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Multi-Band Compressor

The Compressor may be used in either full-range (M-

BAND off) or multi-band (M-BAND on) modes. Repeatedly
press the COMPRESS button to move through each fre-
quency band when M-BAND is set to ON.

Pressing the COMPRESS button displays the following:

CMP ON |BND THRSH RTO ATCK  REL  M-BAND
OUT 1+2| 1    0dB 2.0  10ms 100ms   ON

*   

Important note:

 the front panel Gain Reduction meter

automatically switches to display the amount of gain
reduction being applied to the 

currently selected band

.

Adjusting Crossover Points in Multi-Band Mode

To view or adjust crossover frequencies:

1. Navigate to the M-BAND parameter.
2. Rotate the DATA control to select SET and press ENTER.
3. Select a band crossover point and adjust with the DATA

control. Press ENTER to return to the COMPRESSOR.

CMP

|--------X---------X----------|

OUT 1+2| BND1-2=200Hz  BND2-3=2.0kHz

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Description

Custom tailoring of the program material dynamics is

possible using the multi-band compressor. The audio signal is
divided into distinct frequency ranges, which are then
individually compressed as desired before being recombined
to form the processed signal.

A common application for multi-band compression is to

compress low frequencies more (or otherwise differently)
than the mid and high frequencies. How many times have you
heard this: 

“Why do the vocals disappear with every bass

drum hit? It gives my mix this weird pumping sound.”

 This

phenomenon is likely due to using a full-range (broadband)
compressor across the entire mix. In this scenario the low
frequency energy from the bass drum triggers the compres-
sor, dragging 

all

 frequencies down evenly with every hit.

Multi-band compressor to the rescue! Try adjusting the

compressor’s crossover frequency point to compress just the
low frequency range (say, 200 Hz and below) while keeping
the vocals and guitars strong and present.

The multi-band compressor used in the MM 42 is of the

rms (root mean square) variety with a soft-knee characteristic
for a pleasant, musical response.

Figure 2 Compressor Characteristic (various Ratios)

Summary of Contents for MM 42

Page 1: ...page Adjust the THRSH parameter until you see a few blinky lights on the Gain Reduction meter Press the COMPRESS button again to move on to band 2 and again to move to 3 merrily making adjustments No...

Page 2: ...parameter Turning the DATA control clockwise increases the parameter and turning it counterclockwise decreases the parameter Push and turn the DATA control for fine adjustment of some param eters The...

Page 3: ...to the front panel PHONES jacks The Cue Out level is not affected by the Phones Level control CUE BUS jacks are RJ 12 telephone style for interconnecting multiple MM 42s for cueing soloing purposes M...

Page 4: ...0 2 4 8 6 PUSH FINE PUSH SELECT MM 42 DATA OUTPUT INPUT PHONES GAIN REDUCTION CONFIG FILTER SUB A MEMORY UTILITIES CUE BUS B C D 1 2 LEVEL COMPRESS EQ LIMIT ENTER CANCEL ACME In Ear Stereo Transmitter...

Page 5: ...CME In Ear Mono Transmitter 2 or wired beltpack Input OR LINE INPUT A LINE INPUT B OUTPUT 1 OUTPUT 2 36 dBFS PEAK 8 12 24 dBu dBu 0 3 4 8 12 24 0 3 4 PROCESSOR MONITOR 10 12 24 8 10 3 1 6 4 36 12 24 8...

Page 6: ...BUS CUE BUS CUE BUS Monitor Engineer ACME Mixing Console Stereo Transmitter Background Vocal 1 Stereo Transmitter Background Vocal 2 36 8 12 24 0 3 4 8 12 24 0 3 4 PROCESSOR MONITOR 10 12 24 8 10 3 1...

Page 7: ...lows Range Coarse Fine 20 999 Hz ISO centers 20 800 Hz 1 Hz 1 0 kHz 9 9 kHz ISO centers 1k 8k 0 1 kHz 10 kHz 20 kHz ISO centers 10k 20k 1 kHz If a frequency is currently set to a non ISO value making...

Page 8: ...o t B d 0 0 4 r o f f o l e v e l t u p t u o o e r e t S T U P T U O n r u T t n e m t s u j d a s t n e m e r c n i B d 1 r o f l e v e L B d 5 0 r o f n r u t d n a h s u P s t n e m e r c n i E C...

Page 9: ...ER 3 BAND PEAK LIMITER OUTPUT LEVEL OUT 2 SUB OUT 1 INPUTS A B C D 8 12 24 0 3 4 8 12 24 0 3 4 Block Diagram Main Inputs Outputs and Sub Output Signal Processing Overview So what does the MM 42 have u...

Page 10: ...i a g h g i H y l n o e d o m f l e h S o t B d 5 1 B d 2 1 t s o o b r o t u c f o t n u o m A Description Shelf Cut Filters tailor the upper and lower frequency ranges of personal in ear monitors A...

Page 11: ...h F N I K C T A k c a t t A o t s m 5 0 s m 0 0 1 e h t y l k c i u q w o h s e n i m r e t e D e c n o d e c u d e r s i e m u l o v t u p t u o e h t s d e e c x e e m u l o v t u p n i e h t d l o...

Page 12: ...lly instead of selecting OUT1 2 Figure 3 Parametric EQ various Q settings 20 20 18 16 14 12 10 8 6 4 2 0 2 4 6 8 10 12 14 16 18 4 4 3 5 3 2 5 2 1 5 1 0 5 0 0 5 1 1 5 2 2 5 3 3 5 d B Hz Important note...

Page 13: ...M 42 it doesn t matter which one and press the front panel CUE BUS button on the unit you wish to monitor The signal from that unit is automatically routed to the Cue Bus and can be monitored from any...

Page 14: ...e e w t e b s t c e l e S e d o m s u B e u C y r a t n e m o m Repeatedly pressing the UTILITIES button cycles through the following useful pages Cue Bus Configuration CUE BUS CUE PHONES PROCESSING M...

Page 15: ...d pre or post processing This feature is especially useful for doing a before and after comparison to hear the effect of the channel processing and only affects the Phones and CUE Outputs the Main Out...

Page 16: ...e firmware is loaded followed by a success message with the new version MM 42 FIRMWARE UPDATE SUCCESSFUL VERSION On the transmitting MM 42 1 Select SEND mode on the MIDI TRANSFER page 2 Select the MEM...

Page 17: ...es Hearing Conservation Hearing Education Awareness for Rockers H E A R PO BOX 460847 San Francisco CA 94146 Phone 415 409 EARS or 3277 Email hear hearnet com Web www hearnet com Earphone Manufacturer...

Page 18: ...o P n O i n m O 1 e d o M y l o P f f O i n m O 3 e d o M o n o M n O i n m O 2 e d o M o n o M f f O i n m O 4 e d o M Version 1 2 r e l l o r t n o C r e t e m a r a P 2 4 M M e g n a R I D I M c e...

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