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Roland Sound Canvas SC-8850, Owner'S Manual

The Roland Sound Canvas SC-8850 is a high-quality sound module perfect for musicians and producers. Unlock the full potential of your device by downloading the Owner's Manual for free from our website. This comprehensive manual will guide you through all the features and functions of this powerful tool.

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204

Appendices

[Pro] : Same as the percussion sound of SC-8850

[88] : Same as the percussion sound of SC-88
[55] : Same as the percussion sound of SC-55

[EXC] : Percussion sound of the same number 

will not be heard at the same time.

PC : Program Number (Drum Set Number)

<– : Same as the percussion sound of 

"STANDARD1"(PC1).

--- : No sound

* : Tones which are created using two voices

SC-88Pro Drum Set (4)

* About Notes 0-19 and 97-127, refer to p.207.

PC 31

PC 33

PC 41

PC 49

TR-909

JAZZ

BRUSH

ORCHESTRA [88]

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

Finger Snap 2

Finger Snap 2

Finger Snap

<–

<–

<–

Closed Hi-Hat 2

[EXC1]

<–

<–

<–

Pedal Hi-Hat

[EXC1]

Scratch Push 2

[EXC7]

<–

<–

Open Hi-Hat 2

[EXC1]

Scratch Pull 2

[EXC7]

<–

<–

Ride Cymbal 1

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

TR-909 Kick 2

Jazz Kick 2

Jazz Kick 2

Jazz Kick 1

TR-909 Kick 1

*

Jazz Kick 1

Jazz Kick 1

Concert BD 1

TR-909 Rim

<–

<–

<–

TR-909 Snare 1

Jazz Snare 1

Brush Tap 1

Concert SD

<–

Hand Clap 2

Brush Slap 1

Castanets

TR-909 Snare2

Jazz Snare 2

Brush Swirl 1

Concert SD

TR-909 Low Tom 2

<–

Brush Low Tom 2

*

Timpani F

TR-707 Closed Hi-Hat

[EXC1]

Closed Hi-Hat 2

[EXC1]

Brush Closed Hi-Hat

[EXC1]

Timpani F#

TR-909 Low Tom 1

<–

Brush Low Tom 1

*

Timpani G

TR-707 Closed Hi-Hat

[EXC1]

Pedal Hi-Hat 

[EXC1]

Pedal Hi-Hat

[EXC1]

Timpani G#

TR-909 Mid Tom 2

<–

Brush Mid Tom 2

*

Timpani A

TR-909 Open Hi-Hat

[EXC1]

Open Hi-Hat 2

[EXC1]

Brush Open Hi-Hat

[EXC1]

Timpani A#

TR-909 Mid Tom 1

<–

Brush Mid Tom 1

*

Timpani B

TR-909 High Tom 2

<–

Brush High Tom 2

*

Timpani c

TR-909 Crash Cymbal

<–

Brush Crash Cymbal

Timpani c#

TR-909 High Tom 1

<–

Brush High Tom 1

*

Timpani d

TR-909 Ride Cymbal

*

Ride Cymbal Inner

Ride Cymbal Inner

Timpani d#

<–

<–

<–

Timpani e

<–

<–

Brush Ride Bell

Timpani f

Tambourine 2

<–

<–

<–

<–

<–

<–

<–

TR-808 Cowbell

<–

<–

<–

<–

<–

<–

Concert Cymbal 2

<–

<–

<–

<–

Ride Cymbal Edge

Ride Cymbal Edge

Ride Cymbal Edge

Concert Cymbal 1

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

TR-808 Maracas

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

CR-78 Guiro

[EXC3]

<–

<–

<–

TR-808 Claves

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

High Hoo

[EXC4]

<–

<–

<–

Low Hoo

[EXC4]

<–

<–

<–

Mute Triangle

<–

<–

<–

Open Triangle

<–

<–

<–

TR-626 Shaker

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

<–

Applause

*

Applause

*

Applause

*

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

---

27

28

29

31

33

35

30

32

34

39

40

41

43

45

47

42

44

46

36

38

37

87

88

84

86

85

51

52

53

55

57

59

54

56

58

48

50

49

63

64

65

67

69

71

66

68

70

60

62

61

75

76

77

79

81

83

78

80

82

72

74

73

C2

C3

C4

C5

C6 

26

25

96

89

91

93

95

90

92

94

C7 

24

23

22

C1

Summary of Contents for Sound Canvas SC-8850

Page 1: ...ning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit Owner s manual should be read in its entirety T...

