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Interconnection-5

buzzing, there is an incompatibility somewhere in the 

system’s grounding configuration.  In addition to these 

special cable assemblies that may help, here are some 

more things to try:

1. Try combinations of lifting grounds on units sup-

plied with lift switches (or links). It is wise to do this 

with the power off!

2. If you have an entirely balanced system, verify all 

chassis are tied to a good earth ground, for safety’s 

sake and hum protection. Completely unbalanced 

systems never earth ground anything (except cable 

TV, often a ground loop source). If you have a mixed 

balanced and unbalanced system, do yourself a favor 

and use isolation transformers or, if you can’t do 

that, try the special cable assemblies described here 

and expect it to take many hours to get things quiet. 

May the Force be with you.

3. Balanced units with outboard power supplies (wall 

warts or “bumps” in the line cord) do 

not

 ground the 

chassis through the line cord. Make sure such units 

are solidly grounded by tying the chassis to an earth 

ground using a star washer for a reliable contact. 

(Rane always provides this chassis point as an exter-

nal screw with a toothed washer.) Any device with 

a 3-prong AC plug, such as an amplifier, may serve 

as an earth ground point. Rack rails may or may not 

serve this purpose depending on screw locations and 

paint jobs.

Floating, Pseudo, and Quasi-Balancing

During inspection, you may run across a ¼" output 

called floating unbalanced, sometimes also called psue-

do-balanced or quasi-balanced. In this configuration, 

the sleeve of the output stage is not connected inside 

the unit and the ring is connected (usually through a 

small resistor) to the audio signal ground.  This allows 

the tip and ring to “appear” as an equal impedance, 

not-quite balanced output stage, even though the out-

put circuitry is unbalanced.

Floating unbalanced often works to drive either a 

balanced or unbalanced input, depending if a TS or 

TRS standard cable is plugged into it. When it hums, a 

special cable is required. See drawings #11 and #12, and 

do not make the cross-coupled modification of tying 

the ring and sleeve together.

References

1. Neil A. Muncy, “Noise Susceptibility in Analog and Digi-

tal Signal Processing Systems,” presented at the 97th AES 

Convention of Audio Engineering Society in San Fran-

cisco, CA, Nov. 1994.

2. 

Grounding, Shielding, and Interconnections in Analog 

& Digital Signal Processing Systems: Understanding the 

Basics

; Workshops designed and presented by Neil Muncy 

and Cal Perkins, at the 97th AES Convention of Audio 

Engineering Society in San Francisco, CA, Nov. 1994.

3. The entire June 1995 AES Journal, Vol. 43, No. 6, available 

$6 members, $11 nonmembers from the Audio Engineer-

ing Society, 60 E. 42nd St., New York, NY, 10165-2520.

4. Phillip Giddings, 

Audio System Design and Installation

 

(SAMS, Indiana, 1990). 

5. Ralph Morrison, 

Noise and Other Interfering Signals

 

(Wiley, New York, 1992).

6. Henry W. Ott, 

Noise Reduction Techniques in Electronic 

Systems

, 2nd Edition (Wiley, New York, 1988).

7. Cal Perkins, “Measurement Techniques for Debugging 

Electronic Systems and Their Instrumentation,”  

The Pro-

ceedings of the 11th International AES Conference: Audio 

Test & Measurement,

 Portland, OR, May 1992, pp. 82-92 

(Audio Engineering Society, New York, 1992).

8. Macatee,

 RaneNote

: “Grounding and Shielding Audio 

Devices,” Rane Corporation, 1994.

9. Philip Giddings, “Grounding and Shielding for Sound and 

Video,”

 S&VC

, Sept. 20th, 1995.

10. AES48-2005: 

AES standard on interconnections —

Grounding and EMC practices — Shields of connectors 

in audio equipment containing active circuitry 

(Audio 

Engineering Society, New York, 2005).

