of parallel speakers Determining the ideal time parameters for TruePower limiters is a very empirical process As a guide consider this simple rule larger the coil larger the th...

Page 33: ...limiting actions as they are performed 6 10 7 Damping Control This unique and patented feature allows to add a vir tual series resistor to the amplifier output This is done to obtain the desired damp...

Page 34: ...tput tone detection can measure the presence of a tone generated by an external or internal generator Tone out alarm enable disable the output tone detec tion Tone out Vmin the minimun detected thresh...

Page 35: ...h for the audio In a fraction of a second no more than 50ms some of the devices in a ring will swap to the other direction restoring the audio streaming 7 1 3 Ethernet internal switch All control data...

Page 36: ...et as KAESOP OUT or KAESOP DSP OUT The two possible alternatives are Mute and Analog In Analog mode the amplifier automatically switches to CH1 CH2 analog input if the digital stream is missing return...

Page 37: ...o an empty slot To save the current amplifier setup as a preset to the local memory enter the Save local preset menu Select an empty preset location press ok and define a proper name If no other prese...

Page 38: ...nal auxiliary voltage f f 5VAN auxiliary analog voltage f f VEXT external remote control voltage f f VAUX indicates if the power supply auxiliary voltage is correct f f IGBTCONV indicates the DC DC co...

Page 39: ...r in mind that Ethernet is a faster communica tions protocol than serial RS 485 The range of network topologies which can be used in wiring a real system varies between the two communica tions methods...

Page 40: ...om defective components and factory workmanship for a period of 48 forty eight months starting from the date of purchase printed on Powersoft s or any of its Authorized Dealer s invoice to the end cus...

Page 41: ...rsoft it for Powersoft approval f f In case of defect reports approved by the Powersoft Customer Service Representative you will receive an RMA authorization code one RMA code for each re turning devi...

Page 42: ...he sont endommag s si du liquide ou tout autre corps tranger a p n tr dans l appareil si l appareil a t expos la pluie ou l humidit s il ne fonctionne pas normalement ou s il est tomb Num ros 9 et 13...

Page 43: ...Les amplificateurs de la S rie K sont K2 K2 DSP K3 K3 DSP K6 K6 DSP K8 K8 DSP K10 K10DSP K20 K20DSP 8 1000 W 1400 W 1300 W 1500 W 2000 W 2700 W 4 1950 W 2600 W 2500 W 3000 W 4000 W 5200 W 2 2400 W 28...

Page 44: ...thermique extr me le ventilateur force un volume impor tant d air travers le dissipateur de chaleur Au cas tr s improbable o l amplificateur venait surchauffer dangere usement les capteurs couperaien...

Page 45: ...mp tente Connexions 4 S assurer que l interrupteur d alimentation soit teint avant d essayer d effectuer des connexions d entr e et de sortie En utilisant de bons c bles d entr e et haut parleurs de q...

Page 46: ...t SpeakOn pour les connexions pont es ou st r o comme illustr sur les figures suivantes CLASS3 WIRING CLASS2 WIRING 4 6 1 Connexion en mode pont La connexion des sorties en mode Pont peut tre r ali s...

Page 47: ...ra t apr s une br ve pr sentation La premi re ligne de l cran indique WAIT pendant que le syst me subit une premi re s rie de tests internes afin de v rifier l tat de l ampli Si tous les param tres so...

Page 48: ...cr te des amplificateurs de S rie K peut tre ajust e par l utilisateur Il est possible de d finir les niveaux de tension de sortie de cr te pour le Canal 1 le Canal 2 ou les deux Les plages disponibl...

Page 49: ...mme peu fiable quand les erreurs de transmission d passent 1 de l ensemble des donn es transmises Les options possibles sont f f Mute si la connexion AES3 d faille l ampli met la sortie en sourdine f...

Page 50: ...ement haut de 3 15 dB oct 4 EQ passe bas 5 EQ passe haut 6 Arr t Bande 7 Bande passante 8 Allpass En appuyant sur le bouton edit vous pouvez changer les r glages du filtre s lectionn TAB 6 indique que...

