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Manual-4

Mic Input

•   Balanced ¼" TRS input (Tip (+), Ring (–), Sleeve (ground)

•   Accepts unbalanced ¼" TS (Tip-Sleeve) plugs.

•   Mic Engage switch turns the Mic on and off without changing the Mic level.

  °   Green indicator lights when engaged.

•   MIC level control range is Off to +50 dB

•   Overload Indicator:

  °   Lights 3 dB before clipping.

  °   Monitors the signal level before and after the HI and LOW tone controls.

  °   If it lights, turn the MIC level down and/or reduce the tone control boost.

•   2-band tone control:

  °   Maximum boost: 12 dB.

  °   Maximum cut: -12 dB.

  °   Center frequency: 1 kHz.

•   FlexFX effects loop:

  °   WET (effect), DRY (no effect) pan control.

  °   Process mic with any combination of input channels.

  °   See 

FlexFX Effects Loop

 section for details.

AUX Input and Output

•   AUX Input:

  °   Unbalanced RCA jack.

  °   AUX CUE signal is sent to the cue circuit before the AUX IN level control.

  °   AUX IN level control range is Off to +10 dB.

  °   AUX input sums to the Master mix after the Crossfader and FlexFX loop.

•   AUX Output:

  °   Unbalanced RCA jack.

  °   AUX OUT control range is Off to +0 dB

  °   Source is the Master mix:

  Program 1, 2, 3 

(pre- or post-effects)

 

plus 

the Mic   

(pre- or post-effects)

 

plus 

the AUX Input.

Booth Output

•   Balanced ¼" TRS output

•   Level control range is Off to +6 dB

•   Source is the Master mix:

  Program 1, 2, 3 

(pre- or post-effects)

 

plus 

the Mic   

(pre- or post-effects)

 

plus 

the AUX Input.

Main Output

•   Balanced XLR output.

•   Level control range is Off to +6 dB.

•   Source is the Master mix:

  Program 1, 2, 3 

(pre- or post-effects)

 

plus 

the Mic   

(pre- or post-effects)

 

plus 

the AUX Input.

10

0

+12

-12

2

4

8

6

OL

+12

-12

AUX IN

DRY

LOW

WET

CUE

AUX

HI

MIC

MIC

MIC ENGAGE

AUTO-GAIN

INPUT

1-2-3

10

0

2

4

8

6

AUX OUT

BOOTH

MAIN

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

Summary of Contents for EMPATH

Page 1: ...competition remix live sound The Empath o ers a combination of features compact size and quality presently unavailable at any price 1 2 3 0 10 2 0 4 8 6 10 2 0 4 8 6 10 2 0 4 8 6 10 2 0 4 8 6 10 10 8...

Page 2: ...uto Gain switch to the in position Green indicator will light Auto Gain is engaged for all three channels or none Target Level 0 dBu No gain change Threshold 16 dBu Minimum level required for Auto Gai...

Page 3: ...ions on page Manual 7 CONTOUR controls are provided for Input 1 and Input 3 faders Allows any fader response from SLOW smooth fade to FAST cut CONTOUR control provided for the Crossfader Allows any re...

Page 4: ...Unbalanced RCA jack AUX CUE signal is sent to the cue circuit before the AUX IN level control AUX IN level control range is O to 10 dB AUX input sums to the Master mix after the Crossfader and FlexFX...

Page 5: ...pan control to send signal to the e ects processor Set A CUE B switch to center CUE position Engage FlexFX RETURN CUE in Monitor the e ect in the headphones Bring the e ect into the master mix by inc...

Page 6: ...attenuation Stop threshold is at 75 dB of control attenuation CD triggers may be used with some external e ects processors and drum machines See manufacturers speci cations for details Internal switc...

Page 7: ...ider rocking a replace ment assembly should be tted 2 Clean the guide rod using a tissue or cloth removing all traces of dirt or contamination 3 Remove the track by carefully withdrawing from the unit...

Page 8: ...STEREO AMPLIFIER LEFT BOOTH DUAL CD PLAYER SAMPLER OR TAPE DECK GROOVE BOX PHONO 3 PHONO 2 PHONO 1 PHONO GROUND MIC dB dB INPUT LEVEL INPUT LEVEL ON I 0 POWER MAIN BOOTH AUX PHONO GROUND FlexFX RETURN...

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