Page 2: ...ly only of the type described in the operating instructions or as marked on the product 1 2 3 4 5 6 7 8 9 10 11 A B C D E The power supply cord of the product should be unplugged from the outlet when...

Page 3: ...of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should immediately stop using the unit and consult an audiologist 011...

Page 4: ...t its location or position does not interfere with its proper venti lation 102b Always grasp only the plug on the power supply cord when plugging into or unplugging from an outlet or this unit 104 Try...

Page 5: ...aware that the contents of memory can be irretrievably lost as a result of a malfunction or the improper operation of the unit To protect yourself against the risk of loosing important data we recomm...

Page 6: ...differently by the SC 8850 A complete selection of effects The effects provided by the SC 8850 include 64 different Insertion effects which can be applied to specific parts 8 types of reverb 8 types...

Page 7: ...either the General MIDI or General MIDI 2 logo In some cases the conventional form of General MIDI which does not include the new enhancements is referred to as General MIDI 1 as a way of distinguishi...

Page 8: ...play but keep in mind that this may vary slightly from the display that you actually see on your instrument The explanations in this manual include illustrations that depict what should typi cally be...

Page 9: ...KEY SHIFT 35 Silencing a Specific Part All Parts MUTE 35 Listening to Only a Specific Part SOLO 36 Selecting the Same Sounds As the SC 88Pro SC 88 SC 55 36 Parts and Sounds 37 Switching the Sound of...

Page 10: ...ting Procedure 129 The Function of Each Parameter 130 Saving and Loading SC 8850 Settings 134 Transmitting the Settings of the SC 8850 to a Computer 134 Transmitting a Bulk Dump 134 Transmitting Indiv...

Page 11: ...OUTPUT 2 jack AC IN connector MIDI IN 1 connector MIDI IN 2 connector MIDI OUT 1 connector MIDI OUT 2 connector computer switch USB connector Set this switch depending on the type of computer connecte...

Page 12: ...Computer p 17 Connecting to a Computer via the USB Connector USB stands for Universal Serial Bus and is a new interface used for connecting var ious peripherals to a computer USB allows you to use a s...

Page 13: ...SC 8850 and passes MIDI messages from the SC 8850 to the application program fig 1 3e For details on installing the USB driver refer to the booklet for the included Soft ware Library for SC 8850 Turn...

Page 14: ...her devices it is very important to turn down the volume and turn off the power in order to prevent malfunctions or speaker damage MIDI keyboard PC 180 PC 160 etc PC Apple Macintosh Series Serial conn...

Page 15: ...er software etc and the SC 8850 when your computer is connected via a computer cable to the SC 8850 The Serial MIDI driver passes data from the application program to the SC 8850 and passes MIDI messa...

Page 16: ...use MIDI cables the SC 8850 will be limited to a maximum of 32 parts If you wish to perform using more than 33 parts use either a USB cable or a computer cable Turn off the power before changing the s...

Page 17: ...group A GM GS Sound generator Part A1 A16 Part group B GM GS Sound generator Part B1 B16 Part group C GM GS Sound generator Part C1 C16 Part group D GM GS Sound generator Part D1 D16 The number of so...

Page 18: ...You Hear Sound If the SC 8850 is connected to your computer but you do not hear any sound this may be due to a variety of reasons A flow chart has been provided to help you de termine the problem In t...

Page 19: ...is input here will be mixed with this unit s sound and output from the audio output1 jacks If the signal input to this unit is too large or too small use the Audio Input Volume knob to adjust it If t...

