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Radial Engineering Ltd.

Submix™ 500 Series Line Mixer

True to the Music

®

3

GETTING STARTED

Although the Submix is extremely easy to use, we suggest you follow these simple 
instructions before using it. As with all audio equipment, always ensure all levels are turned 
down and equipment is turned off before making any connections or inserting the Submix into 
a 500 series power rack. This common practice ensures turn-on transients will not damage 
more sensitive components such as tweeters. Screw the module in to ensure it does not 
accidentally get dislodged. 

Making connections

Four high-impedance ¼” inputs on the front panel correspond to the four level controls. Line-
level sources connect to the inputs using standard instrument cables. Mixer channel-1 can 
also accept a balanced line signal via the rear panel XLR input jack. However, the front jack 
has priority over the rear and inserting a plug into the front channel-1 ¼” input will defeat the 
rear XLR input. To use the rear XLR input, ensure the front input is not connected.

The Submix uses the rear panel XLR output for the master mix output. This balanced 
line-level signal connects to your recorder or mixing console or to more 500 series signal 
processors like the Radial Komit compressor. If you are using the Submix in a Workhorse 
power rack, the FEED function can automatically route the output to the adjacent module.

INPUT

OMNIPORT

FEED

LINK

1

OFF

OFF

CARD SLOT 1

OUTPUT

OUTPUT

INPUT

CHANNEL-1

REAR PANEL INPUT 

(RADIAL WORKHORSE RACK)

FOUR ¼” 

FRONT PANEL

LINE INPUTS

INPUT

OMNIPORT

FEED

LINK

1

OFF

OFF

CARD SLOT 1

OUTPUT

OUTPUT

INPUT

MIX OUTPUT

REAR PANEL OUTPUT 

(RADIAL WORKHORSE RACK)

Omniport

If you are using the Submix in a 
Radial Workhorse power rack the 
Omniport feature will be available. 
In this instance with the Submix, the 
Omniport acts as a mixer expansion 
buss allowing additional Submix 
modules to link together to form 
larger confi gurations like 8x1, 12x1, 
etc. The easiest way to connect 
Submix modules would be with a 
standard ¼” patch cable from the 
fi rst module’s output to the second 
module’s Omniport jack. 

INPUTS

1~4

8x1 MIX 

OUT

INPUTS

5~8

INPUT

OMNIPORT

FEED

LINK

1

OFF

OFF

CARD SLOT 1

OUTPUT

OUTPUT

INPUT

INPUT

OMNIPORT

FEED

LINK

1

OFF

OFF

CARD SLOT 1

OUTPUT

OUTPUT

INPUT

Summary of Contents for SUBMIX 500 Series

Page 1: ...g com True to the Music User Guide www radialeng com Radial Engineering Ltd 1588 Kebet Way Port Coquitlam British Columbia Canada V3C 5M5 tel 604 942 1001 fax 604 942 1010 email info radialeng com SUB...

Page 2: ...his is where we post the latest hints and of course questions from users If you still do not find what you are looking for feel free to send an email to info radialeng com and we will do our very best...

Page 3: ...using the four front panel control knobs Typical 4x1 line mixer setup Module Out SX 500 SUBMIX Made in Canada 2 3 4 1 2 3 4 UNBALANCED LINE LEVEL INPUTS POWER OMNIPORT SUMMING BUSS INPUT 1 2 1 1 1 1 1...

Page 4: ...ication improves workflow efficiency in the studio 3 POWER LED indicator illuminates when the module is energized by the power rack 4 INPUTS Four separate inputs to connect keyboards drum machines eff...

Page 5: ...ted The Submix uses the rear panel XLR output for the master mix output This balanced line level signal connects to your recorder or mixing console or to more 500 series signal processors like the Rad...

Page 6: ...level will remain low at all levels The Submix employs Radial s unique VaryState gain control that actually changes the sensitivity along with the gain Set the level control completely counter clockw...

Page 7: ...he signal will automatically appear on the output buss to create an 8x1 mixer Adding a third Submix will give you a 12x1 mixer Combine these with a Workhorse Powerstrip to can create a super compact 1...

Page 8: ...gnals to follow suit and you are set to go This can provide your studio with a very efficient way of managing stereo sources such as playback tracks for overdubbing mixing four stereo keyboards or eve...

Page 9: ...Dynamic range 97dB maximum input noise floor Equivalent input noise 103dBu maximum gain noise floor Noise 85dBu at maximum gain Gain 18dB at maximum gain Intermodulation Distortion 0 006 at 0dBu outpu...

Page 10: ...any request for work to be performed under this limited and transferable warranty This warranty shall not apply if the product has been dam aged due to abuse misuse misapplication accident or as a re...

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