Page 51: ...male pendant laquelle la puissance peut tre appliqu e avec s curit aux haut parleurs Une approche int ressante de la limitation RMS est celle qui fait appel au contr le de temp rature de bobine Une co...

Page 52: ...l ordinaire a de tr s hautes cr tes mais un niveau moyen relativement petit facteur de cr te lev e Une tonalit stationnaire a une puissance moyenne bien plus haute par exemple une onde sinuso dale sta...

Page 53: ...u haut parleur et Prms est sa puissance RMS maximum La tension RMS du haut parleur 4 dans l exemple ci dessus est Vrms 44 7 V 2 culez la puisance d livr e un haut parleur d une imp dance nominale de 8...

Page 54: ...e typique augmente en rai son de l chauffement de la bobine mobile Dans la TAB 10 remarquez la valeur exceptionnellement haute 3 8 ohm quand le circuit d attaque atteint sa limite thermique 6 11 DSP S...

Page 55: ...pen Protocol Le KAESOP de Powersoft est con u pour fournir une haute fiabilit aux applications en direct dans des environnement difficiles o la qualit du service doit tre garantie Pour plus de d tails...

Page 56: ...se statique valide et un masque de sous r sau et optionnellement la passerelle par d faut Le PC doit tre sur le m me sous r seau que l ampli si aucun routeur n est pr sent entre le PC et l ampli Autom...

Page 57: ...en gras clignotant sur un second cran qui indique le nom pr r gl actuellement s lectionn 40 caract res Si le pr r glage a t modifi le nom pr r gl affich aura un pr fixe Modified pour signaler ce poin...

Page 58: ...eau arri re Une pression sur le bouton more sur l cran permet de naviguer parmi d autres pages contenant d autres informations le bouton back vous fait revenir au menu d installation ant rieur f f KFR...

Page 59: ...en armonia forum La communication logiciel ampli est assur e via une connexion RS 485 ou Ethernet selon les ports disponibles Armon a permet le contr le et la surveillance d un large ventail de fonct...

Page 60: ...in stocker et partager des configurations et pr r glages pour l amplificateur jusqu 150 pr r glages peuvent tre stock s dans une seule carte et facilement partag s entre les diff rents amplificateurs...

Page 61: ...t des co ts inh rents au renvoi des marchandises l acheteur ou utilisateur client final 13 2 Assistance Bien que la majorit des dysfonctionnements du produit puisse tre r solue dans vos locaux gr ce l...

Page 62: ...arato el aparato ha sido expuesto a la lluvia o humedad si no funciona con normalidad o se ha ca do Los n meros 9 y 13 son aplicables s lo a K2 y K3 Instrucciones de seguridad importantes 1 ADVERTENCI...

Page 63: ...a de salida sin tener que cambiar el amplificador Los amplificadores de la Serie K son K2 K2 DSP K3 K3 DSP K6 K6 DSP K8 K8 DSP K10 K10DSP K20 K20DSP 8 1000 W 1400 W 1300 W 1500 W 2000 W 2700 W 4 1950...

Page 64: ...pador de calor En el caso extremada mente extra o en que el amplificador se sobrecaliente de manera riesgosa los circuitos sensores apagar n todos los canales hasta que el amplificador se enfr e y alc...

Page 65: ...uce a un m nimo la posibilidad de compor tamiento err tico de la se al Ya sea que los arme usted o los compre busque cables conectores y t cnicas de soldadura de buena calidad 4 1 Masa de la se al No...

Page 66: ...e s lo la entrada del canal 1 el canal de enlace 2 al canal 1 mediante el bot n de enlace situado en el panel trasero Al operar con entradas digitales es decir AES3 y AESOP enlace los canales a trav s...

Page 67: ...AIT mientras el sistema somete un lote inicial de pruebas internas para de terminar el estado del amplificador Si todos los par metros son normales READY reemplazar WAIT en la pantalla Los par metros...

