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4

VC Resonator - Basic Operation

Send a audio signal into the 

IN

 (

#1

), make sure all three 

GAIN

 knobs (

#10

) (or at least one) are not set fully CCW 

and listen to either output (

#2

#3

 or 

#4

) . The 

DRY

 knob (

#6

) determines how much of the (dry) input signal is 

added to the processed signal, i .e . it is not a WET / DRY mix but rather a +DRY . Play with the 

Frequency knobs 

(

#9

), 

GAIN

 (#10) and 

EMPHASIS

 (

#10

) to shape the sound . 

 

VC POLY RESONATOR

GAIN

EMPH

LOW

GAIN

EMPH

MED

GAIN

EMPH

HIGH

H A I B L E

IN

DRY

LOW

HIGH

BAND

MODE

3x

CV INPUTS

3x

CV ATTENUVERTERS

3x

BAND FREQUENCY

10

 

3x

INPUT ATTENUATION

11

 

3x

RESONANCE (Q)

2

LOW OUT

1

INPUT

6

ADD DRY

3

BAND OUT

4

HIGH OUT

5

MODE SW

LOW BAND

MED BAND

HIGH BAND

Input (#1) and Gain (#10)

Each GAIN knob (#10) determines how much of the input signal present at IN (#1) is actually sent into each filter 
band . The GAIN knobs act as attenuators . When all three GAIN knobs are set to minimum (CCW), the three filters 
do not receive any input signal, i .e . the 3 knobs act like a single attenuator at the input jack . Turning down GAIN, 
however, has also the effect of giving more weight to resonance (EMPHASIS, #11) especially when EMPHASIS is 
so high that it self-oscillates . 

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