Page 20: ...n the volume and turn off the power on all devices before making any connections The new setting of the COMPUTER switch will take effect when the power is turned on Turn off the power before changing...

Page 21: ...DI messages are not being received from your MIDI keyboard Check your MIDI keyboard settings and MIDI cable connec tions Even when you hear sound if the bar indicators are not moving it means that the...

Page 22: ...GM GS Sound generator Part B1 B16 Part group C GM GS Sound generator Part C1 C16 Part group D GM GS Sound generator Part D1 D16 From the MIDI OUT 1 and 2 connectors MIDI messages are sent to the conn...

Page 23: ...alize All fig 2 1e 4 Press ENTER The display will ask Initialize Sure 5 To initialize press ENTER To quit without initializing press EXIT Shortcut Keys You can easily initialize the settings of theSC...

Page 24: ...ress both the EDIT and PART buttons UTIL 2 Press INIT F3 3 Press VAR or INST to move the cursor up and down and select Initialize GS fig 2 2 4 Press ENTER The display will ask Initialize Sure 5 To ini...

Page 25: ...sor up and down and select Initialize GM fig 2 3 4 Press ENTER The display will ask Initialize Sure 5 To initialize press ENTER To quit without initializing press EXIT Shortcut Keys You can easily ini...

Page 26: ...or up and down and select Initialize GM2 fig 2 4 4 Press ENTER The display will ask Initialize Sure 5 To initialize press ENTER To quit without initializing press EXIT Shortcut Keys You can easily ini...

Page 27: ...built in sounds You can listen to an individual demo song or to all songs in succession 1 Simultaneously press both the EDIT and PART buttons UTIL 2 Press DEMO F4 fig 3 1 3 Press VAR or INST to move...

Page 28: ...hem an enormous following among consumers of music files Additionally their other activities within the realm of music reach into al most every area whether it be composing arranging producing or educ...

Page 29: ...knob to audition the sound The selected sound will be played by an appropriate phrase Default setting The Part Basic screen is the screen that appears when the SC 8850 s power is turned on You can ret...

Page 30: ...tate the VALUE knob or press DEC or INC to select sounds Pressing DEC decreases the Variation Number and pressing INC increases the Variation Number Even among organ sounds you can hear that there are...

Page 31: ...nd pressing INC increases the Drum Set Number 5 Press the VOLUME knob to check sounds A phrase will play the various sounds in the selected drum set Default settings Part Basic screen p 29 The Drum Se...

Page 32: ...volume and to the left to lower the volume fig 3 6 Adjusting the volume level Part Level 1 Make sure that the Part Basic screen is selected 2 Press EDIT 3 Press EDIT F2 4 Press VAR or INST to move the...

Page 33: ...to 0 As the L value increases the sound will be placed further left and as the R value increases the sound will be placed further right You can specify a value between L63 and R63 and center is 0 If...

Page 34: ...to change the pan of a part to Random using MIDI messages Example Setting the pan of Part 1 to be random If you set the pan to be random you cannot use Control Change message like the above example T...

Page 35: ...ess DEC or INC to adjust the key Pressing DEC lowers the key pitch and pressing INC raises the key You can shift 2 octaves in semitone steps Silencing a Specific Part All Parts MUTE Part Mute 1 Press...

Page 36: ...ich contains the same sounds as the SC 88 and the SC 55 map which contains essentially the same sounds as the SC 55 SC 55mkII You can press INST MAP to switch the sound map for the selected part Choos...

Page 37: ...1 B16 Group C C01 C16 and Group D D01 D16 with sixteen in each group There are two types of Parts Normal Parts and Drum Parts We refer to this differ ence as the Part Mode Normal Parts are used for pl...

Page 38: ...y settings groups A and B correspond to the SC 8850 s two MIDI IN connectors 1 and 2 In other words MIDI messages received at MIDI IN 1 are sent to the Group A Parts and MIDI messages received at MIDI...

