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SCARLET-W OPERATION GUIDE

7

TIMECODE, GENLOCK,
MULTI-CAMERA SETUP

This chapter describes timecode, genlock, and multi-camera operations such as 3D and array setup.

NOTE:

Timecode and genlock require a DSMC2™ Base Expander, DSMC2 V-Lock I/O Expander, DSMC2 Jetpack

Expander, DSMC2 Jetpack-SDI Expander, or DSMC2 REDVOLT Expander. For more information, go to

Connectors" on page 205

.

NOTE:

Master/Slave operation, including stereo/3D and camera arrays, requires a GIG-E port, which is available on the

DSMC2 REDVOLT Expander and DSMC2 Jetpack- SDI Expander. For more information, go to

Connectors" on page 205

.

TIMECODE

NOTE:

Inputting timecode requires a DSMC2 Base Expander, DSMC2 V- Lock I/O Expander, DSMC2 Jetpack

Expander, DSMC2 Jetpack-SDI Expander, or DSMC2 REDVOLT Expander. For more information, go to

Connectors" on page 205

.

NOTE:

A DSMC2 REDVOLT Expander is required to output timecode from the camera.

Timecode is a numeric sequence based on SMPTE 12M that aids in the management and synchronization of footage
and audio. Timecode is embedded in recorded RAW files, QuickTime® files (if recording an Apple® ProRes codec),
and MXF files (if recording an Avid® codec) as metadata and in HANC metadata provided by the HD-SDI monitor
output. The camera can generate timecode on its own or can receive and sync to timecode generated by an external
source.

Timecode displays in the lower right corner of the Live Action Area on the graphical user interface (GUI) and is
embedded as metadata. Timecode is represented as an eight (8) digit sequence (HH:MM:SS:FF), where:

HH

: Hours

MM

: Minutes

SS

: Seconds

FF

: Frames

NOTE:

Timecode is most accurate and effective when coupled with genlock. For more information, go to

.

NOTE:

For more information on HANC metadata, see

HD- SDI HANC Metadata Information

, available at

www.red.com/developers

.

TIMECODE DISPLAY MODES

Time of Day (TOD)

: Displays the time of day (HH:MM:SS:FF). TOD timecode runs continuously and is not affected

by recording. TOD timecode can be synchronized with the Real-Time Clock (RTC) in the camera.

Edge

: Edge timecode is continuous between clips, meaning that when recording starts, timecode begins. and

when recording stops, timecode stops. By default, Edge timecode default begins at 01:00:00:00, but can be
configured in the Media menu (

Menu

>

Media

>

Device

>

Format

).

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Summary of Contents for SCARLET-W

Page 1: ...SCARLET W RED DRAGON MONOCHROME V6 3 RED COM SCARLET W OPERATION GUIDE ...

Page 2: ... GUI Menu Introduction 53 Upper Status Row Basic Menu 54 Live Action Area 58 Lower Status Row 60 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 2 SCARLET W OPERATION GUIDE TABLE OF CONTENTS Navigation Controls 66 5 Advanced Menus 76 Advanced Menus Overview 76 Access the Advanced Menus 76 Settings Menu 77 Media Menu 136 Playback Menu 137 Power Menu 142 HDRX Menu 143 Focus Menu 144 Exposure Assist M...

Page 3: ...B Mechanical Drawings 200 SCARLET W BRAIN 200 C Input Output Connectors 205 DSMC2 Base Expander 206 DSMC2 V Lock I O Expander 207 DSMC2 REDVOLT Expander 208 DSMC2 Jetpack Expander 209 DSMC2 Jetpack SDI Expander 210 Record Monitor Out Ports 211 Communication Ports 213 Audio Ports 223 Power Ports 225 D Lens Mounts and Lenses 232 Lens Mounts 232 Lenses 235 E Default Key Functions 247 Default Keys 247...

Page 4: ... is a registered trademark of Avid Technology Inc DaVinci Resolve is a registered trademark of Blackmagic Design in the U S and other countries EDIUS Pro is a registered trademark of Grass Valley Vegas Pro is a registered trademark of Sony Creative Software IDX is a registered trademark of IDX Company Ltd COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 4 SCARLET W OPERATION GUIDE COMPLIANCE STATEME...

Page 5: ...e implies conformity to the following European Norms in brackets are the equivalent international standards EN 60065 IEC 60065 Product Safety ETSI EN 300 328 Technical requirement for radio equipment ETSI EN 301 489 General EMC requirements for radio equipment INFORMATION Products with the CE marking comply with the EMC Directive 2004 108 EC and the Low Voltage Directive 2006 95 EC issued by the C...

Page 6: ... moisture without appropriate protection and immediately remove power source if camera or accessories are exposed to moisture WARNING To reduce the risk of fire or electric shock do not expose the camera to rain or moisture DO NOT expose the camera to laser beams as laser beams may damage the sensor DO NOT expose your camera to excessive vibration or impact shock Be careful not to drop your camera...

Page 7: ... damage due to crushing or other forms physical damage Products marked with this symbol are class 2 devices These devices are not provided with a grounding type plug CAUTION The power cord plug for the DSMC AC Power Adaptor is used as the power disconnect To disconnect all power from the DSMC AC Power Adaptor unplug the power cord plug from the wall outlet During use the power cord plug should rem...

Page 8: ...es Overcharging may increase internal temperature beyond the recommended limits and cause permanent damage to the battery DO NOT connect the positive and negative terminals to a metal object such as a wire COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 8 SCARLET W OPERATION GUIDE DO NOT transport or store the battery together with metal objects such as jewelry hairpins etc as they may generate hea...

Page 9: ...A and RED Li 7 2V batteries may also be classified as Dangerous Goods when purchased in bulk Applicable laws prohibit the shipping of batteries that are physically damaged We urge you to look into the formal rules and regulations of shipping Class 9 Dangerous Goods prior to preparing your shipment For more information on these regulations please visit www iata org and www dot gov For more informat...

Page 10: ...rovide an efficient and manageable RAW video data format that promotes advanced post production editing capabilities In the R3D file format the digital image received from the sensor is formatted as a pixel defect corrected but in all other aspects unprocessed 16 bit per pixel RAW data frame Each RAW frame or sequence of RAW frames in a clip is compressed using a proprietary wavelet based REDCODE ...

Page 11: ...lable for download at RED Downloads at www red com downloads NOTE RED TETHER is included in REDCINE X PRO build 35 or later HDRX AND MAGIC MOTION HDRX HDRx extends dynamic range up to six 6 stops by simultaneously capturing two 2 images of identical resolution and frame rate The first image is a normally exposed track A track while the second is an underexposed track X track with an exposure value...

Page 12: ...re operation guides and post production software DSMC Toolkit Go to RED Downloads to find the DSMC Toolkit which offers many helpful tools and resources to customize and improve your camera workflow RED Support Check the RED SUPPORT site for FAQs or to file a support ticket Bomb Squad Support For more information contact your Bomb Squad representative In Camera Help Select the Help button on an in...

Page 13: ... change at any time ADDITIONAL RESOURCES For more information on power and media see the following guides available at www red com downloads DSMC Power Operation Guide DSMC Media Operation Guide BRAIN Figure SCARLET W BRAIN The DSMC BRAIN is the image processing center of the camera system and supports power media and other modules The only ports on the BRAIN are the DSMC2 Top Handle port and EVF ...

Page 14: ...You can press the button on the battery to check the battery charge level LED COLOR FLASHING DESCRIPTION Power Status LED PWR Off Camera off1 Green Camera on Amber flashing Camera on 5 to 10 min of battery time available Amber Camera booting Red flashing Camera on 5 min of battery time available Red Camera shutting down Record Status LED REC Off No media present Green Ready to record Amber Finaliz...

Page 15: ...ame time For more information go to LCD EVF 2 HDMI Select on page 85 4 Focus Hook Mounting Point2 Mount the focus hook Comes with a set screw installed to protect the threaded insert when the focus hook is not in use 5 Focus Hook Storage Location2 Store the focus hook or set screw 6 Back Focus Adjustment Screw Adjust back focus 1 The DSMC2 LEMO Adaptor A allows you to mount other RED displays 2 In...

Page 16: ...Press Eject Media 2 REC button Programmable key Full Press Record Toggle Half Press AF Start 3 User Key 2 Programmable key User Key 1 2 Press Eject Media For more information see the DSMC Media Operation Guide available at www red com downloads COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 16 SCARLET W OPERATION GUIDE ...

Page 17: ...ber flashing slow Formatting media Red flashing slow Media mounted with 5 and 10 of media space available Red flashing fast Media mounted with 5 of media space available Red Recording media mounted with 10 of media space available 2 Record Status LED1 Off Not recording or media not mounted Red Recording 1 For more information on how to enable disable this LED go to Indicator on page 115 If media i...

Page 18: ...Part Number Required Firmware RED MINI MAG 120GB 750 0075 v6 1 35 or later RED MINI MAG 240GB 725 0082 v5 1 47 or later RED MINI MAG 512GB 725 0078 v5 1 34 or later RED MINI MAG 1TB 1 725 0081 v5 3 34 or later 1 The RED MINI MAG 1TB can take up to 20 seconds to mount to a computer or a camera For more information see the DSMC Media Operation Guide available at www red com downloads COPYRIGHT 2016 ...

Page 19: ...and durable magnesium this low profile module mounts directly to the BRAIN and offers interface connections for power DC IN HDMI 3G SDI HD SDI CTRL and SYNC ports for Timecode and Genlock as well as a 3 5mm microphone input and a 3 5mm line level headphone out The DSMC2 Base Expander also offers rear mounting support for DSMC2 compatible battery and power modules such as the DSMC2 REDVOLT XL Modul...

Page 20: ...to 1 5 Amps A front facing 2 Pin 0B LEMO AUX PWR port provides 3 0A maximum A front facing 7 Pin 0B LEMO SERIAL provides 1 5A maximum The SERIAL port is ideal for connecting to motor drivers A rear facing Timecode port offers 5V at 200 mA for powering external timecode devices A rear facing USB port offers 5V at 1 5A for powering HDMI transmitters or small mobile devices The two 2 3 Pin XLR audio ...

Page 21: ...d support and connectors for HDMI and USB power out perfect for housings and low profile setups The DSMC2 Jetpack Expander also features a selector switch that enables the camera to automatically boot when power is provided via the DC IN connector on the expander This feature allows you to use a connected DC input supply to turn the camera on and off when the camera is mounted in remote or difficu...

Page 22: ...Ethernet connection offers increased bandwidth for streaming high quality footage The DSMC2 Jetpack SDI Expander is ideal for housings and low profile configurations that require 3G SDI outputs or computer tethering The DSMC2 Jetpack SDI Expander also features a selector switch that enables the DSMC2 BRAIN to automatically boot when power is provided via the DC IN connector on the expander This fe...

Page 23: ...llows you to use a connected DC input supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations This expander is an ideal solution for a wide variety of production environments from low profile run and gun situations to studio shoots that require mobility NOTE The DSMC2 Top Handle may not be fully compatible with the DSMC2 V Lock I O Expander as th...

Page 24: ...le but have not been tested Blueshape All BV series IDX E HL10DS and E HL9 Sony BP FL75 Switronix Hypercore series and XP L90S WARNING While third party batteries may be mechanically compatible with the camera system the manufacturer is responsible for the performance and stability of third party options not RED Damage to the camera system or third party devices caused by using third party power o...

Page 25: ...n with one 1 dual action release button for removing an attached battery The DSMC2 REDVOLT XL Module offers a DC IN power port that can be used to power the camera system when the module is attached to the camera An included protective baseplate enables the DSMC2 REDVOLT XL Module to serve as a portable and stand alone REDVOLT XL battery charger Plug in the DSMC AC Power Adaptor to the 6 pin 1B LE...

Page 26: ...fers the following batteries and chargers Item Part Number REDVOLT XL 740 0021 REDVOLT Charger Quad 740 0015 For more information see the DSMC Power Operation Guide available at www red com downloads COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 26 SCARLET W OPERATION GUIDE ...

