Roland Sound Canvas SC-8850 Owner'S Manual Download

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104

Using Insertion Effects

28: 3D Delay

[01H, 57H]

This applies a 3D effect to the delay sound. The delay sound
will be positioned 90 degrees left and 90 degrees right.

fig.9-31

Dly Tm C (Delay Time Center)

0–500ms [1 (40 03 03)]

Adjusts the time from the original sound until when the
center delay sound begins.

Dly Tm L (Delay Time Left)

0–500ms [2 (40 03 04)]

Adjusts the time from the original sound until when the left
delay sound begins.

Dly Tm R (Delay Time Right)

0–500ms [3 (40 03 05)]

Adjusts the time from the original sound until when the
right delay sound begins.

+Feedback (Delay Feedback)

-98%–+98% [4 (40 03 06)]

Adjusts the amount (%) of the center delay sound that will
be returned to the input. With negative (-) settings, the
phase will be inverted.

Dly Lev C (Delay Level Center)

0–127 [5 (40 03 07)]

Adjusts the volume of the Center Delay sound.

Dly Lev L (Delay Level Left)

0–127 [6 (40 03 08)]

Adjusts the volume of the Left Delay sound.

Dly Lev R (Dely Level Right)

0–127 [7 (40 03 09)]

Adjusts the volume of the Right Delay sound.

HF Damp

315–8k/Bypass [8 (40 03 0A)]

This adjusts the frequency at which the high range is cut
when the Center Delay sound is returned to the input. If
you do not wish to cut the high range, set this to Bypass.

Out (Output Mode)

Speaker/Phones [15 (40 03 11)]

Specifies the method that will be used to hear the sound
that is output to the OUTPUT jacks. The optimal 3D effect
will be achieved if you select Speaker when using speakers,
or Phones when using headphones (p.128).

#Balance (Effect Balance)

D>0E–D0<E [16 (40 03 12)]

Adjusts the volume balance between the direct and the
processed sound.
“D” or “E” on the display respectively means D (direct
sound) or E (effect sound) values of 100.

Low Gain

-12–+12 [17 (40 03 13)]

Adjusts the gain of the low frequency range.

Hi Gain (High Gain)

-12–+12 [18 (40 03 14)]

Adjusts the gain of the high frequency range.

Level (Output Level)

0–127 [20 (40 03 16)]

Adjusts the output level.

Effects that modify the pitch (pitch shift type)

29: 2 Pitch Shifter (2-Voice Pitch Shifter)

[01H, 60H]

A Pitch Shifter shifts the pitch of the original sound. This 2-
voice pitch shifter has two pitch shifters, and can add two
pitch shifted sounds to the original sound.

fig.9-32

+Coarse 1 (Coarse Pitch 1)

-24–0–+12 [1 (40 03 03)]

Adjusts the pitch of Pitch Shift 1 in semitone steps (-2–+1
octaves).

Fine 1 (Fine Pitch 1)

-100–0–+100 [2 (40 03 04)]

Make fine adjustments to the pitch of Pitch Shift 1 in 2-cent
steps (-100–+100 cents).

Pre Dly 1 (Pre Delay Time 1)

0–100ms [3 (40 03 05)]

Adjusts the time delay from when the direct sound begins
until the Pitch Shift 1 sound is heard.

EFX Pan 1 (Effect Output Pan 1) L63–0–R63 [4 (40 03 06)]

Adjusts the stereo location of the Pitch Shift 1 sound. L63 is
far left, 0 is center, and R63 is far right.

#Coarse 2 (Coarse Pitch 2)

-24–0–+12 [5 (40 03 07)]

Adjusts the pitch of Pitch Shift 2 in semitone steps (-2–+1
octaves).

Fine 2 (Fine Pitch 2)

-100–0–+100 [6 (40 03 08)]

Make fine adjustments to the pitch of Pitch Shift 2 in 2-cent
steps (-100–+100 cents).

Pre Dly 2 (Pre Delay Time 2)

0–100ms [7 (40 03 09)]

Adjusts the time delay from when the direct sound begins
until the Pitch Shift 2 sound is heard.

EFX Pan 2 (Effect Output Pan 2)

L63–0–R63 [8 (40 03

0A)]

Adjusts the stereo location of the Pitch Shift 2 sound. L63 is
far left, 0 is center, and R63 is far right.

Shift Mode (Pitch Shifter Mode)

1–5 [9 (40 03 0B)]

Higher settings of this parameter will result in slower
response, but steadier pitch.

L.Bal (Level Balance)

A> 0B–A0<B [10 (40 03 0C)]

Adjusts the volume balance between the Pitch Shift 1 and
the Pitch Shift 2 sounds.

Balance (Effect Balance)