Page 39: ...ounds basic sounds and Variation sounds sounds with different nuances Here s how to select Variation sounds 1 Make sure that the Part Basic screen is selected 2 Press PART or to select a Normal Part w...

Page 40: ...iation number Voices number of voices used by the Instrument Remark legato enabled sounds Remark Pro same sounds as SC 88Pro map Remark 88 same sounds as SC 88 map Remark 55 same sounds as SC 55 map R...

Page 41: ...ng will be suspended until a Program Change message is received For example if you wish to select the Instrument Piano3w with Variation number 8 Instrument number 3 you would transmit the following da...

Page 42: ...SC 88Pro in INST MAP 4 The SC 8850 map is selected and will appear at the left of SC 8850 in INST MAP How to change the sound of a part using MIDI messages Example Setting the sound of Part 2 to the...

Page 43: ...n be selected in the same way that you select capital sounds for a nor mal Part This means that Variation numbers are not used for the Drum Part 1 Make sure that the Part Basic screen is selected 2 Pr...

Page 44: ...s to Select Drum Sets from Other Devices or Sequencing Software You can select Drum Sets by transmitting MIDI messages from a sequencing pro gram in the same way as you can select Instruments When a P...

Page 45: ...8 map which contains the same sounds as the SC 88 and an SC 55 map which contains almost the same sounds as the SC 55 SC 55mkII If you wish to use the same sounds as the SC 88Pro SC 88 or SC 55 change...

Page 46: ...ote you play while the second one contains almost no attack compo nents and sounds much smoother At this time L will be displayed following of the Instrument name fig 4 21 If you want to sound the att...

Page 47: ...Rx MIDI CH fig 4 24 6 Rotate the VALUE knob or press DEC or INC to select a MIDI channel you want to assign to the Part selected in step 2 The screen display indicating the MIDI channel number will ch...

Page 48: ...nded notes will be given priority and notes sounded previously will be turned off starting from the oldest If you use only single voice Instruments you will be able to play 128 notes simultaneously bu...

Page 49: ...ify 4 Rotate the VALUE knob or press DEC or INC to set the value for the parameter 5 When you finish making settings press EXIT to end the procedure The Edit All screen is the condition that is select...

Page 50: ...the key most comfortable for your voice As the displayed value rises falls one step the pitch will rise fall one semitone This means that 12 steps equal one octave With a setting of 0 the pitch will n...

Page 51: ...etails about each parameter refer to What Each Parameter Does p 54 4 Press VAR or INST to move the cursor up and down and select the parameter you want to modify 5 Rotate the VALUE knob or press DEC o...

Page 52: ...Range High CC1 C Number CC1 Controller Number Out Asgn Output Assign MODIFY Vib Rate Vibrato Rate Vib Depth Vibrato Depth Vib Delay Vibrato Delay Cutoff Freq Cutoff Frequency Resonance Resonance Attac...

Page 53: ...ertouch Amplitude CAf LFO Rate Channel Aftertouch LFO Rate CAf LFO Pitch Channel Aftertouch LFO Pitch CAf LFO TVF Channel Aftertouch LFO TVF CAf LFO TVA Channel Aftertouch LFO TVA CC1 CC1 Range CC1 Ra...

Page 54: ...s used For example the drum set and bass might be placed in the center the guitar at right and the keyboard at left If you are listening to the SC 8850 in mono pan settings will have no effect As the...

Page 55: ...Shift to move the song to the key most comfortable for your voice As the displayed value rises falls one step the pitch will rise fall one semitone This means that 12 steps equal one octave With a set...

Page 56: ...l make only a small difference in the loudness of the sound Fig 2 If Velo Offset is set higher than 64 even softly played notes i e notes with a low ve locity will be sounded loudly Fig 5 If Velo Offs...

Page 57: ...tput Assign OUT 1 OUT 2 OUT 2L OUT 2R Specify the Output jack from which the sound of each Part will be output At the fac tory settings all Parts are set to OUT 1 OUT 1 The sound together with the eff...