Band-Aid is a registered trademark of Johnson & Johnson

Winning the Wiring Wars

•   Use balanced connections whenever possible, with 

the shield bonded to the metal chassis at both ends.

•   Transformer isolate all unbalanced connections 

from balanced connections.

•   Use special cable assemblies when unbalanced lines 

cannot be transformer isolated.

•   Any unbalanced cable must be kept under 10 feet

 

(3 m) in length. Lengths longer than this will ampli-

fy all the nasty side effects of unbalanced circuitry's 

ground loops.

Summary

If you are unable to do things correctly (i.e. use fully 

balanced wiring with shields tied to the 

chassis

 at both 

ends, or transformer isolate all unbalanced signals 

from balanced signals) then there is no guarantee that 

a hum-free interconnect can be achieved, nor is there a 

definite scheme that will assure noise-free operation in 

all configurations.

Summary of Contents for CP66

Page 1: ...are or a degree in rocket science Note If you have a PC you can take advantage of a few bonus features like Preset Saving and Custom Zone Nam ing by using the included Rane CP66 Software See Rane CP66...

Page 2: ...nd on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and re...

Page 3: ...Rane 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avo...

Page 4: ...40 10 SIG OL LEVEL OFF 40 10 SIG OL LEVEL OFF 10 2 BAND EQ PAGE 1 SELECT 2 BAND EQ FILTER SIG OL LEVEL OFF 10 CHIME LEVEL L R SUM INPUT 6 PAGER 1 PAGER 2 CAT 5 3 BAND EQ ZONE 1 MONO ZONE 2 MONO ZONE 3...

Page 5: ...t with selectable 24 V phantom power and is assigned to Zones via a rear panel dipswitch Page 2 supports the optional Rane PAGER2 paging station allowing dynamic Zone selection right at the microphone...

Page 6: ...Page Page Active indicates that Page is currently active Settings Panes 6 r Each group of settings has a dedicated button to take you straight to the parameters you re interested in no menus to dig th...

Page 7: ...set to 2 over rides the other page if assigned to any of the same Zones If set to 2 while Page 1 is set to 1 Page 2 can still be overridden If both Page priorities are set to the same value the Pages...

Page 8: ...Soft ware on page 14 0 Front Panel Lock Connect L1 to ground to lock out all front panel settings as view only Connect L2 to ground to lock all front panel settings with the exception of Zone source...

Page 9: ...air is functioning the LED displays a solid green light Audio Rx lights steadily if the CP66 receive pair is working properly Audio Tx lights steadily if the CP66 transmit pair is working properly Com...

Page 10: ...roblem Unbalanced connections as found in RCA termi nals should be no longer than 10 feet 3 meters Consult the Sound System Interconnection RaneNote for help at http rane com note110 html Setup Proced...

Page 11: ...he Page 1 Zone Assign switch Rear Panel u A switch in the up position means that Zone will be paged 18 While paging adjust the Page Level Front Panel 8 for each Zone so it is at a comfortable level re...

Page 12: ...as well as non traditional setups Digital Remotes DR1 DR1 DR1 DR1 Volume Remotes Digital remotes are a very powerful addition to any system Install a DR1 into a party room or dining area up to 1 000...

Page 13: ...n of printed labels letting you set custom names for your Zones and Groups To easily make labels with any printer download the CP66 Labels PDF at rane com cp66 html A tool is included in the shipping...

Page 14: ...omatically establish a connec tion and show you the current configuration of the device When connected to a live unit the connection box turns green and displays the name and serial number of the devi...

Page 15: ...cially apparent when amount of noise near the page mic changes throughout the day mak ing it nearly impossible to find a threshold value somewhere near the middle that always works We recommend using...

Page 16: ...adjustable Input Mode Line Input Impedance 5 8k 10 Max Input Level 20 dBu Gain set to min Input Mode Mic Input Impedance 1 1k 10 Max Input Level 5 dBu Gain set to min Phantom Power 24 4 0 V 10 mA max...

