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Manual-3

REAR PANEL DESCRIPTION 

1

 MIC/LINE INPUTS 1-6

 are balanced XLR input jacks. Pin 1 is chassis ground (neutral), pin 2 is positive (+), and pin 3 is 

negative (-).

2

 MIC/LINE INPUT buttons 1-6

 switch the sensitivity and input impedance for microphone or line-level input. If LINE is 

chosen, phantom power is defeated for that input.

3

 PHANTOM POWER buttons 1-6 

apply 12V phantom power to the input if the Mic/Line button is set to MIC.

4

 MIC/LINE INPUT GAIN trims 1-6

 adjust the preamp gain for the Mic/Line Input. The OverLoad indicator lights when the 

input signal level is within 5 dB of clipping. The Mic/Line Gain Trim may be decreased to provide more headroom if necessary.

5

 USB CHARGE port 

provides up to 500 mA at 5V to allow an MP3 player to charge its battery during playback.

6

 AUX 1 Stereo Input 

provides a 

3.5 mm

 TRS input as a convenience for connecting an MP3 player or other portable device. 

Connect a 3.5 mm stereo audio cable from a docking station, or headphone output of the player, to this 3.5mm input jack. 

Connect USB cable from the docking station or MP3 player to the adjacent USB charge port 

5

An RCA stereo line input is also provided. However, use only one of these AUX 1 Inputs at a time, do not use both at once.

7

 AUX 1-5 Input Gain Trim

 on each AUX input allows the system installer to match the relative input signal levels of various 

professional and consumer input devices (CD/DVD players, tape decks, MP3 players, phonographs, keyboards, etc).

8

 AUX 4 Stereo Input

 provides a 

LINE/PHONO switch

. When set to PHONO, this switch engages an RIAA equalization filter 

to accept input from a phonograph. Connect the ground cable from the phonograph to the phono ground post above the Phono 

switch. When set to LINE, this input accepts any stereo line signal.

9

 AUX 1-5 Stereo RCA Inputs

 in stereo pairs accommodate professional consumer-level unbalanced inputs. White = left channel, 

and red = right channel.

0

 RECORD OUT

 stereo RCA jack outputs the Main Mix, unaffected by the Main Level fader, at a level dictated by the adjacent 

record output level trim.

q

 MAIN OUTPUT

 is balanced stereo XLR jacks that output the Main Mix, with volume set by the Main Level fader. 

A mono version of the Main Mix is output here if the 

MONO

 switch is engaged, with the same mix appearing on both outputs. 

Pin 1 is chassis ground (neutral), pin 2 is positive (+), and pin 3 is negative (-).

w

 DIGITAL OUTPUTS 

deliver the Main Mix, unaffected by the Main Level fader. The 

TOSLINK

 optical jack and/or the  

S/PDIF

 coaxial jack may be input to CD recorders or other digital recording devices. Both digital outputs operate at 24-bit 

resolution and 48 kHz sample rate.

S/PDIF

RIGHT

LEFT

MONO

TOSLINK

USB AUDIO

IN / OUT

MLM65

MADE IN U.S.A.

RANE CORPORATION

PIN 2: POSITIVE

PIN 3: NEGATIVE

PIN 1: CHASSIS GND

CLASS 2 WIRING

100-240 V

50/60 Hz 15 WATTS

–12 0

–12

0

0

+12

–12 +12

0

–12 +12

0

–12 +12

0

–12 +12

PHANTOM

POWER

MIC

GAIN

LINE

12V

OL

GAIN

OL

GAIN

OL

GAIN

OL

GAIN

OL

GAIN

OL

PHANTOM

POWER

12V

PHANTOM

POWER

12V

PHANTOM

POWER

12V

PHANTOM

POWER

12V

PHANTOM

POWER

12V

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

LINE

PHONO

MIC

LINE

MAIN OUTPUT

RECORD OUT

AUX 5 IN

AUX 4 IN

AUX 3 IN

AUX 2 IN

AUX 1 IN

DIGITAL OUTPUTS

MIC 6

MIC 5

MIC 4

MIC 3

MIC 2

MIC 1

5 VDC

@500 mA

USB

CHARGE

ONLY

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK DO 
NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO 
NOT REMOVE COVER. NO USER SERVICEABLE PARTS 
INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS

RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

This device complies with Part 15 of the FCC Rules. Operation is 
subject to the following two conditions: (1) this device may not cause 
harmful interference, and (2) this device must accept any interference 
received, including interference that may cause undesired operation.