Page 58: ...of the settings for a tonic of C Arabian style Scale A variety of ethnic tunings can be achieved by using the Scale Tuning function Here are settings for a tuning representative of Arabian style scal...

Page 59: ...change With a setting of 0 there will be no pitch change Cutoff Cutoff frequency 64 63 These parameters specify how the cutoff frequency will change when the corre sponding message is received Higher...

Page 60: ...Address 40 1x 15 USE FOR RHYTHM PART x Part Number Data 00 02 00 Normal 01 Drum1 02 Drum2 Checksum Refer to How to calculate the checksum p 245 Example Setting the Part Mode of Part 11 to Drum2 Transm...

Page 61: ...laying a song you must write the following system exclu sive messages into the song data fig 5 7ae Address 40 4x 21 OUTPUT ASSIGN x Part Number Data 00 03 00 OUTPUT 1 01 OUTPUT 2 02 OUTPUT 2L 03 OUTPU...

Page 62: ...ocity LCD Contrast LCD Contrast Startup Start up Procedure 1 Simultaneously press both the EDIT and PART buttons UTIL The Utility screen will appear fig 5 8 2 Press SYSTEM F1 3 Press VAR or INST to mo...

Page 63: ...127 This sets the velocity of the note that sounds when you press the VOLUME knob Normally higher velocities result in louder sound p 56 Velocity Sensitivity etc LCD Contrast 1 8 16 Depending on the a...

Page 64: ...parameters that modify the sound are set for individual parts How ever you can first press VAR or INST to move the cursor to VAR or INST and then rotate the VALUE dial or use DEC INC to select the sou...

Page 65: ...ake it shallower Vib Delay Vibrato Delay 64 0 63 This parameter adjusts the time required for the vibrato effect to begin Positive settings increase the time before vibrato will begin and negative set...

Page 66: ...pe is called the enve lope The envelopes of musical instrument sounds can change depending on how the in strument is played For example if a trumpet is played sharply and strongly the at tack will be...

Page 67: ...e combination of the Part parameter settings and the User Instrument parameter settings For example if the Vibrato Rate is set to 20 by the Part parameters and to 5 by the User Instrument parameters t...

Page 68: ...elect the sound Your edits will apply to the sound that is selected here 4 Press EDIT to turn it on 5 Press F4 twice to scroll the screen and press U INST F3 fig 6 11 6 Press VAR or INST to move the c...

Page 69: ...he sound to Variation numbers 64 and 65 The Instrument number can be any number from 1 to 128 Instrument number Native Map Storing User Instruments Variation number Variation sounds Capital sounds Atk...

Page 70: ...nd Level Chorus Send Level Delay Send Level and Assign group These parameter values are set independently for each Drum Instrument assigned to a note number Drum Edit 1 Make sure that the Part Basic s...

Page 71: ...of each Instrument Reverb Send sets the Reverb Send Level of each Instrument Chorus Send sets the Chorus Send Level of each Instrument Delay Send sets the Delay Send Level of each Instrument Assign Gr...

Page 72: ...an open hi hat sound and a closed hi hat sound these two sounds could be set to the same Assign group the same number so that they would not sound together Numbers from Non 1 to 127 can be selected bu...

Page 73: ...User Drum Set a name of your choice User Drum Sets are stored in Drum Set numbers 65 and 66 of the SC 8850 map p 76 There are two ways to store an edited Drum Instrument The first is to store each Dru...

Page 74: ...ess VAR or INST to move the cursor to User Drum No or Inst 4 Rotate the VALUE knob or press DEC or INC to select the number for User Drum No or Inst You can choose 65 or 66 for User Drum No 5 To save...

Page 75: ...e Set drum set name fig 6 22 4 Press VAR or INST to specify the location of the character 5 Rotate the VALUE knob or press DEC or INC to select the desired character Each time you press the VALUE knob...

Page 76: ...ge the User Drum No rotate the VALUE knob or press DEC or INC to select the number You can choose 65 or 66 for User Drum No 5 To save the settings as a User Drum set press ENTER To quit without saving...

