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Manual-

MP 2016a

ROTARY DJ MIXER

OPERATORS MANUAL

QUICK START

You asked for it, you got it! The MP 2016a now has Split Cue! If you don’t know what that is, we suggest you take the time to read 

this entire manual so you learn lots of other things to get the best sound and features out of your new mixer. But if you know what 

Split Cue is, at least read this section to refresh your knowledge of the rest of the MP 2016a.

There are four dedicated phono preamplifiers. One each for Input channels 1-4. Switches on the rear panel set each preamplifier 

for 

LINE 

or 

PHONO 

operation. Make sure you have these switches set correctly for your application.

There are two dedicated 

MIC 

preamplifiers, one each for Input channels 5-6. Rear panel switches set each preamplifier for 

LINE 

or 

MIC 

operation. Make sure you have these switches set correctly. 

MIC GAIN

 controls adjust each preamplifier for the correct sen-

sitivity. With a 

MIC 

selected and 

ENGAGED

, set the front 

INPUT GAIN

 control to “

10

” and adjust the rear 

MIC GAIN

 to just 

keep the Input Channel 

SIG / OL

 indicator green, not red. Set the rear panel tone controls as desired. The 

MIC ENGAGE

 switch 

ducks the 

BOOTH

 Output by 12 dB unless defeated with internal jumpers.

Before installing this mixer permanently, be sure to read the MIC / LINE INPUTS section on page Manual-6.

All five stereo line-level 

AUX

 Inputs are available for each of the six Input Channels.

Adjust the 

INPUT GAIN

 controls so they blink the green 

SIG / OL

 indicators. If an indicator is red, the 

INPUT GAIN

 control 

is set too high. This provides optimum signal to noise, dynamic range and 

MIX LEVEL

 control consistency.

The 

BOOTH

 may select 

CUE

 or 

MASTER 

as its source. 

CUE 

allows monitoring Inputs in the booth without headphones.

The 

XP 2016a

 switch engages the optional XP 2016a processor. If the XP 2016a is not connected, the switch has no effect.

The 

EFFECTS LOOP

 switch switches the Loop in (up) or out (down). If nothing is connected to the 

EFFECTS LOOP RE-

TURN

, the switch has no effect.

The 

MASTER MONO / STEREO

 switch influences both 

BOOTH 

and 

HOUSE OUTPUTS

. It does not affect the 

EFFECTS 

LOOP

 or 

TAPE OUTPUTS

.

Two 

TAPE OUTPUTS

 are provided. One is a 

PRE-EFFECTS

 Loop and one is a 

POST-EFFECTS

 Loop. The 

POST-EF-

FECTS

 Loop Tape Output has a 

LEVEL 

control and may be used as a pre-tone control 

AUX

 Output.

The MP 2016a Master Output uses Accelerated Slope ™ tone controls that provide full “kill” for 

TREBLE

MID 

and 

BASS

.

The 

MASTER SIG / OL

 indicator monitors the master mix before and after the tone controls. This indicator should light green 

most of the time. It is OK for it to flash red on occasion. This provides optimum signal-to-noise and dynamic range. 

HOUSE 

and 

BOOTH 

are the only level controls that do not affect the 

MASTER SIG / OL

 indicator.

The 

HOUSE OUTPUT

 has both balanced (XLR) and unbalanced (RCA) Outputs. To avoid hum, always use the balanced 

(XLR) Outputs for longer cable runs (typically greater than 10 feet, or 3 meters).

Headphone cueing allows monitoring 

MASTER 

or 

CUE

 sources. If 

MIX LEVEL 

controls are operated at less than “7”, be sure 

to turn the 

PHONES LEVEL

 down before selecting a 

CUE

 as it may be much louder than the Master Mix. The Headphone Output 

is low-impedance high-current, so 

do not

 short the tip and ring together or to ground.

Never connect anything except an approved Rane power supply to the red thing that looks like a telephone jack on the rear of the unit. 

This is an AC input and requires a power supply exactly like the one originally packed with your unit.

WEAR PART

The MP 2016a contains no wear parts. The XP 2016a contains the following wear part subject to the ninety (90) day warranty 

period described on page Service-1: (1) Active Crossover Assembly F 60.