Page 27: ...80 CCW 180 730 0008 RED Touch 7 0 LCD2 3 1920 x 1136 Total 180 Forward 90 Backward 90 Total 360 CW 180 CCW 180 730 0007 RED Touch 9 0 LCD2 1280 x 768 Total 270 Forward 180 Backward 90 Total 360 CW 180 CCW 180 730 0011 RED PRO LCD 7 2 1024 x 600 No tilt No swivel 730 0009 DSMC2 RED EVF OLED 2 1920 x 1080 N A N A 730 0021 BOMB EVF LCOS 2 1280 x 784 N A N A 730 0004 BOMB EVF OLED 2 1280 x 1024 N A N ...

Page 28: ... components of the camera system caused by using the display as a handle are not covered under warranty WARNING DO NOT use the threaded holes in the RED Touch LCD base to mount the display to the camera Damage to a RED display or other components of the camera system caused by using these threaded holes is not covered under warranty IMPORTANT DO NOT try to turn an LCD past its tilt or swivel range...

Page 29: ... exposure to direct sunlight may damage the EVF Point the eyepiece away from sunlight when not in use Damage to the BOMB EVF OLED caused by continued exposure to direct sunlight is not covered under warranty BOMB EVF FEATURES Feature Description 1 EVF connector Custom digital video and power interconnection between the camera and RED EVF Pinout not published 2 EVF Tally LED When enabled the LED il...

Page 30: ...per blacks in a larger field of view Engineered with OBSOLESCENCE OBSOLETE in mind the DSMC2 RED EVF OLED is perfect for use with WEAPON SCARLET W RAVEN EPIC or SCARLET cameras RED offers multiple mounting solutions for each camera type WARNING DO NOT point the DSMC2 RED EVF OLED eyepiece at direct sunlight Continued exposure to direct sunlight may damage the EVF Point the eyepiece away from sunli...

Page 31: ...ublished compatible with standard RED EVF LCD LEMO cables 3 Key 1 Programmable key Magnify Toggle 4 Key 2 Programmable key Exposure Check Toggle 5 Mounting point Mounting point for the DSMC2 RED EVF Mounting Plate Top 6 DSMC2 RED EVF Modular Optical Block Fully coated with a 32 field of view 1 Not visible Shown with the DSMC2 RED EVF Mount attached COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 31...

Page 32: ...e primary top or the secondary side EVF LCD port on the DSMC2 camera When used along with the DSMC2 LEMO Adaptor B this adaptor enables you to mount a DSMC2 RED Touch LCD away from the camera to a NOGA arm or other stable mounting point The DSMC2 LEMO Adaptor A is compatible with the BOMB EVF LCOS and OLED models or later LEMO ADAPTOR B Figure DSMC2 LEMO Adaptor B The DSMC2 LEMO Adaptor B enables ...

Page 33: ...nterface solution that offers intuitive integrated control over critical camera parameters Engineered exclusively for the DSMC2 system this low profile interface provides full access to basic and advanced menus via a 1 7 OLED display The rotary dial D Pad function buttons and configurable preset buttons provide an improved method of controlling your camera The DSMC2 Sidekick provides full menu con...

Page 34: ...toggle record on off directly from the handle On top of an integrated RECORD button the DSMC2 Side Handle features a MARK FRAME button empowering you to tag frames while shooting and revisit them later in post production NOTE The DSMC2 Side Handle cannot be used simultaneously with the DSMC2 Outrigger Handle or DSMC2 Sidekick NOTE The DSMC2 Side Handle with original grip supports a maximum weight ...

Page 35: ...HANDLE Figure DSMC2 Outrigger Handle The DSMC2 Outrigger Handle offers a low profile side handle designed with an ergonomic molded grip and integrated Record Start Stop button Mounted to the Top Handle Port on your camera the DSMC2 Outrigger Handle provides comfort and stability as well as additional 1 4 20 mounting points for your peripheral camera components The built in Record button puts Start...

Page 36: ...024 DSMC Ti PL Mount 725 0022 DSMC Al Canon Mount 725 0026 DSMC Ti Canon Mount 725 0005 DSMC Al Nikon Mount 725 0006 DSMC Ti Nikon Mount 725 0007 DSMC Al Leica M Mount 725 0008 DSMC MOTION MOUNT Ti PL 725 0012 DSMC MOTION MOUNT Ti Canon 725 0014 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 36 SCARLET W OPERATION GUIDE ...

Page 37: ...hangeable OLPFs Item Part Number Required Firmware DSMC2 Standard OLPF 790 0513 v6 1 18 or later DSMC2 Skin Tone Highlight OLPF 790 0511 v6 1 18 or later DSMC2 Low Light Optimized OLPF 790 0512 v6 1 6 or later DSMC2 H2O OLPF 790 0512 v6 1 44 or later or v6 2 9 or later RAILS MOUNTS TACTICAL GEAR AND CABLES RED offers a wide variety of support gear mounting platforms cables accessories and other eq...

Page 38: ... and display the voltage or remaining battery capacity of third party power options POWER PRIORITY When multiple power sources are connected to the camera power consumption is prioritized in this sequence 1 Any power supply connected to the DC IN port on the expander 2 Any power supply connected to the DC IN port on a rear battery module 3 Rear battery 4 REDVOLT battery in the DSMC2 REDVOLT Expand...

Page 39: ...r Cable TURN ON THE CAMERA NOTE If you have just turned off the camera wait at least three 3 seconds before turning the camera back on 1 Attach a power source to the camera The Power Status LED illuminates red indicating that an appropriate power source is connected 2 Press and release the PWR REC key on the right side of the camera The Power Status LED illuminates amber as the camera turns on The...

Page 40: ... DC IN connectors on any modules Figure Auto Boot on Power Switch ENABLE AUTO BOOT ON POWER 1 Toggle the Auto Boot on Power switch to On identified by a white star 2 Connect a power source to the DC IN connector The camera turns on automatically 3 Use one of the following methods to turn off the camera Go to Menu Power and select Shutdown Press and hold PWR REC until the Shutting Down notification...

Page 41: ... of the BRAIN side plate was installed 5 Press the DSMC2 Sidekick down flush along the side of camera 6 Tighten the four 4 captive screws in a cross pattern X pattern using a T10 TORX driver DO NOT FULLY TIGHTEN 7 Fully tighten the four 4 screws in a cross pattern X pattern using a T10 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE THE DSMC2 SIDEKICK This section applies to the following items DSMC...

Page 42: ...e to reach the thumbscrew with a hex key loosen the thumbscrew by hand 3 Remove the DSMC2 Side Handle from the camera REMOVE THE DMSC2 SIDE HANDLE GRIP NOTE You may replace the original grip of the DSMC2 Side Handle with a third party grip However RED does not test third party grips and cannot confirm if the third party device will have the same functionality quality or strength as the original gr...

Page 43: ...screws in a cross pattern X pattern approximately two 2 turns each using a T20 TORX driver DO NOT FULLY TIGHTEN 4 Fully tighten the four 4 screws in a cross pattern X pattern using a T20 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE A DSMC2 EXPANDER This section applies to the following items DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 REDVOLT Expander DSMC2 Jetpack Expander DSMC2 Jetpack ...

Page 44: ...e camera or expander 3 Apply pressure and tighten the four 4 captive screws in a cross pattern X pattern approximately two 2 turns each using a T20 TORX driver DO NOT FULLY TIGHTEN 4 Fully tighten the four 4 screws in a cross pattern X pattern using a T20 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE THE DSMC2 REDVOLT XL MODULE WARNING Before installing or removing this item you MUST turn off the ...

Page 45: ...n top of the camera 3 Tighten the two 2 captive screws approximately two 2 turns each using a 3 16 hex key DO NOT FULLY TIGHTEN 4 Fully tighten the two 2 screws using a 3 16 hex key WARNING DO NOT OVERTIGHTEN REMOVE THE DSMC2 TOP HANDLE OR DSMC2 OUTRIGGER HANDLE WARNING Before installing or removing this item you MUST turn off the camera REQUIRED TOOLS 3 16 hex key 1 Turn off the camera 2 Loosen t...

Page 46: ...ng a 1 5 mm hex key NOTE Store the screw in a safe location or install it in the focus hook storage location after you remove the focus hook in Step 2 2 Remove the focus hook from the focus hook storage location on the media bay using a slotted screwdriver 3 Tighten the focus hook into the focus hook mounting point on the media bay using a slotted screwdriver WARNING DO NOT OVERTIGHTEN COPYRIGHT 2...

Page 47: ...int free cloth to gently wipe down the area around the lens mount and OLPF module Remove as much dust and debris as possible 6 Use a T20 TORX driver to turn the OLPF lock on the camera counter clockwise by a third turn to the Unlock position DO NOT turn the indicator mark past the Unlock icon WARNING DO NOT OVERTIGHTEN 7 Remove the OLPF module and place it in its protective case 8 Use an LED light...

Page 48: ...exceed 350 in oz or damage may occur WARNING DO NOT OVERTIGHTEN COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 48 SCARLET W OPERATION GUIDE ...

Page 49: ...sible for any damage caused by using a tripod monopod mount or support system that does not provide sufficient support WARNING DO NOT use excessive force to mount a support accessory as this may damage the screw threading RED offers the following products for use with tripods and other support systems ITEM PART NUMBER Mounting Plate DSMC 790 0094 DSMC Quick Release Platform Pack 790 0183 Quick Rel...

Page 50: ...fault output is the EVF LCD connector located on top of the camera If an EVF or LCD is not connected you can transfer the VIEWFINDER output to either the HDMI or 3G SDI HD SDI output from an expander PROGRAM Clean None of the graphic overlays display PREVIEW The Live Action Area and associated graphic overlays display For more information about changing the video monitor category of your monitor g...

Page 51: ...t the top of the menu C Select Clean from the Mode drop down menu otherwise the external recorder records the overlay D Select the output resolution from the Resolution drop down menu NOTE The HDMI and HD SDI maximum resolution is 1080p For more information go to Record Monitor Out Ports on page 211 5 Disable all False Colors otherwise the external recorder records the False Colors A Go to Menu Se...

Page 52: ... the menu C Select Clean from the Mode drop down menu otherwise the external recorder records the overlay D Select the output resolution from the Resolution drop down menu NOTE The HDMI and HD SDI maximum resolution is 1080p For more information go to Record Monitor Out Ports on page 211 5 Disable all False Colors otherwise the external recorder records the False Colors A Go to Menu Settings Displ...

Page 53: ...ormation Functionality varies based on monitor output type and firmware version The GUI menu is separated into three 3 main sections Figure GUI Control Menu ITEM DESCRIPTION 1 Upper Status Row Basic Menu Easy access to primary camera capture parameters Go to Upper Status Row Basic Menu on the next page 2 Live Action Area Live camera recording view overlays guides and more Go to Live Action Area on...

Page 54: ...rate Frame Rate on page 96 2 ISO Camera sensitivity ISO on page 89 3 Aperture Lens aperture F stop information Aperture on page 56 4 Exposure Shutter Integration time or shutter angle Exposure on page 97 5 Color Temperature White balance and Tint Color Temperature on page 95 6 Resolution Record resolution Format on page 99 7 REDCODE REDCODE compression setting REDCODE on page 57 8 Menu Access adva...

Page 55: ...nu in the Advanced Menus For example select Advanced in the Frame Rate menu to open Menu Settings Project Frame Rate For more information about Advanced Menus go Advanced Menus on page 76 Figure Select Advanced Button Figure Advanced Menu COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 55 SCARLET W OPERATION GUIDE ...

Page 56: ...er increases the depth of field but reduces the exposure brightness Decreasing the aperture to a lower number decreases the depth of field but increases the exposure brightness RED DSMC PL MOUNT INSTALLED The current aperture of the attached lens displays when a DSMC PL mount is installed and a supported lens equipped with Cooke S4 i system is attached DSMC NIKON MOUNT AND CANON MOUNT INSTALLED Th...

Page 57: ... aspect ratio anamorphic setting frame rate HDRx mode media or the target REDCODE compression ratio The RECODE compression affects the overall quality of the footage A lower compression for example 2 1 increases the quality of the footage while a higher compression for example 22 1 lowers the quality For more information go to R3D File Format and REDCODE on page 10 REDCODE range is 2 1 to 22 1 Def...