Page 17: ...es in chassis allow securing to a table Size 4 5 H x 6 W x 2 D 11 5 cm x 15 3 cm x 5 1 cm Weight 20 ounces 567 grams Shipping Size 6 25 x 8 5 x 5 5 16 cm x 22 cm x 14 cm Weight 1 64 lb 745 grams 2 25...

Page 18: ...HEADROOM POWER POWER 6 12 3 12 6 3 0 0 6 12 3 0 1 2 dB MA 3 MULTICHANNEL AMPLIFIER 3 CHANNEL OUTPUT HEADROOM POWER POWER This example allows host paging in the dining room lounge meeting room patio r...

Page 19: ...ECT DR3 This car dealer has a time clock with a chime output connected to the PAGE 1 INPUT The clock has a contact closure that enables the chime Volume and ducking of background music are controlled...

Page 20: ...EQUIPMENT 24TJ R 4 3 2 1 ON 4 3 2 1 ON SCROLL PUSH TO SELECT DR3 DR1 DR1 DR1 DR1 BUSY CHIME READY FEED S FROM HOUSE CONSOLE MIX AND DIRECT OUTS ZONE 4 MT 4 MULTICHANNEL TRANSFORMER PAGE 1 PAGE 1 This...

Page 21: ...rconnections Grounding and EMC practices Shields of connectors in audio equipment containing active circuitry Rane s policy is to accommodate rather than dic tate However this document contains sugges...

Page 22: ...al grounding system improperly thus creating balanced equipment that is not immune to the cabling s noise currents This is one reason for the bad reputation sometimes given to bal anced interconnect A...

Page 23: ...n Figure 1b Recommmended practice CASE COMMON WRONG PRACTICE RECOMMENDED PRACTICE OPTIONAL CASE 1 2 3 3 1 2 CHASSIS GROUND SIGNAL GROUND CHASSIS GROUND CHASSIS GROUND Not using signal ground is the mo...

Page 24: ...consistent success indicates this and other acceptable solutions to RF issues exist though the increasing use of digital and wireless technology greatly increases the possibility of future RF problem...

Page 25: ...eferences 1 Neil A Muncy Noise Susceptibility in Analog and Digi tal Signal Processing Systems presented at the 97th AES Convention of Audio Engineering Society in San Fran cisco CA Nov 1994 2 Groundi...

Page 26: ...20 24 24 19 18 17 B B B B A A A A A A FEMALE BALANCED XLR NOT A TRANSFORMER NOR A CROSS COUPLED OUTPUT STAGE FEMALE BALANCED XLR EITHER A TRANSFORMER OR A CROSS COUPLED OUTPUT STAGE BALANCED TRS NOT A...

Page 27: ...RED SHIELD RED SHIELD SHIELD RED RED BLACK N C N C N C RED BLACK RED SHIELD N C BLACK RED BLACK RED 3 NC 2 RED 1 SHIELD 2 RED 1 SHIELD 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 SHIELD SHIE...

Page 28: ...3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD SHIELD BLACK SHIELD RED BLACK SHIELD RED BLACK RED SHIELD SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIE...

Page 29: ...F THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE Rane Corporation does not however warrant...

Page 30: ...THE UNIT WAS PURCHASED OR if product was purchased in the U S AT THE RANE FACTORY IN THE U S If the product is being sent to Rane for repair please call the factory for a Return Authorization number...

Page 31: ...the manufacturer This declaration of conformity is issued under the sole responsibility of Rane Corporation Type of Equipment Professional Audio Signal Processing Model CP66 Immunity Results THD N re...

Page 32: ...C INPUT ENABLE AUDIO RX AUDIO TX COMM POWER LINK LINK LINK LINK LINK MASTER REMOTE REMOTE ZONE 6 REMOTE ZONE 5 REMOTE ZONE 4 REMOTE ZONE 3 REMOTE ZONE 2 REMOTE ZONE 1 PAGER 2 DIGITAL REMOTES ZONE OUTP...

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