SIG / OL

CUE

1

CUE

2

ENGAGE

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

6

5

7

4

2

3

9

1

10

8

6

5

7

CUE

PGM

POWER

STEREO

XP 2016a

MASTER

CUE

EFFECTS

LOOP

MONO

BOOTH

+6

OFF

0

TREBLE

1

2

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

AUX 5

AUX 4

AUX 3

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

MIC 1

ENGAGE

MIC 2

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

3

3

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

4

4

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

5

5

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

6

6

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

4

8

6

8

6

2

2

4

4

2

3

9

1

10

8

6

5

7

LEVEL

MONITOR

PHONES

4

2

3

9

1

10

8

6

5

7

HOUSE

4

2

3

9

1

10

8

6

5

7

MASTER

ROTARY

MIXER

MP 2016a

+6

OFF

0

MID

+6

OFF

0

BASS

STEREO

MONO

Summary of Contents for MP 2016A

Page 1: ... has a LEVEL control and may be used as a pre tone control AUX Output The MP 2016a Master Output uses Accelerated Slope tone controls that provide full kill for TREBLE MID and BASS The MASTER SIG OL indicator monitors the master mix before and after the tone controls This indicator should light green most of the time It is OK for it to flash red on occasion This provides optimum signal to noise an...

Page 2: ...nd 10 for full volume Use the HOUSE and BOOTH LEVEL controls to set the output levels Always set the MIX LEVEL controls to minimum when not in use CUE The CUE signal is selected using CUE 1 6 switches in any combination The associated yellow indicator lights when a CUE is active SIG OL CUE 1 CUE 2 ENGAGE MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 6 5 7 4 2 3 9 1 10 8 6 5 7 CUE MASTER CUE BOOTH 1 2 SIG OL...

Page 3: ...nd HOUSE Outputs MASTER SIG OL indicator This dual color indicator helps set correct MASTER mix levels A flashing or steady green indication is optimal The red indicator may flash only briefly on rare occasion regular flash ing or steady on means that distortion is imminent and Levels need reducing XP 2016a switch This engages the optional XP 2016a External Processor If the XP 2016a is not connect...

Page 4: ...trim with BASS and TREBLE tone controls MIC LINE switches These select MIC or LINE mode for the MIC Inputs In MIC mode the gain range is 20 to 50 dB In LINE mode the gain range is 0 to 30 dB In addition to setting the proper gain range for MIC or LINE level Inputs these switches also select the proper Input impedance MIC GAIN trim These controls adjust the preamplifier for optimum dynamic range Ea...

Page 5: ... as Auxiliary Outputs EFFECTS LOOP RETURN jacks RETURN Inputs are unbalanced standard tip sleeve jacks They provide the Input from external signal processing or effects units Switching jacks are used so there is no loss of signal if the front panel EFFECTS LOOP switch is active with no effects connected RETURN Inputs are not appropriate for Aux iliary Inputs as this signal is only selected when th...

Page 6: ...ut stages up cor rectly however you will be amazed at how much better your performance sounds MIX LEVEL With the Input stages properly adjusted you are free to use the MIX LEVEL control for mixing For most applica tions channels will be mixed at about 70 to 100 rotation BOOTH and HOUSE level controls then set the output volume The MASTER SIG OL indicator displays the signal level of the mix The Gr...

Page 7: ...n each of the six input channels to the A side of the Crossfader B side of the Crossfader or POST Cross fader CROSSFADER This implements using Ranes proprietary Active Crossfader design All audio is isolated from the control element greatly extending the life and performance of the control See page Manual 8 for cleaning and replacement instructions CROSSFADER CONTOUR This control allows adjusting ...

Page 8: ...22 CH 2L IN 23 XP 2016 ENABLE GND 24 CH 1R IN 25 CH 1L IN 26 GND Fader Cleaning With heavy use in harsh environments the faders may need lubrication This treatment extends longevity and can make used faders as good as new The fader assembly must be removed from the XP 2016a for proper cleaning We recommend any of the following cleaning solutions Caig DeoxIT FaderLube F100 spray lubricant www caig ...

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