Page 58: ...n Lens information when using supported Canon lenses Lens Information on the next page 2 AF Status Currently selected auto focus mode Focus Menu on page 144 3 Center Crosshair and Spot Focus Guide Crosshair Center of selected guide Reference guides Safe Action Safe Title Picture Center Grid Overlay General Tab on page 88 4 Frame Guides Record or sensor projection area Guides on page 88 5 Clip File...

Page 59: ...h and focal distance when a DSMC Canon Mount or a DSMC Nikon Mount is installed and an electronically supported lens is attached When AF is set to Manual or Confirm mode the focal distance displays as a pair of Near Far distances When in AF mode an estimated focus distance displays The focal length and focal distance values and range vary depending on the attached lens When the focal length of the...

Page 60: ...n mode provides key system information and camera values including ITEM SUB ITEM DESCRIPTION FOR MORE INFORMATION GO TO 1 Camera Mode Swipe up to toggle Motion Stills Playback modes Camera Mode on page 62 2 Histogram Histogram tap to access the Tools menu Histogram on page 63 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 60 SCARLET W OPERATION GUIDE ...

Page 61: ...de on page 162 Genlock GEN Indicator on page 64 Sync SYNC Indicator on page 64 LAN LAN Indicator on page 65 RIG Indicates 3D rig metadata is present N A WIFI Indicates WiFi connection WiFi Indicator on page 65 4 Media Status Media location and remaining media capacity displays when recording R3D and or Apple ProRes tap to access the Media Menu Media Menu on page 136 5 Power Status DC voltage in or...

Page 62: ... Motion mode includes the following features Motion recording modes Continuous Record on page 105 Internal Timelapse Timer on page 105 Frame Trigger on page 106 Speed Ramp Mode on page 106 REDCODE Burst on page 107 Swipe Up Shortcuts Camera Mode Tools Media Power Default Motion Preset RED NOTE For more information go to Swipe Up Menu on page 68 STILLS MODE Stills mode optimizes your camera setting...

Page 63: ...esentation of exposure and sensor data levels for Red Green and Blue channels meter is affected by White Balance ISO and VIEW LOOK settings 4 RAW Clip Meter Also known as traffic lights Provides a visual representation of exposure and sensor data levels for Red Green and Blue channels Circles traffic lights will light up when clipping occurs 1 The RAW Level Bars display the amount of pixels in the...

Page 64: ...f day timecode For more information go to Timecode Genlock Multi Camera Setup on page 162 GEN INDICATOR The GEN indicator shows the current genlock status Grey No genlock signal is detected or the signal cannot cross lock to project 24 00 fps vs 23 98 fps Red During process of sync or genlock is lost while recording Green A genlock signal matching the current HD SDI monitor rate is locked Yellow T...

Page 65: ...element to access the Power menu For more information go to Power Menu on page 142 DC IN SUPPLY VOLTAGE When powering the camera via DC power the current voltage displays When powering the camera using batteries the remaining battery capacity displays The remaining capacity is indicated by the following colors Green 12 0 V and up Yellow 11 8 V to 11 9 V Red 11 6 V to 11 7 V NOTE The camera turns o...

Page 66: ... Figure DSMC2 RED Touch 7 0 LCD RED TOUCH BUTTON DESCRIPTION 1 User Key 1 Toggle 1 1 Magnify on off 2 Up Button Increase display brightness 3 Down Button Decrease display brightness 4 User Key 2 Toggle Exposure Mode on off NOTE RED Touch display keys are programmable For more information go to Key Mapping on page 116 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 66 SCARLET W OPERATION GUIDE ...

Page 67: ...t keys Swipe Swipe to select different values in spinners or drop down menus For more information go to Swipe Up Menu on the next page Double Tap If the monitor is in Clean mode changes to Overlay mode Hold Tap and hold an icon to bring up an advanced interface display Pinch Move two 2 fingers apart together to increase decrease the size of the image By default this gesture is disabled For more in...

Page 68: ...ect a Camera Mode Figure Swipe Up to Select a Camera Mode Figure Stills Mode SWIPE UP SHORTCUT DESCRIPTION 1 Camera Mode1 Select Playback Motion or Stills 2 Tools Set Horizon RAW Magnify Zebras and False Color 3 Media View as Percentage or Time Remaining eject media view clip thumbnails 4 Power View as Percentage or Time Remaining 5 Auto Focus2 Set Zone Size and Mode COPYRIGHT 2016 RED COM INC 955...

Page 69: ...ng Priority and Mode 7 Record Mode2 Select Multi Shot or Motion Stills 1 For more information about Stills mode and Motion mode go to Camera Mode on page 62 2 Shortcuts only available in Stills Mode COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 69 SCARLET W OPERATION GUIDE ...

Page 70: ... selected menu 3 Directional Keys D Pad Navigate menus and menu items Navigate the menus using the following controls Press ENTER to open the menu then rotate the Scroll Wheel clockwise to move right counterclockwise to move left to highlight the desired menu or parameter Press ENTER to select Press the Up Navigation Key to open the related Advanced Settings menu if one 1 is available For more inf...

Page 71: ...idekick buttons to prevent inadvertent menu changes NOTE DSMC2 Sidekick keys are programmable For more information go to Key Mapping on page 116 OPERATION MODES The DSMC2 Sidekick display reflects the currently selected mode Use the Scroll Wheel and Directional Keys to navigate menus Press MENU to access the Advanced Menu Press MODE to toggle between the following modes Remote Mode Navigate with D...

Page 72: ...rame Rate Current Recording Frame Rate 2 Lens Information Displays aperture if a supported Canon Nikon or Cooke lens is attached 3 White Balance Color temperature 4 REDCODE REDCODE compression setting 5 Media Status Displays media location and remaining media capacity 6 Timecode Current timecode value 7 Power Status Indicates DC supply voltage or of remaining battery capacity including current sup...

Page 73: ... ITEM DESCRIPTION 11 ISO Camera sensor sensitivity COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 73 SCARLET W OPERATION GUIDE ...

Page 74: ...Record 3 User Key 1 Mark Frame Button Mark a frame so that you can easily return to it in playback 4 Rotary Side Iris Control Wheel Clockwise Up Open Iris Counter Clockwise Down Close Iris 5 User Keys A D A Cycle Auto Focus Mode B Auto White Balance C Toggle 1 1 Magnify D Toggle Exposure Mode 6 Thumb Pad Resting area for thumb 7 MENU Button Access menus or exit currently selected menu 8 Navigation...

Page 75: ...inity When a DSMC2 Side Handle is attached you can continue to adjust focus via the Lens menu Menu Settings Setup Lens if preferred To control focus via the Focus Control Wheel follow the instructions below 1 Install a DSMC Nikon Mount or DSMC Canon Mount with a supported lens For more information on supported lenses go to Lenses on page 235 2 Set the lens to Auto 3 Turn on the camera if it is not...

Page 76: ...layback View clips recorded to the attached SSD Playback Menu on page 137 Power Power sources settings status and shutdown Power Menu on page 142 HDRX HDRx mode and settings HDRX Menu on page 143 Focus Focus modes features settings and rack focus Focus Menu on page 144 Exposure Assist Automatic exposure settings and controls Exposure Assist Menu on page 150 Presets Adjust Looks key mappings I O an...

Page 77: ...color modes include Off Exposure Video Focus Edge and Gio Scope NOTE Only monitors with the Tools check box selected in the Monitor Control menu show the false colors For more information go to Monitor Control on page 81 NOTE False color modes affect video recorded through HDMI or HD SDI to an external recorder if the Tools check box is selected in the Monitor Control menu When recording through H...

Page 78: ...plays in the Lower Status Row Colors are based on the RGB levels of the video out signal that is the cooked look and not RAW data The RGB settings settings in the Look menu affect the Video indicators The Video indicators represent the following IRE values at all other values the desaturated image represents the luminance value of the ISO adjusted image Purple IRE 0 4 Blue IRE 5 Teal IRE 10 12 Gre...

Page 79: ...e AF Window Sharpening is disabled when 1 1 magnify is enabled The camera automatically exits magnify mode when recording begins The Magnify tool magnifies a 1920 x 1020 region centered on a 1920 x 1080 display If the resolution is lower than 1920 x 1020 the image border cannot be magnified Use the following equations to determine the area of the image border that will not be magnified Border widt...

Page 80: ...to function properly For more information go to Gyroscope and Accelerometer Calibration on page 132 ZEBRAS Use Zebra mode to enable and adjust the upper and lower values for two 2 independent zebra indicators Use Zebra 1 for highlight exposure and use Zebra 2 for mid tones or shadows Zebras are visible in Magnify mode and are disabled by default The camera offers two 2 zebra types Video IRE based ...

Page 81: ... surfaces OVERLAY Select which overlay shows on top of the video RED provides preset overlays which have RED in the overlay name Create custom overlays in the Overlay tab For more information go to Overlays on the next page RESOLUTION Select the output resolution for monitors you cannot select a resolution for LCDs and EVFs since the resolution is determined automatically For more information abou...

Page 82: ...e video is scaled so that the menus are not overlaid on the video When this option is enabled the video is not scaled This option creates a control surface on a monitor without scaling the video This setting only affects the monitor and does not affect captured footage To toggle display hide the menus when Auto Hide Menus is enabled perform either of the following actions Press the Menu button on ...

Page 83: ...orresponding guides to the overlay Frame Guide Action Guide Title Guide 5 Select a button on the matrix to add a user interface element to that position on the matrix By default the Magnify indicator MI is on the top left the Record indicator REC is on the top right the Clip Name CLIP is on the bottom left and the Timecode TC is on the bottom right 6 Selecting one 1 of the buttons opens a new dial...

Page 84: ...ch monitor that has higher priority on the list must be either detached or not set to Overlay mode EXAMPLE By default the monitor priority is 1 LCD 2 EVF 3 HDMI If you remove an LCD when an EVF is attached then the EVF becomes the control monitor If you then remove the EVF when an HDMI monitor is attached the HDMI monitor becomes the control monitor If you then re attach the LCD then the LCD is th...

Page 85: ...maller than the default dialogs GENLOCK OFFSET NOTE HD SDI ports are only available on select DSMC2 expanders For more information go to Input Output Connectors on page 205 Offset the video of the HDSDI out to align it with the genlock signal Negative offset Advances the video so the video reaches the switcher earlier than it would otherwise Positive offset Advances the video so the video reaches ...

Page 86: ...determine how the following settings display Camera Lens CAMERA TAB Figure Display Mode Camera EXPOSURE Time Absolute Displays the exposure time in seconds 1 xx sec When you change the frame rate in this mode the shutter time stays the same but the shutter angle changes Time Absolute is the default Angle Relative Displays the exposure as an angle 1 360 When you change the frame rate in this mode t...

Page 87: ...ents in 1 3 stops Default FOCUS DISTANCE Metric Displays lens focus distances in meters Imperial Displays lens focus distances in feet and inches Default MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED MOTION MOUNT For more information see the RED MOTION MOUNT Operation Guide available at www red com downloads RACK SHOW DISTANCE On Displays the focus distance of eac...

Page 88: ...e from its default centered position Available range is 0 100 100 Right aligned for X offset and bottom aligned for Y offset 100 Left aligned for X offset and top aligned for Y offset APPEARANCE Line Style Select one of the following line styles Solid Dashed or Bracket Color Select the color that has the highest contrast to the scene The default is White Opacity Set the guide opacity Available opt...

Page 89: ...sts exposure compensation Available range is 7 0 to 7 0 Default is 0 0 NOTE Saturation is disabled on all Monochrome cameras GAIN Adjust the Red channel Blue channel and Green channel individually The range for each is 0 0 none of the color to 10 0 and the default for each is 1 0 ISO FLUT Use the ISO FLUT menu to adjust ISO FLUT and Shadow For more information see the following articles Exposure w...

Page 90: ...ettings affects the user interface NOTE RED recommends using the most recently released Color Space and Graded Gamma settings Use legacy settings such as REDcolor2 only if you need to record footage to match footage that you recorded with that legacy setting VIDEO SOURCE NOTE When you select Graded ACES Proxy Graded ACEScc ACES Proxy and ACEScc the following controls are disabled on all cameras sa...