Page 77: ...ts and Insertion effects differ not only in the type of effects but also in the output routing of the effect sound System Effects Of the System effects the reverb chorus delay effects take part of the...

Page 78: ...nd of these Parts to be mixed If a System effect is applied to a Part for which the Insertion effect is turned on the Insertion effect Send Level will be used instead of the Send Level of the Part its...

Page 79: ...vate a System effect for each part you have to specify how much of the sound is to be routed through the effects by setting the Send Level If the unit is still at the factory settings you should raise...

Page 80: ...parameter sets the amount of the reverberant sound Higher values result in louder reverberation Rev Character Reverb Character 0 4 7 This parameter selects the type of reverb 0 5 are reverb effects an...

Page 81: ...values Rather than individually adjusting each reverb parameter it is easier to first set the Reverb Type listed in the MIDI implemen tation as REVERB MACRO p 235 and then modify only those parameters...

Page 82: ...dback a denser chorus sound can be created Higher values re sult in a greater feedback level Cho Delay Chorus Delay Time 0 80 127 This parameter sets the delay time of the chorus effect Cho Rate Choru...

Page 83: ...usting each chorus parameter it is easier to first set the Chorus Type listed in the MIDI implementation as CHORUS MACRO p 236 and then modify only those parameters that you wish to modify In particul...

Page 84: ...three delay times center left and right when listening in stereo Delay Time Center sets the delay time of the delay located at the center DlyTmRatioL Delay Time Ratio Left 4 500 This parameter sets th...

Page 85: ...r than individually adjusting each delay param eter it is easier to first set the Delay Type listed in the MIDI implementation as DELAY MACRO p 236 and then modify only those parameters that you wish...

Page 86: ...and EQ Hi Gain Equalizer High Gain 4 Rotate the VALUE knob or press DEC or INC to set the value for the parameter Equalizer Parameters EQ L Freq Equalizer Low Frequency 200 400 Hz EQ L Gain Equalizer...

Page 87: ...ata 34H 40H 4CH 12 0 12dB Checksum Refer to How to calculate the checksum p 245 Example Setting the Equalizer Low Gain to 6 Transmit the following System Exclusive Message fig 8 2be F0 41 10 42 12 40...

Page 88: ...nge it the parameters of that effect are set to their most suitable values You can change each of these parameters by yourself 5 Rotate the VALUE knob or press DEC or INC to select the effect type 6 P...

Page 89: ...on effect to Chorus EFX To Dly 0 127 Adjust the send level of the sound that comes after the insertion effect to Delay Turning the Insertion Effect On Off After you set the insertion effect settings y...

Page 90: ...p 50 will be effective when the Insertion effect is on Example of Stereo Insertion effects 01 Stereo EQ 16 Hexa Chorus etc The diagram for each effect shows whether the Insertion effect is monaural or...

Page 91: ...ameter line Use these values when you use MIDI messages to set param eters For details on using Exclusive messages refer to page 131 233 Example 01 Stereo EQ 01H 00H This means that the value for Addr...

Page 92: ...er that will be affected by the Gain setting Higher values of Q will result in a narrower area being affected M2 Gain Mid 2 Gain 12 12 10 40 03 0C Adjusts the gain for the area specified by the M2 Fre...

Page 93: ...L63 is far left 0 is center and R63 is far right Level Output Level 0 127 20 40 03 16 Adjusts the output volume Effects that distort the sound distortion type 05 Overdrive 01H 10H This effect creates...

Page 94: ...c change in timbre fig 9 8 Fil Type Filter Type LPF BPF 1 40 03 03 Selects the type of filter LPF The wah effect will be applied over a wide frequency range BPF The wah effect will be applied over a n...

Page 95: ...fied speed the Low Slow parameter Hi Slow parameter values Fast Speeds up the rotation to the specified speed the Low Fast parameter Hi Fast parameter values Low Gain 12 12 17 40 03 13 Adjusts the gai...

Page 96: ...40 03 13 Adjusts the gain of the low frequency range Hi Gain High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 12 T...

