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Whether or not you have set the desired delays, you may, at any time, increase the input

control to a comfortable level and any or all of the output controls. Since the AD 13 is normally
going to function at the input of the amplifier, there should rarely be any need for anything but
unity gain at either the input or the outputs. Always remember to take all the gain you will ever
need right at the very input of a sound system, and not here and there down the chain. No

matter what sort of mixer, processor or amplifier you are using, gain at the front end will yield

the lowest overall noise.

SETTING LEVELS

With most power amplifiers you should find that with the input and output level controls set
for unity gain on the AD 13, the power amps will clip a bit before the 0dB headroom LED

illuminates on the input headroom meter. If this is not the case, back down the input control. It
is always desirable to have an amplifier clip before a digital processor gets into trouble. Fact of
life number 425: Amps clip cleaner than digital devices. Set the input level control so music
peaks just barely tickle the 0dB LED.

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Summary of Contents for AD 13

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Page 3: ...he Rane factory before taking it anywhere for repairs We will help you to identify and locate any specific malfunctions possibly avoid needless shipment or instruct you as to the speediest method for...

Page 4: ...his display is to inform the user as to the amount of delay currently applied to any of the three outputs these outputs being selected by the channel select switch and pointed to by the LED channel po...

Page 5: ...any of the respective output stages approach this sort of difficulty 12 lNPUT HEADROOM INDICATOR These four LEDs will illuminate at the appropriate times to indicate whetherthere is 20dB 12dB 6dB or...

Page 6: ...IN to their locked position places the respective output stage into its transformer balanced mode Pressing the switch again to release it from its IN position causes the output to be placed back into...

Page 7: ...a of the original signal All seriousness aside it really is almost that simple If you ve ever seen an audio waveform play in real time on an oscilloscope you have probably thought that it looked impos...

Page 8: ...response to flat The lower high frequency sensitivity at the output results in a lower output noise level The next stop on the tour is the input level control From the input level control the signal...

Page 9: ...0 microsecond real time interval from 0 to 654 milliseconds after it has been stored All three of the digital to analog converters has access to the data at any time within the boundaries of the maxim...

Page 10: ...check out the units to which you are connecting the AD 13 since manufacturers seem to have difficulty agreeing on the standard or even recognizingthat it exists Some use 3 as hot and 2 as negative how...

Page 11: ...front of the hall and auxiliary reinforcement 40 feet to the rear would require approximately 40 milliseconds of delay on the rear speakers for maximum intelligibility Some experimentation will be re...

Page 12: ...he chain No matter what sort of mixer processor or amplifier you are using gain at the front end will yield the lowest overall noise SETTING LEVELS With most power amplifiers you should find that with...

Page 13: ...tisfies VDE0871 for Class A computing devices RESIDUAL PROPAGATION DELAY 190 s INTERMODULATION DISTORTION SMPTE less than 0 1 4dBu THD NOISE less than 0 l 20 20kHz 4dBu unity gain SIGNAL TO NOISE RATI...

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