Page 91: ...Since the 3D LUT modifes the data displayed for the exposure tools you cannot use the exposure tools with a 3D LUT You can output a 3D lookup table LUT via each monitor output Any 3D LUT applied to an output is saved to the SSD To apply a 3D LUT go to Look Config Look Configuration on the next page COMPATIBLE 3D LUT FORMATS The camera is compatible with the following 3D LUTs DaVinci Resolve 3D Cub...

Page 92: ...ts When importing 3D LUTs from an SSD to camera the 3D LUTs must be stored on the SSD in a folder called luts Export selected 3D LUT from camera to SSD All Export all 3D LUTs from camera to SSD Import selected 3D LUT from SSD to camera All Import all 3D LUTs from SSD to camera Figure Export and Import LUTs LOOK CONFIG LOOK CONFIGURATION Use the Look Config menu to set up Look A and Look B In the L...

Page 93: ...o Look B LUTs are loaded to the camera in the LUTs menu For more information go to Monitor Config Monitor Configuration on the next page Figure LUTs COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 93 SCARLET W OPERATION GUIDE ...

Page 94: ...nfiguration on page 92 3 Select a curve from the Curve drop down menu Neutral The camera does not apply a graded gamma space to the monitor output Graded The camera applies a graded gamma space to the monitor output The Video Path displays the video source and graded gamma space applied to the monitor NOTE The Curve drop down menu is available if the Video Source is set to RLF or ACES For more inf...

Page 95: ...if you adjust the color temperature manually Selecting a preset resets Tint to 0 000 NOTE Tint is disabled on all Monochrome cameras PRESETS Each preset has 0 000 Tint Available preset options are Incandescent 2800 K Tungsten 3200 K Fluorescent 4500 K Flash 5500 K Daylight 5600 K Cloudy 7500 K Shade 9000 K AUTO WHITE BALANCE Auto white balance analyzes the central 25 of the image visible in the mo...

Page 96: ...t time base and REDCODEproject time base REDCODE and Lookaround For more information about the maximum REDCODE settings for each common recording frame rate see the DSMC Media Operation Guide available at www red com downloads PROJECT TIME BASE Select the project time base which is the rate at which the footage will be played back The project time base displays in the lower left corner of the disp...

Page 97: ...mpatible with the current exposure the exposure changes to the longest exposure possible for the frame rate For more information go to Speed Ramp Mode on page 106 NOTE You cannot change the exposure when HDR is enabled INTEGRATION TIME Enter the exposure value as a shutter speed 1 xx sec Slowest speed is 1 recording frame rate For 24 FPS the slowest speed is 1 24 sec The fastest speed is 1 131 579...

Page 98: ...es by device Uses the timecode from an external device connected to the timecode connector on the camera SLATE Use the Slate menu to add metadata to clips After configuring the following fields the information populates in the Media menu when formatting media Cam ID Cam Pos NOTE The scene name is limited to eight 8 characters AUTO INCREMENT TAKE To automatically increment the take number when the ...

Page 99: ...n page 102 Using a 6 5 aspect ratio at 2x anamorphic gives you a 2 4 1 aspect ratio RESOLUTION DIMENSIONS PIXELS DIMENSIONS MM WIDTH HEIGHT WIDTH HEIGHT DIAGONAL 5K FF 5120 2700 25 60 13 50 28 94 5K 2 1 5120 2560 25 60 12 80 28 62 5K 2 4 1 WS 5120 2160 25 60 10 80 27 78 5K 16 9 HD 4800 2700 24 00 13 50 27 54 5K 6 5 3240 2700 16 20 13 50 21 09 5K 4 1 5120 1280 25 60 6 40 26 39 5K 8 1 5120 640 25 60...

Page 100: ...80 12 60 21 00 3 5K 5 4 3360 2688 16 80 13 44 21 51 3 5K 4 1 3584 896 17 92 4 48 18 47 3 5K 8 1 3584 448 17 92 2 24 18 06 3K FF 3072 1620 15 36 8 10 17 36 3K 2 1 3072 1536 15 36 7 68 17 17 3K 2 4 1 WS 3072 1296 15 36 6 48 16 67 3K 16 9 HD 2880 1620 14 40 8 10 16 52 3K 6 5 1944 1620 9 72 8 10 12 65 3K 3 2 2880 1920 14 40 9 60 17 31 3K 4 3 2880 2160 14 40 10 80 18 00 3K 5 4 2880 2304 14 40 11 52 18 ...

Page 101: ...320 12 80 1 60 12 90 2K FF 2048 1080 10 24 5 40 11 58 2K 2 1 2048 1024 10 24 5 12 11 45 2K 2 4 1 WS 2048 864 10 24 4 32 11 11 2K 16 9 HD 1920 1080 9 60 5 40 11 01 2K 3 2 1920 1280 9 60 6 40 11 54 2K 4 3 1920 1440 9 60 7 20 12 00 2K 5 4 1920 1536 9 60 7 68 12 29 2K 6 5 1296 1080 6 48 5 40 8 44 2K 4 1 2048 512 10 24 2 56 10 56 2K 8 1 2048 256 10 24 1 28 10 32 COPYRIGHT 2016 RED COM INC 955 0133_V6 3...

Page 102: ...the de squeezed format go to Menu Settings Project Format Format When anamorphic is enabled the camera does not crop the sensor image so the recorded image has the same resolution and dimensions as the corresponding non anamorphic format After de squeezing the footage in post production the resulting footage has a different format than the original recorded image The format of the de squeezed foot...

Page 103: ... the anamorphic and non anamorphic formats go to Menu Settings Project Format Format Figure Short Cut to Industry Standard Anamorphic Formats LOOKAROUND When Lookaround is enabled the Frame Guide and recording area are scaled down on the display so that you can see what images will enter the recording area To assign a Shading overlay to the Lookaround area the area outside of the recording area go...

Page 104: ...ction feature is intended for multi camera arrays when all sensors are synchronized and at least one 1 camera is mounted upside down Using this feature is helpful for matching the line scan direction for the cameras in the array To enable the Flip Mirror Scan Direction feature follow the instructions below 1 Go to Menu Settings Project Sensor 2 Select the Flip Mirror Scan Direction check box The c...

Page 105: ...Stills mode NOTE Audio is not recorded in Internal Timelapse Timer mode In Internal Timelapse Timer mode the camera records a specified number of frames at a specified interval The current recording frame rate determines the timing of the frames per pulse For example in Internal Timelapse Timer mode you can choose to record a total amount of 1000 frames and take 1 frame every 4 67 seconds After re...

Page 106: ...ot recorded in Speed Ramp mode Speed Ramp mode lets you program the current recording frame rate to transition to different recording frame rates during recording 1 Go to Menu Settings Recording Mode 2 Select Speed Ramp Mode from the Mode drop down menu 3 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 4 Select a ramp target Ramp A B C D Each ramp...

Page 107: ...MULTI SHOT NOTE The camera does not sync timecode in Multi Shot mode NOTE This mode is available in Motion mode but is only recommended in Stills mode NOTE Audio is not recorded in Multi Shot mode Multi Shot mode removes restrictions on Recording Frame Rate and REDCODE allowing you to shoot at a high resolution high frame rate and low compression These restrictions are removed because the camera r...

Page 108: ...gs Recording Mode 3 Select Multi Shot from the Mode drop down menu 4 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 5 Close the menu 6 For more information on using the different sub modes go to Basic Multi Shot Mode on the previous page Advanced Multi Shot Mode above MOTION STILLS NOTE This mode is available in Motion mode but is only recommende...

Page 109: ...ing to REDCODE RAW QuickTime is not supported when the format is 4K FF or 5K FF If HDRx is enabled only the selected monitor track is recorded to the QuickTime files For more information go to HDRX Menu on page 143 RED recommends performing a Secure Format before recording Apple ProRes For more information see the DSMC Media Operation Guide available at www red com downloads QuickTime files have t...

Page 110: ...e mov files similar to how the camera creates multiple R3D files Figure File Structure REDCODE RAW QuickTime When recording QuickTime only this is the file structure of the recorded files on the RED MINI MAG RDM Folder RDC Folder mov NOTE The camera creates mulitple mov files similar to how the camera creates multiple R3D files Figure File Structure QuickTime COPYRIGHT 2016 RED COM INC 955 0133_V6...

Page 111: ... RED recommends performing a Secure Format before recording Avid DNxHD HR For more information see the DSMC Media Operation Guide available at www red com downloads The mxf files have the same metadata that is in the REDCODE RAW files The metadata is per clip and not per frame At this time there is no tool for extracting that metadata from the mxf files You can select any Resolution in the Format ...

Page 112: ... how the camera creates multiple R3D files Figure File Structure REDCODE RAW DNxHD HR When recording Avid DNxHD HR only this is the file structure of the recorded files on the RED MINI MAG RDM Folder RDC Folder mxf audio file marked with an A mxf video file marked with a V rtn RED Thumbnail file NOTE The camera creates mulitple mxf files similar to how the camera creates multiple R3D files Figure ...

Page 113: ...nu R3D R3D Apple ProRes R3D Avid DNxHD HR Apple ProRes Avid DNxHD HR The selected file format displays in the Lower Status Row 3 R3D Select a target REDCODE compression ratio from the REDCODE menu For more information go to REDCODE on page 57 4 Apple ProRes or Avid DNxHD HR Select a resolution from the Resolution drop down menu 5 Apple ProRes or Avid DNxHD HR Select a codec from the Record Video C...

Page 114: ...nal image that is brighter and possibly blurrier than any of the original frames so you can use frame summing to achieve the effect of long exposure FRAME AVERAGING Frame Averaging combines the specified number of frames into one frame and averages the exposure time for each of the original frames The resulting frame has an effective integration time that is equal to the current integration time F...

Page 115: ...ct sounds for the following actions Record Start Record Stop Mark Still Frame EVF Tally Light Select this check box to enable the EVF Record Tally LED on the EVF to illuminate red when recording SSD Tally Light Select this check box to enable the Record Tally LED on the media bay to illuminate red when recording For more information go to RED MINI MAG System on page 18 COPYRIGHT 2016 RED COM INC 9...

Page 116: ...y SOFT KEYS The following sets of soft keys are available on the touchscreen A B C D Left side of the touchscreen 1 2 3 4 Right side of the touchscreen To map or remap a soft key select an action from the drop down menu next to the key you want to map Enable Soft Keys on touchscreen Tap the left or right side of the touchscreen to show the soft keys Show key actions as labels When the soft keys di...

Page 117: ...nd the default name is DEFAULT Target Specify which devices the camera can send commands to All The camera can send commands to all devices on the network None The camera can only receive commands The camera cannot send commands Custom The camera can send commands to a specific camera device enter the name of the camera device in the Target ID text box or a specific group enter the name of the gro...

Page 118: ...s check box is selected Enable Camera to Camera A change to settings on this camera is sent to other cameras via the network as a SET command as UDP packets The SET command then sets the property on other cameras If this camera receives a SET command the camera does not send the command to other cameras devices Enable External Control This camera can be controlled via TCP IP from an external devic...

Page 119: ... AD HOC MODE In Ad Hoc mode the camera and your device connect to each other To connect the camera to your device via an ad hoc network follow the instructions below 1 Go to Menu Settings Setup Communication 2 Select the WiFi tab 3 Select Ad Hoc from the Mode drop down menu 4 Select a wireless channel from the Channel drop down menu The default is Ch1 and you can select one out of 11 channels 5 Se...

Page 120: ...s network The access point for the network must have DHCP enabled 2 Make sure that you know the name and password for the network since you will need that information to connect the camera to the same network 3 Go to Menu Settings Setup Communication 4 Select the WiFi tab 5 Select Infrastructure from the Mode drop down menu Figure WiFi Menu 6 Select Scan to search for available wireless networks T...

Page 121: ... the WiFi screen after the camera connects to the access point Figure Select Connect 11 Connect your device to the same wireless network that the camera is connected to The steps in this procedure depend on what type of device and operating system you are using For example if you are connecting an iOS device go to Settings Wi Fi and select the wireless network The camera and your device are now co...

Page 122: ...uts outputs requires a DSMC2 expander For more information go to Input Output Connectors on page 205 GPI Function Camera Input Select one 1 of the following options to configure the input for devices connected to the SYNC connector on the camera Sync In The camera input is used as a sync in signal for MoCo General Purpose In Use the BRAIN GPI In High Low drop down menus to map inputs to actions GP...