Page 68: ...0 V 40 225 V TAB 4 Voltaje m ximo de salida Vpico 6 3 Amplifier settings Max output voltage El pico de voltaje m ximo de salida de los amplifica dores de la Serie K puede definirlo el usuario Es posib...

Page 69: ...n son mayores que 1 del total de datos transmitidos Las opciones posibles son f f Mute cuando falla la conexi n de AES3 el amplifica dor silencia la salida f f Analog cuando falla la conexi n AES3 el...

Page 70: ...8 Pase total Frecuencia 20Hz 20kHz Ganancia 15 dB Atenuaci n 3 15dB oct Q 0 1 30 Pico Estanter a baja Estanter a alta Pase bajo Pase alto Banda atenuada Filtro paso banda Pase total TAB 6 Par metros...

Page 71: ...conscientes de la potencia m xima a largo plazo aplicable de manera segura a los altavoces potencia de AES Un enfoque intere sante para limitar la RMS es uno que utilice control de la temperatura de...

Page 72: ...volumen Tenga en cuenta que una se al musical com n tiene picos muy altos pero tiene un nivel promedio m s bien peque o factor de cresta alto Un tono estacionario tiene una potencia promedio mucho m...

Page 73: ...entregada al parlante con impedancia nominal de 8 ohm con ese voltaje Vrms donde Pequiv es la potencia equivalente en el parlante de 8 ohm y Vrms es el valor de voltaje RMS calculado en el paso 1 En e...

Page 74: ...resistencia t pico debido al calentamiento de la bobina de voz En TAB 10 observe el valor excepcionalmente alto 3 8 ohm cuando el motor alcanza su l mite t rmico 6 11 DSP Settings Ch1 setup Ch2 setup...

Page 75: ...Serie K de Powersoft AES3 y Ethernet Simple Open Protocol KAESOP de Powersoft est dise ado para proveer alta confiabilidad para aplicaciones en vivo en ambientes hostiles en los que se debe garantizar...

Page 76: ...bred y opcionalmente la puerta de enlace predeterminada La PC debe estar en la misma subred que el amplificador si no existen enrutadores entre la PC y el amplificador Automatic le permite al amplific...

Page 77: ...l predeterminado ha sido alterado de cualquier modo el nombre predeterminado mostrado tendr un prefijo Modified para indicar esto El nombre del amplificador puede ser asignado entrando al men Edit amp...

Page 78: ...nables mediante los codificadores rotativos en el panel trasero Presionar el bot n more en la pantalla permite circular a trav s de un n mero mayor de p ginas que contienen m s informaci n el bot n ba...

Page 79: ...a Pro Audio Suite desde el foro de Armon a http www powersoft audio com en armonia forum La comunicaci n entre el software y el amplificador se establece mediante una conexi n RS 485 o Ethernet depend...

Page 80: ...eterminados hasta 150 preajustes se pueden almacenar en una sola tarjeta and compartidos f cilmente entre diferentes amplificadores 12 1 Actualizaci n de firmware La tarjeta inteligente se puede conve...

Page 81: ...dos Si su amplificador necesita reparaci n contacte con su distribuidor Powersoft Tambi n puede ponerse en contacto con el departamento de servicio t c nico de Powersoft para obtener la ubicaci n del...

Page 82: ...ating point Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment Equa...

Page 83: ...ating point Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment Equa...

Page 84: ...oint Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment Equalizer R...

Page 85: ...int Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment Equalizer Ra...

Page 86: ...floating point Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment...

Page 87: ...floating point Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment E...

Page 88: ...Page intentionally left blank 86 K Series...

Page 89: ...Page intentionally left blank Specifications 87...

Page 90: ...Page intentionally left blank 88 K Series...

Page 91: ......

Page 92: ...i FI Italy Tel 39 055 735 0230 Fax 39 055 735 6235 Sales general inquiries sales powersoft it Application technical support support powersoft it Service maintenance service powersoft it Compliance req...

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