CAN ICES-3 (B)/NMB-3(B)

1

2

3

4

5

6

8

9

7

0

q

e

r

w

Summary of Contents for MLM 65

Page 1: ...4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 LEVEL MLM 65 MIC LINE MIXER PAN MIC 2 R L CUE LEVEL PAN MIC 1 R L CUE LEVEL PAN MIC 3 R L CUE LEVEL PAN MIC 4 R L CUE LEVEL PAN MIC 5 R L CUE LEVEL LEVEL PAN MIC 6 STEREO R L CUE LEVEL POWER CUE CUE AUX SOURCE MAIN CUE PHONES LEVEL 2 5 USB 1 3 4 D...

Page 2: ...ain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle 16 This apparatus shall be connected to a mains socket outlet with a protective earthing connection 17 When permanently connected an all pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the electrical installat...

Page 3: ...ible Pour déconnecter totalement l appareil du secteur débranchez le câble d alimentation de la prise secteur 16 Cet appareil doit être branché à une prise terre avec protection 17 Quand il est branché de manière permanente un disjoncteur tripolaire normalisé doit être incorporé dans l installation électrique de l immeuble 18 En cas de montage en rack laissez un espace suffisant pour la ventilatio...

Page 4: ...0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 LEVEL MLM 65 MIC LINE MIXER PAN MIC 2 R L CUE LEVEL PAN MIC 1 R L CUE LEVEL PAN MIC 3 R L CUE LEVEL PAN MIC 4 R L CUE LEVEL PAN MIC 5 R L CUE LEVEL LEVEL PAN MIC 6 STEREO R L CUE LEVEL POWER CUE CUE AUX SOURCE MAIN CUE PHONES LEVEL 2 5 USB 1 3 4 CONNECTION When ...

Page 5: ...in Level fader the rear panel Record Out gain control and the TOSLINK S PDIF and USB digital outputs The Main Level fader has no effect on this display The 0 dB LED corresponds to a level of 20 dBFS 20 dB before clipping 9 CUE PHONES LEVEL control sets the volume of the input selected with the lit Cue button to the stereo headphone outputs 0 CUE meter displays the signal level of the input selecte...

Page 6: ...s in stereo pairs accommodate professional consumer level unbalanced inputs White left channel and red right channel 0 RECORD OUT stereo RCA jack outputs the Main Mix unaffected by the Main Level fader at a level dictated by the adjacent record output level trim q MAIN OUTPUT is balanced stereo XLR jacks that output the Main Mix with volume set by the Main Level fader A mono version of the Main Mi...

Page 7: ...e Main meter displays the peak level of the mix pre Main fader A mix with optimal dynamic range normally lights the meter from 0 to 7 dB and only lights the red OL led during the most extreme peaks A peak indication 0 dB on the meter corresponds to 20 dBFS in the mix 20 dB below clipping The stereo Main Mix is sent to the Record Outputs Digital Outputs and the Main Level fader CONNECTION continued...

Page 8: ...layback and recording 16 bit 48 kHz The MLM 65 uses the drivers that ship with Windows and Macin tosh operating systems Once the operating system recognizes the MLM65 the blue LED on the MLM65 rear panel illumi nates WINDOWS OPERATION When Windows detects the MLM65 it automatically sets it as the default Recording and Playback device With Windows XP and Vista any audio applications currently runni...

Page 9: ...X detects the MLM65 it adds it to the list of audio input and output devices but does not automatically set it as the default device Some Macintosh applications allow you to select the device you want to use Other applications only use the device specified as the OSX default We recommend that you set the default audio input and output device to the MLM65 before starting the application you want to...

Page 10: ...ent is modified without writ ten consent of the manufacturer This declaration of conformity is issued under the sole responsibility of Rane Corporation Type of Equipment Professional Audio Signal Processing Brand Rane Model MLM 65 Immunity Results THD N 4 dBu 400 Hz BW 20 Hz 20 kHz Test Description Measurement Conditions RF Electromagnetic Fields Immunity 80 MHz 1000 MHz 1 kHz AM 80 depth 3V m 80 ...

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