Page 123: ...rget Temperature and the fans self adjust to maintain the selected temperature The default Target Temperature is 39 C After the camera reaches the Target Temperature and if the ambient temperature remains constant Adaptive mode results in a consistent fan speed and fan noise over time Targeting a higher temperature raises the sensor temperature lengthens the sensor warm up time and lowers the fan ...

Page 124: ...t Maximum Record Speed is 75 and the default Maximum Preview Speed is 75 The range for both Maximum Record Speed and Maximum Preview Speed is 25 100 POST RECORD DELAY Select the amount of time that it takes for the fan to switch from record to preview mode COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 124 SCARLET W OPERATION GUIDE ...

Page 125: ...mier PL Lenses on page 235 Auto Detect PL Lenses By default this feature is enabled Detect Lens Detects a lens if one is attached CANON AND NIKON LENS SETTINGS The options below display when a DSMC Nikon Mount or DSMC Canon Mount is installed with a supported lens Aperture Enter the aperture value The range and default depend on the lens Focus Use the slider to change the focal distance Manually c...

Page 126: ...umber Lens Owner Lens Manufacturer Lens Min Focal Length Lens Max Focal Length Figure Metadata MOTION MOUNT TAB The Motion Mount menu is only accessible when a DSMC RED MOTION MOUNTis installed For more information see the RED MOTION MOUNT Operation Guide available at www red com downloads MOTOR CONTROL Use the Motor Control menu to set up the RED 3 Axis Lens Control System For more information se...

Page 127: ...Go to Menu Settings Maintenance 3 Select Save Log The log file is saved as a txt file in the SSD root directory For more information about RED support or to create a support ticket go to https support red com NOTE The camera automatically saves a log file when it is turned off properly and an SSD is mounted UPGRADE You can check for upgrades for the following items Camera Go to Upgrade Camera Firm...

Page 128: ...k the current noise profile follow the instructions below 1 Ensure that the camera reaches the temperature you want to use for your shoot 2 Set the exposure to the exposure you want to use for your shoot 3 Put a lens cap on the lens if a lens is attached or a front body cap on the camera if a lens is not attached 4 Go to Menu Settings Look FLUT 5 Set FLUT to 8 000 6 Check the noise that displays o...

Page 129: ...ly take off the lens and install the front body cap If you cannot take off the lens put a lens cap on the lens Not all lens caps completely block IR Lens caps are made to protect the lens not necessarily to block light If possible use a dark room Just closing the aperture is NOT sufficient 4 Go to Menu Settings Maintenance Calibrate Create Manual 5 Select how many calibration maps you want to crea...

Page 130: ...1 Ensure that the camera reaches the temperature you want to use for your shoot 2 Ensure that the sensor is as dark as possible Preferably take off the lens and install the front body cap If you cannot take off the lens put a lens cap on the lens Not all lens caps completely block IR Lens caps are made to protect the lens not necessarily to block light If possible use a dark room Just closing the ...

Page 131: ...enu Settings Maintenance Calibrate In Camera The calibration maps that are saved internally on the camera Factory This is the calibration map generated during the manufacturing process and is the default map All other The user created calibration maps Media The calibration maps that are on the SSD in the path shown for example S SSD calibration CALIBRATION MAP ACTIONS Apply Apply the selected cali...

Page 132: ...erature to reach maximum operating temperature 5 When the camera reaches maximum operating temperature select High Temperature Calibration SELF TEST The Self Test menu includes Enable Sensor Test Pattern and Touchscreen ENABLE DISABLE SENSOR TEST PATTERN The Sensor Test Pattern feature is only used during manufacturing The sensor test pattern is a white screen TOUCHSCREEN To perform a touchscreen ...

Page 133: ...camera REDISCOVER HARDWARE REDISCOVER Rediscovers all hardware and caches the data for future boot cycles Perform a Hardware Rediscover if a module or lens mount is not functioning correctly To perform a Hardware Rediscover follow the instructions below 1 Go to Menu Settings Maintenance 2 Select Rediscover 3 Select Yes on the screen that asks you to confirm the Hardware Rediscover The camera turns...

Page 134: ...rmware Version Current firmware version PIN The personal identification number that is specific to your camera SVN Revision The current firmware number Runtime The number of hours that the camera has been turned on COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 134 SCARLET W OPERATION GUIDE ...

Page 135: ...r any RED warranty If you have any questions or support issues with a third party OLPF contact the OLPF s manufacturer If you are using a third party OLPF follow the instructions below to set up the OLPF 1 Install the OLPF For more information go to Swap an Interchangeable OLPF on page 47 2 Go to Menu Settings Maintenance OLPF 3 Select an option from the 3rd Party Emulated Type drop down menu This...

Page 136: ...ing media see the DSMC Media Operation Guide available at www red com downloads DEVICE Format and eject unmount the SSD To see information about the SSD in the camera select More Info CLIPS View and load clips on the SSD in thumbnail view Figure Clips Menu COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 136 SCARLET W OPERATION GUIDE ...

Page 137: ...selected clip to the Play List All Move all clips to the Play List Apply Image Metadata Image data such as color gain and curves recorded with the image displays with the playback image When deselected the current playback Look settings are used Load Closes the menu and brings up the selected clip in Playback mode RECORD EXIT Select Record to exit Playback mode You can also press any button mapped...

Page 138: ...PLAYBACK CONTROLS Figure Playback Controls Figure Playback Controls COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 138 SCARLET W OPERATION GUIDE ...

Page 139: ...Playback controls CONTROL DESCRIPTION 1 Clips View clips as thumbnails 2 Load Previous Clip Loads the previous clip in the playlist 3 Frame by Frame Reverse Moves through the clip frame by frame in reverse COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 139 SCARLET W OPERATION GUIDE ...

Page 140: ...te a playlist go to Menu Playback Menu Media Playlist and move clips to the Play List field 16 Playback Speed Option to select x1 x2 x4 x8 or x16 playback speed 17 In Point Sets a red In Point marker in the Playback Status Bar Use an In Point marker in conjunction with an Out Point marker to play only a certain portion of a clip The In Out Point markers help when the clip is long and you want to f...

Page 141: ...N 21 Next Marker Goes to the next marked frame which displays as a red line in the Playback Status Bar Disabled when there are no marked frames COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 141 SCARLET W OPERATION GUIDE ...

Page 142: ...t RESET to clear the fault When the DSMC2 REDVOLT Expander is attached you can see the current output of each power out port in amps and toggle those ports on off POWER SAVE You can select the following power saving options the default for each is Never Low Power Preview The camera uses a lower amount of power after the specified period of inactivity Sleep All monitors turn off and keys do not per...

Page 143: ... Row is grey To enable HDRX follow the instructions below 1 Go to Menu HDRX 2 Select HDRX The HDRX text in the Lower Status Row turns white 3 Select the number of Factors The range is 1 6 and the default is 2 4 Select which track you want the display to show A Track This track shows the video with the selected aperture and exposure settings applied X Track This track shows the video with the addit...

Page 144: ...ached The lens focus switch is set to A or M A DSMC Canon Mount and a supported lens is attached The lens focus switch is set to AF DSMC Canon MOTION MOUNT and a supported lens is attached The lens focus switch is set to AF When any of the above conditions are met the following options display in the Mode drop down menu Single When you press the key mapped to AF Start the camera performs single sh...

Page 145: ... Spot targets change color to indicate the focus state of the objects in the targets TARGET COLOR DESCRIPTION Blue Camera is focusing Red Objects are out of focus Yellow Objects are almost in focus Green Objects are in focus CENTER Provides a large target square for focus that is centered in the recording area SPOT Provides a small target for precise focus that you can move around the recording ar...

Page 146: ...Focus menu The target displays on the touchscreen and the monitor that you selected for the Enhanced A F feature is in Clean mode Figure Enable Enhanced A F CONFIRM STYLE CONFIRM STYLE DESCRIPTION OBJECTS IN TARGET ARE IN FOCUS OBJECTS IN TARGET ARE OUT OF FOCUS None Square target operates like the target square in Confirm mode Target is yellow or green Target is red Circle Yellow circle around a ...

Page 147: ...d to the camera 2 Go to Menu Focus Mode 3 Select Rack from the Mode drop down menu 4 Select a size from the Size drop down menu Figure Set Up Rack Focus 5 Go to the Rack tab 6 Use the Rack Speed slider to change the speed at which the lens moves Move the slider to the left for a slower speed and to the right for a faster speed 7 Select the number of Rack Points up to 4 COPYRIGHT 2016 RED COM INC 9...

Page 148: ...e to return to the main screen C Tap and hold the touchscreen where you want the rack point to be or press and drag the rack point When you move a rack point the camera autofocuses NOTE To prevent a rack point from being accidentally moved the rack point is less sensitive to touch than the other focus targets To fine tune the rack point location first drag the rack point farther than it needs to b...

Page 149: ... A is selected when you trigger the AF Start action the focus racks from point A to point B Press a key that is mapped to racking to a specific rack point MAP KEYS TO CYCLE RACK FOCUS You can map user keys to rack focus to different rack points For more information go to Keys on page 116 You can map the following actions AF Start AF Rack to A AF Rack to B AF Rack to C AF Rack to D COPYRIGHT 2016 R...

Page 150: ...abled Single Shot Map one of the following actions to trigger the AE tools AE Start AE AF Start Continuous in Preview The AE tools are enabled in preview only Continuous in Preview Record The AE tools are enabled in both preview and record NOTE In Stills mode AE AF Start is mapped to Record Half Press by default For more information go to Default Key Functions on page 247 EXPOSURE PRIORITY Manual ...

Page 151: ...ts Normal Settings adapt in medium steps Fast Settings adapt in large steps SELECTION The Selection setting determines which values the algorithm uses This enables you to modify the list of values so that the algorithm selects only specific parameters Use Free Value Selection to improve accuracy For example you can modify the aperture list to include f 2 8 and f 5 6 If Free Value Selection is enab...

Page 152: ...eter set to be modified and all the values to be updated to their current in camera values You cannot update factory installed presets which end with RED Clone Create a new preset using the selected preset as a template Delete Delete the selected preset EXPORT AND IMPORT PRESETS Presets can be stored on the camera or transferred to SSD to be shared with other cameras When exporting presets from ca...

Page 153: ... your computer create a folder on the SSD called Looks 2 Save your RMD files that have been exported from REDCINE X PRO to the Looks folder on the SSD 3 Eject the SSD from your computer 4 Mount the SSD to your camera 5 Go to Presets Looks 6 Select one 1 of the following Import selected Look from SSD to camera All Import all Looks from SSD to camera For more information see the REDCINE X PRO Saving...

Page 154: ...Preview The selected preset is applied every time the camera enters Preview mode including at startup and when exiting Playback mode On Enter Playback The selected preset is applied every time the camera enters Playback mode COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 154 SCARLET W OPERATION GUIDE ...

Page 155: ...audio input output options are determined by the attached port expander For more information about the ports on each expander go to Input Output Connectors on page 205 The camera can record up to four 4 discrete stereo channels of uncompressed 24 bit 48 KHz audio Input signals are routed via a high quality pre amplifier to achieve the desired recording levels and maximize dynamic range Audio data ...

Page 156: ...r Analog Ch1 Ch2 Ch3 Ch4 DSMC2 Base Expander DSMC2 V Lock I O Expander Stereo Microphone Rear Analog Ch1 Ch2 Ch3 Ch4 DSMC2 REDVOLT Expander AUDIO 1 and AUDIO 2 full size XLR NAME You can rename each audio channel The default names are Ch1 Ch2 Ch3 and Ch4 The channel names display in the Audio Meter but are not included in the clip metadata For more information go to Headphone Volume on page 158 MO...

Page 157: ...follow the instructions below 1 Go to Menu Settings Audio Control Pre Amp Gain 2 Move the Pre Amp pre amplifier sliders up and down to adjust the amplification levels 3 To link the amplification for each channel select Link Figure Pre Amp Gain COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 157 SCARLET W OPERATION GUIDE ...

Page 158: ... the steps below 1 Go to Menu Settings Audio Control Headphone Volume 2 Move the Left and Right sliders up and down to adjust the volume 3 To toggle mute unmute select Mute 4 To link the volume for Left and Right select Link Figure Headphone Volume COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 158 SCARLET W OPERATION GUIDE ...

