89
Creating a Performance
Creating a Performance
[7 (External)]
fig.06-24_50
For details on the setting, refer to
“Adjusting the Parameters of
Each Part”
(p. 84).
Receive Switch
For each part, specify whether MIDI messages will be received (ON),
or not (OFF).
If this is “OFF,” the part will not respond. Normally, you should
leave this “ON,” but you can turn it “OFF” when you do not want a
specific part to be playing during song playback.
Value:
OFF, ON
Receive Channel
Specifies the MIDI receive channel for each part
Value:
1–16
Ext Bank Select MSB (External Bank Select MSB)
If you want a Bank Select number MSB (controller number 0) to also
be transmitted when you switch Performances, specify the value that
you want to transmit (0–127) for each part. If you do not want this
message to be transmitted, set this to “OFF.”
Value:
0–127, OFF
The data of the part for which the Keyboard Switch is turned off
will not be transmitted.
Ext Bank Select LSB (External Bank Select LSB)
If you want a Bank Select number LSB (controller number 32) to also
be transmitted when you switch Performances, specify the value that
you want to transmit (0–127) for each part.
Value:
0–127
The data of the part for which the Keyboard Switch is turned off
will not be transmitted.
Ext Program Number
(External Program Change Number)
If you want a Program Change number to also be transmitted when
you switch Performances, specify the value that you want to
transmit (0–128) for each part. If you do not want this message to be
transmitted, set this to “OFF.”
Value:
1–128, OFF
The data of the part for which the Keyboard Switch is turned off
will not be transmitted.
Ext Level (External Level)
If you want Volume messages to also be transmitted when you select
a Performance, specify the desired value (0–127) for the part. If you
do not want this message to be transmitted, set this to “OFF.”
Value:
0–127, OFF
The data of the part for which the Keyboard Switch is turned off
will not be transmitted.
Equal Temperament
This tuning divides the octave into 12 equal parts, and is the
most widely used method of temperament used in Western
music. The Fantom-S employs equal temperament when the
Scale Tune Switch is set to “OFF.”
Just Temperament (Tonic of C)
Compared with equal temperament, the principle triads sound
pure in this tuning. However, this effect is achieved only in one
key, and the triads will become ambiguous if you transpose.
Arabian Scale
In this scale, E and B are a quarter note lower and C#, F# and G#
are a quarter-note higher compared to equal temperament. The
intervals between G and B, C and E, F and G#, Bb and C#, and
Eb and F# have a natural third—the interval between a major
third and a minor third. On the Fantom-S, you can use Arabian
temperament in the three keys of G, C and F.
<Example>
Note
name
Equal tem-
perament
Just Tempera-
ment (tonic C)
Arabian Scale
C
0
0
-6
C#
0
-8
+45
D
0
+4
-2
Eb
0
+16
-12
E
0
-14
-51
F
0
-2
-8
F#
0
-10
+43
G
0
+2
-4
G#
0
+14
+47
A
0
-16
0
Bb
0
+14
-10
B
0
-12
-49
Reference_e.book 89 ページ ２００３年７月１４日 月曜日 午後３時２５分