Page 97: ...the value is modified the level will also change Post Gain 0 6 12 18 3 40 03 05 Adjusts the output gain Low Gain 12 12 17 40 03 13 Adjusts the low frequency gain Hi Gain High Gain 12 12 18 40 03 14 Ad...

Page 98: ...essed sound D or E on the display respectively means D direct sound or E effect sound values of 100 Low Gain 12 12 17 40 03 13 Adjusts the low frequency gain Hi Gain High Gain 12 12 18 40 03 14 Adjust...

Page 99: ...multiple chorus that applies two phase modulation in stereo It gives no impression of modulation but produces a transparent chorus effect fig 9 20 Pre Dly Pre Delay Time 0 100ms 1 40 03 03 Adjusts the...

Page 100: ...h processed sound is fed back into the effect Norm The left delay sound will be fed back into the left delay and the right delay sound into the right delay Cross The left delay sound will be fed back...

Page 101: ...the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 23 3 Tap Delay Triple Tap Delay 01H 52H The Triple Tap Delay produces three delay sounds center left...

Page 102: ...n High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 25 Tm Ctrl Delay Time Control Delay 01H 54H This effect allows...

Page 103: ...d or E effect sound values of 100 Low Gain 12 12 17 40 03 13 Adjusts the gain of the low frequency range Hi Gain High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output L...

Page 104: ...modify the pitch pitch shift type 29 2 Pitch Shifter 2 Voice Pitch Shifter 01H 60H A Pitch Shifter shifts the pitch of the original sound This 2 voice pitch shifter has two pitch shifters and can add...

Page 105: ...he direct and the processed sound D or E on the display respectively means D direct sound or E effect sound values of 100 Low Gain 12 12 17 40 03 13 Adjusts the gain of the low frequency range Hi Gain...

Page 106: ...ect that intentionally degrades the sound quality and allows a variety of noise to be added If the R Detune Radio Detune W P Level White Pink Noise Level Disc Nz Lev Disc Noise Level or Hum Level sett...

Page 107: ...ange together with the degree of distortion OD Pan Overdrive Drive Output Pan L63 0 R63 2 40 03 04 Adjusts the stereo location of the overdrive sound L63 is far left 0 is center and R63 is far right O...

Page 108: ...ncy gain Level Output Level 0 127 20 40 03 16 Adjusts the output level 37 OD Delay Overdrive Delay 02H 02H This effect connects an overdrive and a delay in series fig 9 40 OD Drive Overdrive Drive 0 1...

Page 109: ...anger Distortion Flanger 02H 04H This effect connects a distortion and a flanger in series fig 9 42 DS Drive Distortion Drive 0 127 1 40 03 03 Adjusts the degree of distortion The volume will change t...

Page 110: ...stortion sound that passes through the delay will be output D or E on the display respectively means D direct sound or E effect sound values of 100 Low Gain 12 12 17 40 03 13 Adjusts the low frequency...

Page 111: ...utput Level 0 127 20 40 03 16 Adjusts the output level 43 EH Delay Enhancer Delay 02H 08H This effect connects an enhancer and a delay in series fig 9 46 EH Sens Enhancer Sensitivity 0 127 1 40 03 03...

Page 112: ...evel 45 FL Delay Flanger Delay 02H 0AH This effect connects a flanger and a delay in series fig 9 48 FL Dly Flanger Pre Delay 0 100ms 1 40 03 03 Adjusts the time delay from when the direct sound begin...

Page 113: ...justs the low frequency gain Hi Gain High Gain 12 12 18 40 03 14 Adjusts the high frequency gain Level Output Level 0 127 20 40 03 16 Adjusts the output level Effects that connect three or more types...

Page 114: ...en the time When the value is modified the level will also change Cmp Level Compressor Level 0 127 3 40 03 05 Adjusts the volume of the compressor sound Cmp Sw Compressor Switch Off On 4 40 03 06 Turn...