Page 159: ...io channel to the Left Middle or Right side of the stereo mix Move the sliders up and down to adjust the volume You can control the volume and stereo for each audio monitoring option Headphone Mix Headphones plugged into the camera Audio Out Mix Line out plugged into an expander The input gain is fixed Monitor Mix External HDMI and HD SDI monitors that support audio Figure Mix AUDIO OUTPUT OPTIONS...

Page 160: ...t Output as the VU Meter Source the Audio Meter displays the Headphone Mix Audio Out Mix and Monitor Mix levels For more information go to VU Meter on page 87 When recording to an external device use the Output levels to help accurately monitor recorded audio AUDIO METER LEVELS Figure Audio Meter The camera updates the Audio Meter 12 times per second with the maximum signal from the last 1 12 of a...

Page 161: ...via headphones or HDMI and HD SDI monitors and automatically unmutes any muted audio outputs To access audio settings during playback go to Menu Settings Audio and select the following tabs Control Mix COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 161 SCARLET W OPERATION GUIDE ...

Page 162: ...and audio Timecode is embedded in recorded RAW files QuickTime files if recording an Apple ProRes codec and MXF files if recording an Avid codec as metadata and in HANC metadata provided by the HD SDI monitor output The camera can generate timecode on its own or can receive and sync to timecode generated by an external source Timecode displays in the lower right corner of the Live Action Area on t...

Page 163: ...e Source User Provided OUTPUT TIMECODE WITH DSMC2 REDVOLT EXPANDER NOTE A DSMC2 REDVOLT Expander is required to output timecode from the camera With the DSMC2 REDVOLT Expander you can output a timecode signal to an external device or to a slaved camera 1 Follow the instructions in Set Up Internal Timecode above to set up internal timecode 2 Connect the camera to another device using the PRO I O TI...

Page 164: ... a 3BNC to 00 LEMO Sync Cable DSMC2 REDVOLT Expander Connect the GENLOCK port on the expander to the device using a 75 ohm BNC cable 2 Go to Menu Settings Project Timecode 3 Select the desired Timecode Display Mode 4 Set Source to External The TC indicator in the Lower Status Row turns green when an external timecode source is locked NOTE When an external source is selected but not present timecod...

Page 165: ...e information go to Input Output Connectors on page 205 Monitor Sync occurs when a genlock signal is provided that is compatible with the current monitor output frequency Monitor Sync is achievable even if the camera is using another form of synchronization to sync the camera sensor 1 Connect the genlock device to the camera DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 Jetpack Expander or D...

Page 166: ...with the current monitor output frequency When Monitor Sync is achieved the GEN indicator in the Lower Status Row illuminates green Figure HD SDI Output Frequency REQUIRED CABLE DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 Jetpack Expander or DSMC2 Jetpack SDI Expander 790 0154 3BNC to 00 LEMO DSMC2 REDVOLT Expander 75 ohm BNC cable such as the RED HD SDI Cable P N 790 0341 COPYRIGHT 2016 R...

Page 167: ...compatible with the current monitor output frequency project time base and recording frame rate While operating in Sensor Sync sensor timing is locked to the genlock signal Sensor Sync requires the following synchronized settings Setting Menu Location Path Genlock signal frequency N A external genlock device HD SDI monitor output frequency Menu Settings Display Monitor Control Project Time Base Me...

Page 168: ...gure Sync Settings 5 Go to Menu Settings Display Monitor Control 6 Select HDSDI from the drop down menu 7 Select the desired monitor output frequency from the Frequency drop down menu Select Auto to automatically match the HD SDI output to the current project time base The GEN indicator in the Lower Status Row turns green when a compatible genlock signal is present and genlock is enabled The SYNC ...

Page 169: ...clip naming conventions for clips recorded on those cameras Master Slave is the most common configuration for Stereo 3D productions When cameras are operated in Master Slave configuration you can perform the following operations Power Turn off the Master camera to turn off both cameras Record Press the PWR REC key on the Master camera to start stop recording on both cameras Change settings Change ...

Page 170: ... the GIG E port on one expander to the GIG E port on the other expander 2 On the Master camera follow the instructions below A Go to Menu Settings Setup Communication B Type a name for the camera Example CAM A LEFT MASTER etc in the Camera ID field C Set Target to All Figure Master Settings D Go to Menu Settings Setup Communication and select the Ethernet tab E Select the Camera to Camera the chec...

Page 171: ...nication and select the Ethernet tab E Select the Camera to Camera the check box The LAN indicator in the Lower Status Row illuminates green NOTE Cameras can also be set up in a Master Master configuration To set up Master Master set Target to All on both cameras allowing either camera to make changes and control record start stop REQUIRED CABLE 790 0163 Master Slave Gig E Cable 4 COPYRIGHT 2016 R...

Page 172: ...Media 2 On both Master and Slave cameras select the desired Reel Number and Camera ID settings The Reel Number and Camera ID settings on both cameras should match 3 On the Master camera change the Camera Position to Left representing left eye Figure Master Settings 4 On the Slave camera change the Camera Position to Right representing right eye 5 On both cameras select Format to format media and s...

Page 173: ... S Right The first clip recorded by this Master Slave camera configuration is Master S001_L001_0503B6 R3D Slave S001_R001_0503R7 R3D NOTE B6 and R7 are examples of camera generated wildcard characters NOTE If both camera have a Camera Position of Left the recorded clips will have the same filename structure with the exception of the camera generated wildcard characters For example Master A001_C001...

Page 174: ...rding frame rate To set up a Stereo 3D setup follow the instructions below 1 On both cameras set the project time base and recording frame rate 2 On both cameras follow the instructions in Sensor Sync on page 167 to achieve Sensor Sync genlock status The GEN and SYNC indicators in the Lower Status Row illuminate green 3 Follow the instructions in Set Up Master Slave Operation on page 170 to set Ma...

Page 175: ... enter a matching name in the Group ID field All cameras must have the same Group ID name C On the Ethernet tab select the DHCP Camera to Camera and External Control check boxes 2 Follow the instructions in Sensor Sync on page 167 to connect each camera to the genlock device The GEN and SYNC indicators in the Lower Status Row illuminate green 3 Follow the instructions in Set Up Master Slave Operat...

Page 176: ...ffects and difficult shots Motion Control uses GPIO signals transmitted using the SYNC GPI and CTRL GPO ports on the DSMC2 Base Expander or DSMC2 V Lock I O Expander For more information on GPIO connections go to Input Output Connectors on page 205 To set up MoCo follow the instructions below 1 Connect the Motion Control device to the camera using a 3BNC to 00 LEMO Sync Cable Sync In Connect the w...

Page 177: ...3BNC to 00 LEMO Sync Cable required per SYNC and CTRL port used COMPATIBLE TIMECODE DEVICES The following timecode devices are compatible with the camera Additional timecode devices may be compatible but have not yet been tested by RED Ambient ACL 202CT Ambient LOCKIT ACL 203 Ambient ACL 204 Ambient ACC 501 Clockit Controller Ambient ACD 301 Lockit Slate Denecke SB 3 Syncbox Time Code Generator So...

Page 178: ...S Sync Generator with Universal Power Supply Ambient ACL 202CT Ambient ACL 203 Ambient ACL 204 Denecke SB T Evertz Master Clock 5600MSC NOTE Ensure that your genlock device provides a full strength genlock signal to each camera Splitting a genlock signal weakens it which may compromise the sync between cameras COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 178 SCARLET W OPERATION GUIDE ...

Page 179: ...uters with REDCINE X PRO installed RED Watchdog mounts the SSD as Read Only by default which means that you are unable to write files including firmware upgrade files to the SSD Change the Mount preference to Read Write before attempting to copy firmware to the SSD 1 Connect an SSD RED MINI MAG to your computer 2 Download the most recent firmware for your camera from RED Downloads at www red com d...

Page 180: ...e SLA the camera cannot be used The SLA continues to display until it is accepted 12 Go to Menu Settings Maintenance System Status Camera Info and verify that the firmware version listed matches the firmware version that you downloaded 13 Reformat the SSD before recording COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 180 SCARLET W OPERATION GUIDE ...

Page 181: ...mpressed air and gas dusters since the high pressure oily residue cold air particulates and moisture may cause damage You may use a filtered non residue gas duster to clean non critical areas such as around the fans and other recesses on the exterior of the camera Damage to the camera or other components of the camera system caused by using compressed air or gas dusters is not covered under warran...

Page 182: ...urface PROHIBITED EVF SCREEN CLEANERS DO NOT use any of the items listed below to clean the screen on the DSMC2 RED EVF These products have not been tested on RED products and may cause damage or streaking Compressed air Gas dusters Solvents Rubbing alcohol Isopropyl alcohol Windex Third party cleaning kits Pre packaged lens cleaner containing any additives such as detergent anti static compounds ...

Page 183: ...ns or other components of the camera system caused by using prohibited cleaners is not covered under warranty SCREEN STORAGE Store any RED device with a screen in a RED Microfiber bag Storing devices in a RED Microfiber bag preserves the superior quality of the specialized AR and AS coatings on the LCDs Hand wash and air dry the RED Microfiber bag regularly WATER DAMAGE If your device has come in ...

Page 184: ...have an equipment failure during a major shoot 1 Configure your camera 2 Perform a black shade calibration sensor calibration 3 Enable the Sensor Test Pattern in the Maintenance menu 4 Select the desired resolution 5 Select the highest available frame rate 6 Perform a secure format of the SSD 7 Record a full SSD of footage 8 Perform a secure format of the SSD 9 Repeat Step 6 to Step 8 to test mult...

Page 185: ...Hardware Rediscover For more information go to Rediscover Hardware Rediscover on page 133 Upgrade your camera firmware For more information go to Upgrade Camera Firmware on page 179 Reset your camera s default settings For more information go to Reset Defaults on page 133 CAMERA DOES NOT RECOGNIZE LENS SYMPTOM The camera does not recognize the attached lens POTENTIAL RESOLUTIONS Ensure that the le...

Page 186: ...d NOTE Some lenses do not display the aperture information because they are incompatible Some PL lenses do not have i technology data CANNOT SEE MENUS ON LCD TOUCHSCREEN SYMPTOM The LCD touchscreen does not display menus POTENTIAL RESOLUTION Double tap the LCD touchscreen to exit Clean mode SCREEN FREEZES OR DOES NOT DISPLAY SYMPTOM The screen freezes or does not display POTENTIAL RESOLUTION Perfo...

Page 187: ...are using F Save the appropriate enable_menus file to the force_preset folder on your SSD G Eject or unmount the SSD and then remove the SSD H Ensure the camera is turned off I Insert the SSD into your camera J Turn on the camera The camera automatically applies the preset NOTE On Mac computers with REDCINE X PRO installed RED Watchdog mounts the SSD as Read Only by default which means that you ar...

Page 188: ...Y SYMPTOM Image or footage appears grainy POTENTIAL RESOLUTIONS Perform a black shading calibration before recording additional clips For more information go to Sensor Calibration on page 128 Check the histogram to ensure proper exposure Noise occurs if an image is overexposed or underexposed For more information go to Stills Mode on page 62 Use the lowest REDCODE compression possible for the sett...

Page 189: ...n page 178 Use a different cable Ensure your timecode or genlock device settings match your project settings Ensure your timecode or genlock device is set to the correct source For more information go to Timecode on page 162 and Genlock on page 165 Ensure that your Sensor Sync Mode is set to Genlock For more information go to Sensor Sync on page 167 Set the ACN Ambient Clockit Network to Off CAMER...

Page 190: ...he hot pixel is from the camera sensor not your display monitor If you determine that the camera sensor has a hot pixel use REDCINE X PRO to remove the hot pixel until the issue gets resolved For more information see the REDCINE X PRO Operation Guide available at www red com downloads NO HDMI SIGNAL SYMPTOM No HDMI signal from the expander EXPLANATION The secondary LCD EVF port on the side of the ...

Page 191: ...ra to the newest firmware version One 1 of your modules expanders or lens mounts collectively known as peripherals may be experiencing issues Remove all peripherals except for the media bay and upgrade firmware Then attach another peripheral and upgrade firmware again Repeat this process upgrading one 1 peripheral at a time This will identify which peripheral is experiencing issues If there is a p...

