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Manual-11

for listeners in the initial, center seats may not find this delay

acceptable. Assuming that no propagation delay is added

through other digital signal processing or a digital console

(this may be the case), the additional network delay of 6.5175

feet – assuming NM 84s on and off the network – may place

the arrival time of the direct sound versus the acoustic arrival

outside the Haas effect time. This would make the propagation

delay unacceptable for this application. If you’re implement-

ing a mic snake type of application and are including the

monitor audio for stage members on the network, be sure to

not exceed an acceptable delay time; a delay time not much

more than 10 milliseconds (or hopefully less) is probably

acceptable for monitor applications. Decide for yourself.

That being said, there are upcoming technologies (i.e.,

vaporware) that may cut this network propagation time in half

or more. But, like most vaporware, we’d have to kill you after

we told you about it. So, when this really becomes available,

we’ll let you know. This way, we won’t have to kill you now.

Cables. Unlike simpler analog audio cable, choosing and

installing CAT 5 network cable and connectors can be

challenging and deceiving given that 100 megahertz data is

being transported. Plus, the connector termination is not

intuitively obvious; get it wrong and you’ll spend hours

blaming equipment when it’s the cables all along. (I know this

because I’ve spent a full day and a half suspecting equipment

when the cables were to blame. And yes, the cables had tested

fine with a continuity tester, but a continuity tester is nowhere

near good enough a test for the required 100 megahertz data

we’re talking about here.) This cable stuff requires special

attention beyond that normally paid by us audio guys who are

now trying to implement these newfangled audio networks.

Do yourself a favor and visit Peak Audio’s website where

they have a great primer on Network Cabling.

http://www.peakaudio.com/cobranet/network_cabling.htm.

Finding or training people to deal with network cable and

network troubleshooting is a worthwhile investment if your

future includes networked audio systems.

Remember that the network hardware devices chosen for

your network go hand in hand with the Bundles required to

deliver audio for a given application. Multicast networks/

Bundles can be transported over repeater hubs or over

switches; Unicast networks/Bundles require using switches.

You cannot transport unicast data over repeater hubs.

Although the Network Hardware (Table 2) and the

CobraNet Bundle (Table 1) are similar, they are listed sepa-

rately since, for example, multicast data can be transmitted

over repeater hubs or switches. Thus listing them separately

allows you to determine which approach is best for your given

application.

When observing the indicators on switch ports for

CobraNet devices, Rane NM devices appear as full duplex

devices. (“Rave” devices – available from our friends at QSC

Audio – appear as half duplex; this may change however, so

check with QSC.)

A Few Words About Networks

The opening primer in the Quick Start about designing a

network makes it sound so easy – and it is, relatively – but it’s

like using three sentences to say design a sound system for a

building. Like many technologies, there is always something

new to learn. Networks and Ethernet may be new to audio

folks, but they’re old news to computer types. Here are a few

good places on the Internet for more information on these

subjects:

   Rane’s main “network help” links page:

www.rane.com/ethernet.html

   Network Design:

www.peakaudio.com/CobraNet/Network_Design.html

The folks at Peak Audio are, obviously, an invaluable

resource for CobraNet information. Do not underestimate

their interest in the success of your designs or their willing-

ness to help with network design or the myriad questions

that arise.

   John’s Closet - A down-to-earth set of networking how-

to’s: www.johnscloset.net

   Ethernet Tutorial - A wonderful tutorial in plain English

from Lantronix:

www.lantronix.com/training/tutorials

   Informit.com - Free online books about programming

include lots of Web stuff

   Network Design Tutorials & Other Resources - An indus-

trial-strength link list of networking topics:

www.alaska.net/~research/Net/nwpages.htm

   Ethernet Information - Network Basics / Cabling:

www.windowsnetworking.com/j_helmig/basics.htm

Summary of Contents for NM 84

Page 1: ...and paste between the various pages The next four pages set up Monitor Outs Monitor 1 through Monitor 4 respectively The 8 Mic Input audio channels on the NM 84 can be transmitted on up to 4 differen...

