6
Playing Methods
This is the most common playing method, playing the middle area
of the cymbal. It corresponds to the sound of the “head-side” of
the connected trigger input.
fig.09.eps
This playing method involves striking the edge with the shoulder
of the stick. When played as shown in the figure, the “rim-side”
sound of the connected input is triggered.
fig.10.e.eps
* On the CY-15R, edge shots are possible when the connection is made
to the BOW/EDGE output.
This playing method involves striking the bell. On the CY-15R,
when played as shown in the figure, the “rim-side” sound of the
connected input is triggered.
fig.11.eps
* Strike the bell somewhat strongly with the shoulder of the stick.
* Bell shots are possible when the connection is made to the CY-15R’s
BOW/BELL output.
* On the CY-14C, bell shots are not supported.
Choking (pinching) the cymbal’s edge with the hand immediately
after hitting the cymbal makes the sound stop. Choke the location
of the edge sensor shown in the figure. If you choke an area where
there is no sensor, the sound does not stop.
fig.12.e.eps
fig.13.eps
If you use the TD-20/12 as your sound module, you’ll be able to
produce tonal change by varying the striking point on the bow
portion.
Bow Shot
Edge Shot
Bell Shot (CY-15R Only)
Edge sensor
Choke Play
Positional Sensing
Roland logo
Edge sensor
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