Page 192: ... the camera POTENTIAL RESOLUTIONS Ensure that you complete the sensor calibration process For more information go to Sensor Calibration on page 128 Go to Menu Settings Maintenance Calibrate and select user1 Calibration Map Click Set Go to Menu Settings Maintenance Calibrate and delete all user created calibration maps Then reset your camera s default settings For more information go to Reset Defau...

Page 193: ...e screws in a cross pattern X pattern using a T10 TORX driver 3 Remove the media bay from the camera 4 Inspect the connections and pins on the camera and ensure that they are clean and undamaged NOTE DO NOT touch any part of the exposed boards or connectors 5 Re attach the media bay as soon as possible to prevent dust or debris from entering the camera For more information go to Install the Media ...

Page 194: ...can damage the Sensor Positioning System Damage to the camera system caused by adjusting the back focus while the sensor is locked is not covered under warranty REQUIRED TOOLS T10 TORX driver Phillips 0 screwdriver 1 Turn off the camera 2 Remove the DSMC2 Sidekick or side panel if a DSMC2 Sidekick is not attached For more information go to Remove the DSMC2 Sidekick on page 41 Figure Remove DSMC2 S...

Page 195: ...ck position DO NOT exceed 80 in oz or damage may occur WARNING DO NOT OVERTIGHTEN Figure Lock Back Focus Figure Back Focus Successfully Locked 7 Re install the DSMC2 Sidekick or side panel For more information go to Install the DSMC2 Sidekick on page 41 Figure Install DSMC2 Sidekick COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 195 SCARLET W OPERATION GUIDE ...

Page 196: ...t 2K Full Frame 2048 x 1080 300 fps at 2K 2 4 1 2048 x 864 Playback Frame Rates Project Time Base 23 98 24 25 29 97 47 95 48 50 59 94 60 fps all resolutions REDCODE Settings Range from 2 1 up to 22 1 1 To see all of the maximum available REDCODE values see the DSMC Media Operation Guide at www red com downloads REDCODE RAW Acquisition Formats Go to SCARLET W Formats on page 99 for a full list Appl...

Page 197: ...0 LCD RED PRO 7 LCD RED Touch 7 0 LCD BOMB EVF LCOS and BOMB EVF OLED compatible with DSMC2 LEMO Adaptor A and LCD EVF cable REDCINE X PRO Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 720p 4 2 2 QuickTime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 264 MP4 Video Editing Software Compatibility3 Adobe Premiere Pro Avid Media ...

Page 198: ... 95 48 50 59 94 60 fps all resolutions REDCODE Settings Range from 2 1 up to 22 1 1 To see all of the maximum available REDCODE values see the DSMC Media Operation Guide at www red com downloads REDCODE RAW Acquisition Formats Go to SCARLET W Formats on page 99 for a full list Apple ProRes 422 HQ 422 and 422 LT at 2K 2048 1080 up to 60 fps Avid Codecs DNxHD HQ SQ and LB 1920 1080 8 bit up to 60 fp...

Page 199: ...BOMB EVF LCOS and BOMB EVF OLED compatible with DSMC2 LEMO Adaptor A and LCD EVF cable REDCINE X PRO Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 720p 4 2 2 QuickTime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 264 MP4 Video Editing Software Compatibility3 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Fin...

Page 200: ...COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 200 SCARLET W OPERATION GUIDE B MECHANICAL DRAWINGS SCARLET W BRAIN NOTE Dimensions are shown in mm The optical axis height of the camera is 95 90 mm ...

Page 201: ...FRONT VIEW Figure SCARLET W Front View COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 201 SCARLET W OPERATION GUIDE ...

Page 202: ...BACK VIEW Figure SCARLET W Back View COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 202 SCARLET W OPERATION GUIDE ...

Page 203: ...SIDE VIEW RIGHT Figure SCARLET W Side View Right COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 203 SCARLET W OPERATION GUIDE ...

Page 204: ...SIDE VIEW LEFT Figure SCARLET W Side View Left COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 204 SCARLET W OPERATION GUIDE ...

Page 205: ... the following expanders DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 REDVOLT Expander DSMC2 Jetpack Expander DSMC2 Jetpack SDI Expander NOTE When connecting a cable to a connector align the key and red marker on the cable connector with the corresponding key and marker on the device connection NOTE Connector diagram images are for reference only Diagrams are not to scale ...

Page 206: ...m stereo Headphone on page 224 3 SYNC 4 pin 00B LEMO SYNC Video Sync In with SYNC Trigger Button Circuit on page 213 4 CTRL 4 pin 00B LEMO CTRL RS232 Control on page 217 5 HDMI HDMI 1 2 Type A HDMI Out on page 212 6 HD SDI BNC 3G SDI HD SDI Out on page 211 7 DC IN 6 pin 1B LEMO DC IN Power Input on page 225 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 206 SCARLET W OPERATION GUIDE ...

Page 207: ...mm stereo Headphone on page 224 4 USB Power USB 2 0 Type A power only USB Power on page 230 5 SYNC 4 pin 00B LEMO SYNC Video Sync In with Contact Closure Style Trigger Input on page 215 6 CTRL 4 pin 00B LEMO CTRL RS232 Control on page 217 7 HDMI HDMI 1 2 Type A HDMI Out on page 212 8 HD SDI BNC 3G SDI HD SDI Out on page 211 9 DC IN 6 pin 1B LEMO DC IN Power Input on page 225 COPYRIGHT 2016 RED COM...

Page 208: ...MO GIG E Ethernet on page 222 6 DC IN 6 pin 1B LEMO DC IN Power Input on page 225 7 GENLOCK BNC Genlock on page 220 8 TIMECODE 5 pin 0B LEMO Timecode on page 221 9 AUX PWR 2 pin 0B LEMO AUX Power 2 Pin LEMO 3 0A on page 227 10 SERIAL 7 pin 0B LEMO Serial RS232 Control on page 218 11 USB USB 2 0 Type A power only USB Power on page 230 12 AUDIO 1 and 2 3 pin full size XLR Audio 1 and 2 on page 223 1...

Page 209: ...Control on page 217 2 HDMI HDMI 1 2 Type A HDMI Out on page 212 3 DC IN 6 pin 1B LEMO DC IN Power Input on page 225 4 SYNC 4 pin 00B LEMO SYNC Video Sync In with Contact Closure Style Trigger Input on page 215 5 USB USB 2 0 Type A power only USB Power on page 230 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 209 SCARLET W OPERATION GUIDE ...

Page 210: ...UX 2 pin 0B LEMO AUX Power 2 Pin LEMO 1 5A on page 228 3 GIG E 9 pin 0B LEMO GIG E Ethernet on page 222 4 DC IN 6 pin 1B LEMO DC IN Power Input on page 225 5 SYNC 4 pin 00B LEMO SYNC Video Sync In with Contact Closure Style Trigger Input on page 215 6 SDI BNC 3G SDI HD SDI Out on the next page COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 210 SCARLET W OPERATION GUIDE ...

Page 211: ...98 24 00 25 00 29 97 30 00 50 00 59 94 SMPTE ST 292 1 1 485 Gbps 1080p 10 bit 4 2 2 23 98 24 00 25 00 29 97 30 00 SMPTE ST 292 1 485 Gbps 1080p 10 bit 4 2 2 50 00 59 94 60 00 3G SDI SMPTE ST 424 2 970 Gbps SMPTE ST 425 2 970 Gbps 1 Ensure you select a frequency supported by your monitor 2 The output is progressive scan p it does not support progressive segmented frame PsF or interlaced i scan form...

Page 212: ... does not support progressive segmented frame PsF or interlaced i scan formats COMPATIBLE CABLE 790 0331 RED HDMI Cable 5 HDMI WIRELESS TRANSMITTERS The HDMI connector supports HDMI wireless transmitters so that you can transmit the HDMI signal to a remote HDMI monitor The HDMI connector supports industry standard HDMI wireless transmitters NOTE The DSMC2 Jetpack Expander features a spring loaded ...

Page 213: ...e Input GPI signals Figure Front Face of the SYNC Video Sync Connector Looking at the Camera 4 PIN 00B LEMO SYNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 SS GPI Shutter sync general purpose input trigger In 3 TIMECODE SMPTE unbalanced timecode input In 4 GENLOCK Tri level sync input In NOTE Mating connector is FGG 00 304 CLAD COPYRIGHT 2016 RED COM INC 955 0133_V6 3 ...

Page 214: ...en the GPI trigger is used for record start stop Start Record On ground to 3 3 V transition During Record Hold at 3 3 V Stop Record On 3 3 V to ground transition During Stop Hold at ground Figure Trigger Button Circuit Diagram NOTE In the diagram above values are approximate Use standard values COMPATIBLE CABLES 790 0154 3BNC to 00 LEMO Sync Cable 790 0187 4 Pin 00 LEMO to Flying Lead 790 0415 RED...

Page 215: ...the GPI contact closure style trigger short Pin 2 GPI to Pin 1 ground WARNING DO NOT apply voltage to Pin 2 GPI Figure Front Face of the SYNC Video Sync Connector Looking at the Camera 4 PIN 00B LEMO SYNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 GPI General purpose input trigger contact closure to Pin 1 In 3 TIMECODE SMPTE unbalanced timecode input In 4 GENLOCK Tri l...

Page 216: ...or Figure Contact Closure Style Trigger Button Circuit Diagram SYNC COMPATIBLE CABLES 790 0154 3BNC to 00 LEMO Sync Cable 790 0187 4 Pin 00 LEMO to Flying Lead 790 0415 RED Start Stop Cable 14 Pin LEMO to SYNC CTRL BNC 790 0428 RED Start Stop Cable 14 Pin to 00B SYNC COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 216 SCARLET W OPERATION GUIDE ...

Page 217: ... the pulse indicates start of record falling edge represents end of record For more information about controlling the camera via RS232 download the REDLINK SDK available at www red com developers Figure Front Face of the CTRL RS232 Connector Looking at the Camera 4 PIN 00B LEMO CTRL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 232 RX RS232 RX In 3 SS GPO Shutter sync gen...

Page 218: ... 1 to 6 on the SERIAL connector Figure Front Face of the SERIAL RS232 Connector Looking at the Camera SERIAL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GND Camera ground N A 2 RS232 RX RS232 RX In 3 RS232 TX RS232 TX Out 4 AUX OUT 11 5 to 17 VDC unregulated battery pass through power Out 5 N A No connection NC N A 6 GND Camera ground N A 7 GPI General Purpose In GPI trigger active low switch clo...

Page 219: ...se this cable 790 0553 RED 7 Pin 0B LEMO to Flying Lead Serial Port Cable 6 For non GPI applications you can use this 6 pin cable 790 0444 REDLINK to T H C Connector Cable 3 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 219 SCARLET W OPERATION GUIDE ...

Page 220: ...s incoming sync and genlock signals 75 OHM BNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION Center SYNC SMPTE ST 274 RS 170A Tri Level Sync In Shield Screen GROUND Camera ground N A COMPATIBLE CABLE 790 0341 RED HD SDI Cable 6 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 220 SCARLET W OPERATION GUIDE ...

Page 221: ...put Pin 5 is a timecode output Figure Front Face of Timecode LEMO EAG 0B 305 CLN Connector Looking at the Camera LEMO EAG 0B 305 CLN CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Camera Ground N A 2 TIMECODE IN S Timecode input SMPTE single ended In 3 N A No connection NC N A 4 5 V OUT 5 V out 200 mA max Out 5 TIMECODE OUT SMPTE 12 M Timecode output Out NOTE Mating connector is FHG 0B 305 CL...

Page 222: ...000BASE T Figure Front Face of the GIG E Connector Looking at the Camera 9 PIN 0B LEMO GIG E CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 BI_DC Data pair C N A 2 BI_DC Data pair C N A 3 BI_DD Data pair D N A 4 BI_DD Data pair D N A 5 BI_DA Data pair A N A 6 BI_DA Data pair A N A 7 BI_DB Data pair B N A 8 BI_DB Data pair B N A 9 N A Do not connect N A NOTE Mating connector is FGG 0B 309 CLAD COMPAT...