Page 2: ...adjustable fields on each page These buttons select each adjustable parameter along the bottom row by moving the underline cursor left or right When any parameter is selected the DATA wheel adjusts th...

Page 3: ...nt on the network This means any packet including packets not intended for the NM 84 It tells you that the network is actually transporting data If this indicator is off no data is present fFAULT indi...

Page 4: ...lect the desired command then press the EXE button to execute the command Use Copy to place the current Edit page contents in a clipboard Navigate to the Edit page where you want to paste these settin...

Page 5: ...certain channels must be transmitted to more than one location or CobraNet node Thus the NM 84 provides four Bundles for transmission CobraNet permits transmission of up to 4 Bundles maximum per Cobra...

Page 6: ...m and Config edit pages are not stored in Memories The intent of disallowing Memories to alter the Network Transmit settings for example is to keep the familiarity of a radio broadcasting paradigm rel...

Page 7: ...d is more than the number of particles in the universe Optimizing Mic Preamplifier Performance There are seven stages of signal processing for each of the 8 Mic Inputs plus Metering For best results i...

Page 8: ...defeat your hard work Extra credit reading In addition to protection of equip ment and control of SPL the NM 84 s Limiters may be used for AGC To provide AGC set the Limiter Lim to a level about 10 to...

Page 9: ...i r c s e D s e g a t n a v d A s e g a t n a v d a s i D f f O 0 0 0 x e h l l u N n o i s s i m s n a r T d e s u n U d e l b a s i d f f O e i l e n n a h c g n i v a s d n a o i d u a g n i t u m...

Page 10: ...e n a t l u m i s t i b M 0 0 1 s i k r o w t e n t i b M e d i w k r o w t e n y a w a g n i o g y l e k i l t u b e v i s n e p x e n i y r e V k r o w t e n t e N a r b o C d e t a c i d e d a n e...

Page 11: ...k troubleshooting is a worthwhile investment if your future includes networked audio systems Remember that the network hardware devices chosen for your network go hand in hand with the Bundles require...

Page 12: ...puter data collisions which slow down the computer network and simultaneously creates audio dropouts pops or ticks Not fun or necessary Oftentimes however computer data must be shared on the network o...

Page 13: ...d meter readings ActiveX control Events tell the computer something significant has happened such as a switch closure button press or clip detection ActiveX allows the manufacturer to create an object...

Page 14: ...tch the NM 84 device s parameter that you ll link to this slider Sometimes you ll find that you ll need to adjust these maximum and minimum values here or in the Script language discussed next to prop...

Page 15: ...sses which is 192 168 nnn nnn where nnn represents any number between 0 and 255 A good choice might be 192 168 100 100 just because it s easy to remember if you ever need to know it again Set the Subn...

Page 16: ...ally whether the data is relevant to them A Switched Hub is typically not able to determine appropriate destination port or ports for multicast data and thus must send the data out all ports simultane...

Page 17: ...ing or Binary modes see table A Binary mode allows access to all 16 Memories For ex ample connect the four contacts of a binary switch plus the additional Binary mode closures shown in the Table Pagin...

Page 18: ...Mic1_Line_Gain Equates to Mic_Line_Gain 0 Mic1_Trim Equates to Mic_Trim 0 Mic1_Filter Equates to Mic_Filter 0 Mic1_Limiter Equates to Mic_Limiter 0 Mic2_Mute Equates to Mic_Mute 1 Mic2_Phantom_Power E...

Page 19: ...iter Equates to Mic_Limiter 7 for Idx 0 3 corresponds to Monitor 1 4 Out_Local Idx TRUE FALSE for Monitor Local setting Out_Mic_Index Idx 0 Off 1 Input 1 8 Input 8 for Monitor Local Mic setting Out_Bu...

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