11
7.) Editing of the single-sounds
<10>
Part\13\_303Lead
<10>\CutFreq:\+0
This parameter controls the cutoff-frequency of the lowpass filter. Above this
point higher harmonics are cut off and below this frequency the harmonics can
pass. Real-time changes of this parameter should be done with a MIDI-controller
like the MOD-wheel of your keyboard because it is easier to handle than an alpha
dial. At TECHNOX the MOD-wheel is routed through the modulation matrix to
the tone-parameter by default. This controls the cut-off frequency directly.
<11>
Part\13\_303Lead
<11>\Resonan:\+0
This parameter controls the resonance of the filter, which means that the output of
the filter is fed back to the input of the filter. At high values the filter can reach
self-oscillation.
The following three parameters change the sound in time and are called envelope parameters. Percussive sounds have
short time periods, strings and pads have longer time periods. To change a time period like the attack-time to shorter
values you have to decrease the time to negative values based on the default value.
<12>
Part\13\_303Lead
<12>\EG\Att:\\+0
The rising-time of the envelope can be changed by this parameter.
<13>
Part\13\_303Lead
<13>\EG\Dec:\\+0
This parameter is responsible for the speed how fast the level goes down from
maximum amplitude to sustain-level.
<14>
Part\13\_303Lead
<14>\EG\Rel:\\+0
This parameter controls the release time of the sound after lifting the fingers from
the keys.
<15>
Part\13\_303Lead
<15>\VibDpth:\+0
The intensity of the vibrato (frequency modulation)
<16>
Part\13\_303Lead
<16>\VibRate:\+0
The speed of the Vibrato (frequency)
<17>
Part\13\_303Lead
<17>\VibDely:\+0
Here the delay time between pressing a key and beginning of the vibrato can be
selected.
Because in the modulation matrix itself only the destination-parameter can be selected and not the part, you can choose in
the following menus the modulation intensity for each part. For further information have a look at chapter 11,
"Common-menu", where the modulation-matrix is described.
<18>
Part\13\_303Lead
<18>\LfoMod:\\76
This parameter controls how strong the LFO of the selected part will be modulated
through the modulation matrix.
<19>
Part\13\_303Lead
<19>\VolMod:\+63
The amount of volume-changes for this part through the modulation-matrix can
be regulated with this parameter. The values can be negative or positive, so that
sound blending through MIDI-controllers etc. between various parts are possible.
<20>
Part\13\_303Lead
<20>\PtchSns:\+2
The amount of pitch-changes for this part by the modulation-matrix.
<21>
Part\13\_303Lead
<21>\T63
Also the amount of filter-modulation can be controlled for each part individually.
Most of the factory sounds are programmed with an almost open filter. So it makes
sense to choose a negative value for closing the filter with any modulation source.
<22>
Part\13\_303Lead
<22>\PorTime:\\0
Gliding in tune between two notes that are played after each other is called
portamento. The tuning of the first note changes to the tuning of the next pressed
note. The speed of this effect is controlled by this parameter.
<23>
Part\13\_303Lead
<23>\HoldPed:OFF
Here you can enable the MIDI hold-pedal function. When disabled, a pressed
hold-pedal of your connected keyboard causes no hold function on this part.
<24|
Part\13\_303Lead
<24|\VelCv:\Fix
With this parameter you may select a special velocity-curve for each part separate.
In the layer-performances with different curves on each used part it´s possible to
create cross-fades between sounds by using negative and positive curves for the
velocity.
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