Page 223: ...io in connectors The two 2 3 pin XLR connectors provide input for two 2 audio channels Each port supports 48 V 10mA phantom power Each input may be independently set to either line or microphone level If a channel is set to microphone you can independently enable its 48 V phantom power output Figure Front Face of Audio Input 3 PIN XLR Connector Looking at the Camera 3 PIN XLR CONNECTOR PIN SIGNAL ...

Page 224: ... 5mm stereo jack provides two 2 channels of audio for monitoring For maximum quality use high impedance headphones HEADPHONE JACK PIN SIGNAL DESCRIPTION DIRECTION TIP LEFT Left channel audio Out RING RIGHT Right channel audio Out SLEEVE GND Camera ground N A COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 224 SCARLET W OPERATION GUIDE ...

Page 225: ... cable that wires only one 1 pair of VBATT and GROUND pins may damage the power supply or the camera Damage to the power supply or other components of the camera system caused by using an inappropriate power cable is not covered under warranty Figure Front Face of the DC In Power Input Connector Looking at the Camera 6 PIN 1B DC INPUT CONNECTOR PIN SIGNAL DESCRIPTION 1 VBATT Power input 11 5 to 17...

Page 226: ...COMPATIBLE CABLES 790 0138 RED 2B to 1B LEMO Power Adaptor Cable 790 0164 XLR Power Cable 10 790 0165 XLR Power Cable 30 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 226 SCARLET W OPERATION GUIDE ...

Page 227: ...urrent draw is 3 0A Figure Front Face of AUX PWR Connector Looking at the Camera LEMO EEG 0B 302 CLL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out NOTE Mating connector is FGG 0B 302 CLAD COMPATIBLE CABLE 790 0410 RED W M D Power Cable 2 Pin 1B to 2 Pin 0B 18 COPYRIGHT 2016 RED COM INC 955 0133_V6 3 ...

Page 228: ... current draw is 1 5A Figure Front Face of AUX PWR Connector Looking at the Camera LEMO EEG 0B 302 CLL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out NOTE Mating connector is FGG 0B 302 CLAD COMPATIBLE CABLE 790 0410 RED W M D Power Cable 2 Pin 1B to 2 Pin 0B 18 COPYRIGHT 2016 RED COM INC 955 0133_V6 ...

Page 229: ...era LEMO EAG 0B 304 CLN CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Camera Ground N A 2 GPI General purpose input trigger GPI use for trigger in In 3 GPO General purpose output trigger GPO use for tally out Out 4 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out NOTE Mating connector is FGG 0B 304 CLAD COMPATIBLE CABLE 790 0552 RED 4 Pin 0B LEMO to Flying Lead AUX Po...

Page 230: ... The USB power out connector supplies 5 V of power The maximum sustained current draw is 1 5A You can use the USB power out connector to provide power to an attached HDMI wireless transmitter NOTE The USB connector only offers power out and does NOT support USB communication COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 230 SCARLET W OPERATION GUIDE ...

Page 231: ...p connector and supplies conditioned VBATT at a maximum of 3 0A of power Figure P Tap Connector Looking at Camera 2 PIN DTAP CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 231 SCARLET W OPERATION GUIDE ...

Page 232: ... and IR filter for improved image color and contrast For more information see the MOTION MOUNT Operation Guide available at www red com downloads NOTE HDRx is not availabe when the MOTION MOUNT Shutter Type is set to Soft or Square REMOVE A LENS MOUNT NOTE You can change lens mounts in the field However RED recommends that you change lens mounts only in a dust free environment REQUIRED TOOLS T20 T...

Page 233: ...re Remove the Lens Mount INSTALL A LENS MOUNT NOTE You can change lens mounts in the field However RED recommends that you change lens mounts only in a dust free environment REQUIRED TOOLS T20 TORX driver 1 Ensure that the camera is turned off and remove any accessories or cables that may interfere with installation 2 Inspect the gold electrical contact pins on the front of the camera and the gold...

Page 234: ...re Tighten Screws 6 Tighten the four 4 lens mount screws evenly in a cross pattern X pattern using a T20 TORX driver DO NOT exceed 350 in oz or damage may occur WARNING DO NOT OVERTIGHTEN 7 After installation a hardware rediscover or firmware upgrade may be required particularly if you are installing a MOTION MOUNT If a MOTION MOUNT is not recognized you will be unable to access the Motion Mount m...

Page 235: ...RNING ALWAYS protect your equipment when it is not in use by replacing lens caps and mount caps ATTACH PL LENSES 1 Rotate the locking ring counter clockwise to release the camera mount cap 2 Remove the rear lens cap and the camera mount cap 3 Align the key and contact pads if present on the PL lens with the key and connector pins on the camera PL mount 4 Insert the lens into the camera PL mount 5 ...

Page 236: ...s 6 In the camera to Menu Settings Setup Lens 7 Deselect the Enable Power to Lens check box NOTE This option is only available when a camera PL mount is attached to the camera 8 The lens should be successfully connected However if lens data does not display within 10 seconds go to Menu Settings Setup Lens and select Detect Lens CANON PL MOUNT LENSES The following Canon PL mount lenses are compatib...

Page 237: ...nter clockwise to remove the camera mount cap 3 Remove the rear lens cap 4 Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount 5 Turn the lens clockwise until it clicks into place 6 Rotate the secondary locking ring clockwise to engage DETACH CANON EF LENSES 1 Rotate the secondary locking ring counter clockwise to disengage 2 Press and hold the...

Page 238: ...SM Canon EF 24 70mm f 4L IS USM Canon EF 24 105mm f 4L IS Canon EF 28mm f 1 8 USM Canon EF 28mm f 2 8 Canon EF 28mm f 2 8 IS USM Canon EF 28 105mm f3 5 II USM Canon EF 28 300mm f 3 5 5 6L IS Canon EF 35mm f 1 4L Canon EF 35mm f 2 Canon EF 35mm f 2 IS USM Canon EF 50mm f 1 2L Canon EF 50mm f 1 4 USM Canon EF 50mm f 1 8 II Canon EF 50mm f 1 8 STM Canon EF 50mm f 2 5 Compact Macro Canon EF 70 200mm f...

Page 239: ... EF 135mm f 2 0 L with 2 0x Extender Canon EF 135mm f 2 8 Soft Focus Canon EF 180mm f 3 5L Macro Canon EF 180mm f 3 5L Macro with 1 4x Extender Canon EF 180mm f 3 5L Macro with 2x Extender Canon EF 200mm f 2 0L IS Canon EF 200mm f 2 0L IS with 1 4x Exender Canon EF 200mm f 2 0L IS with 2x Extender Canon EF 200mm f 2 8L II Canon EF 200mm f 2 8L II with 1 4x Extender Canon EF 200mm f 2 8L II with 2x...

Page 240: ...IS USM Canon EF 500mm f 4L IS II USM Canon EF 500mm f 4L IS with 1 4x Extender Canon EF 500mm f 4L IS with 2x Extender Canon EF 500 f 4L IS II USM Canon EF 600mm f 4L IS Canon EF 600mm f 4L IS II USM Canon EF 600mm f 4L IS with 1 4x Extender Canon EF 600mm f 4L IS with 2x Extender Canon EF 800mm f 5 6L IS Canon EF 800mm f 5 6L IS with 1 4x Extender Canon EF 800mm f 5 6L IS with 2x Extender Canon E...

Page 241: ...8 EX DG HSM1 Sigma APO 70 200mm f 2 8 EX DG Macro HSM II Sigma APO 120 300mm f 2 8 EX DG OS HSM Sigma APO 180mm f 2 8 Macro EX DG OS HSM Tamron Tamron 28 300mm f3 5 Macro Tamron 28 300mm f 3 5 XR Di VC LD Aspherical IF Macro Tamron 70 200mm f 2 8 Di LD IF Macro Tamron SP Tamron SP 10 24mm f 3 5 Tamron SP 10 24mm f 3 5 4 5 Di II Tamron SP 15 30mm f 2 8 Di VC USD1 Tamron SP 24 70mm f 2 8 Di VC USD T...

Page 242: ...stagon T 25mm f 2 ZE Zeiss Distagon T 28mm f 2 ZE Zeiss Distagon T 35mm f2 ZE Zeiss Makro Planar Zeiss Makro Planar T 100mm f 2 ZE Zeiss Otus Zeiss Otus 55mm f 1 4 Zeiss Planar Zeiss Planar T 50mm f1 4 ZE Zeiss Planar T 85mm f1 4 ZE 1 Image stabilization IS is not supported COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 242 SCARLET W OPERATION GUIDE ...

Page 243: ... the lens counter clockwise until it clicks into place being careful to NOT press the lens release button 6 Rotate the secondary locking ring clockwise to engage DETACH NIKON F MOUNT LENSES 1 Rotate the secondary locking ring counter clockwise to disengage 2 Press and hold the lens release button While holding the lens release button turn the lens clockwise until it stops and remove it from the ca...

Page 244: ...ED VR N AF S DX Micro Nikkor 40mm f 2 8G AF S Micro Nikkor 60mm f 2 8G ED AF S Micro Nikkor 105mm f 2 8G VR IF ED Sigma Sigma 17 50mm f 2 8 EX DC OS HSM Sigma 17 70mm f 2 8 4 DC Macro OS HSM C Sigma 18 35mm f 1 8 DC HSM Sigma 24 35mm f 2 DG HSM Art Sigma 24 70mm f 2 8 EX DG HSM Sigma 24 105mm f 4 DG OS HSM Sigma 120 300mm f 2 8 DG OS HSM Sigma APO Sigma APO 70 200mm f 2 8 DG OS HSM Sigma APO 120 3...

Page 245: ...tus 55mm f 1 41 2 Zeiss Otus 85mm f 1 4 ZF 2 APO1 Zeiss Planar Zeiss Planar T 50mm f 1 4 ZF 2 Zeiss Planar T 85mm f 1 4 ZF 2 1 Iris control only no AF 2 No hand controller support COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 245 SCARLET W OPERATION GUIDE ...

Page 246: ...te the locking ring counter clockwise to release the Leica M lens 2 Remove the Leica M lens from the DSMC AL Leica M mount 3 Replace the rear lens cap and camera mount cap when the lens is not in use DSMC AL LEICA M MOUNT SUPPORTED LENSES The DSMC AL Leica M Mount is compatible with most Leica M series lenses with focal lengths of 50mm and greater EXCEPT for the 50mm f2 0 Dual Range Summicron The ...

Page 247: ...Side SSD Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop Record Half Press AF Start User 1 2 Press Eject Media LCD Primary and Secondary Up Press Br Up Increase Brightness Down Press Br Down Decrease Brightness User 1 Press Magnify Toggle User 2 Press Exposure Check Toggle User 1 2 Press LCD Toggle Lock EVF Primary and Secondary User 1 Press Magnify Togg...

Page 248: ...User A D Press SM Toggle Key Lock Nav Menu Press Navigation Menu Nav North Press Navigation Up Nav South Press Navigation Down Nav East Press Navigation Right Nav West Press Navigation Left Nav Enter Press Navigation Select Rotary CW Navigation CW Rotary CCW Navigation CCW COPYRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 248 SCARLET W OPERATION GUIDE ...

Page 249: ...e Record Mark Frame Record Half Press AF Start Record Half Release Key Disabled Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop Focus Control Wheel CW1 Increase focus distance Focus Control Wheel CCW1 Decrease focus distance DSMC2 Top Handle Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop DSMC2 Outrigger Handle...

Page 250: ...YRIGHT 2016 RED COM INC 955 0133_V6 3 REV H 250 SCARLET W OPERATION GUIDE F MENU MAP The menu map is applicable to the following cameras except as noted throughout this guide SCARLET W SCARLET W Monochrome ...

Page 251: ...Sensor Flip Mirror Scan Direction PROJECT Control Channel 1 2 Channel 3 4 Pre Amp Gain Headphone Volume Mix Headphone Mix Monitor Mix AUDIO Mode Storage Mode Codec Record File Format REDCODE QuickTime Video Codec Resolution Record Video Codec Video Codec Dimension Frame Processing Mode Number of Frames Pre Record Duration Always Trigger Trigger Pre Record Now Indicator Enable Sounds EVF Tally Ligh...

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