Page 115: ...D Amp Switch Off On 8 40 03 0A Turns OD Amp on off OD Sw OD Switch Off On 9 40 03 0B Turns Overdrive or Distortion on off EQ Equalizer EQ L Gain EQ Low Gain 12 12 10 40 03 0C Adjusts the low range gai...

Page 116: ...amp Small small amp BltIn single unit type amp 2 Stk large double stack amp 3 Stk large triple stack amp OD Amp Sw OD Amp Switch Off On 8 40 03 0A Turns OD Amp on off OD L Gain OD Low Gain 12 12 9 40...

Page 117: ...the input Negative values will invert the phase In the case of Chorus this will have no effect CF Mix CF Mix 0 127 14 40 03 10 Adjusts the volume of the chorus or flanger sound Dly Delay Dly Time Del...

Page 118: ...sound is heard Dly Fb Delay Feedback Level 0 127 18 40 03 14 Adjusts the amount of the delay sound that is returned to the input Dly Mix Delay Mix 0 127 19 40 03 15 Adjusts the volume of the delay so...

Page 119: ...t which the overtones generated by the enhancer will be mixed with the direct sound PH Phaser PH Man Phaser Manual 100 8 0k 3 40 03 05 Adjusts the center frequency at which the sound will be modulated...

Page 120: ...er EQ H Gain EQ High Gain 12 12 7 40 03 09 Adjusts the high range gain of the equalizer PS Pitch Shifter PS Coarse PS Coarse Pitch 24 0 12 8 40 03 0A Adjusts the amount of pitch shift in semitone step...

Page 121: ...the direct and the chorus sound D or E on the display respectively means D direct sound or E effect sound values of 100 Cho Pan Chorus Output Pan L63 0 R63 16 40 03 12 Adjusts the stereo position of...

Page 122: ...left 0 is center and R63 is far right Dly Level Delay Level 0 127 19 40 03 15 Adjusts the volume of the delay sound Level Output Level 0 127 20 40 03 16 Adjusts the output level 58 Cho Flanger Chorus...

Page 123: ...far left 0 is center and R63 is far right OD2 Level 0 127 19 40 03 15 Adjusts the overdrive or distortion volume for set 2 Level Output Level 0 127 20 40 03 16 Adjusts the output level 60 OD Rotary O...

Page 124: ...distortion in parallel with a phaser fig 9 66 OD Overdrive Distortion OD Sel OD Select Odrv Dist 1 40 03 03 Selects either Overdrive or Distortion OD Drive OD Drive 0 127 2 40 03 04 Adjusts the degre...

Page 125: ...over a narrow frequency range AW Sens Auto wah Sensitivity 0 127 7 40 03 09 Adjusts the sensitivity with which the auto wah filter will be controlled AW Man Auto wah Manual 0 127 8 40 03 0A Sets the...

Page 126: ...ow RT High Frequency Slow Rate 0 05 10 0 10 40 03 0C Adjusts the speed of the high range rotor for the slow speed setting RT H Fast RT High Frequency Fast Rate 0 05 10 0 11 40 03 0D Adjusts the speed...

Page 127: ...e modulation speed of the auto wah AW Depth Auto wah Depth 0 127 11 40 03 0D Adjusts the modulation depth of the auto wah AW Pol Auto wah Polarity Down Up 12 40 03 0E Sets the direction in which the f...

Page 128: ...fect 06 Distortion to Part 1 Transmit the following System Exclusive Messages in turn Firstly set the effect type to 06 Distortion by transmitting EFX TYPE fig 9 72ee Secondly sets the effect paramete...

Page 129: ...sages to modify parameter values during a song without excessively in creasing the amount of data When playing the SC 8850 from a keyboard etc you can also use a pedal or other controller to modify th...

Page 130: ...Higher values will allow a greater range of change If this value is set to 0 the controller will not affect the effect parameter With negative settings the change will be inverted The controller will...

Page 131: ...type to 6 Distortion value 01H 11H F0 41 10 42 12 40 03 00 01 11 2B F7 3 Set Drive address 40H 03H 03H to 0 00H F0 41 10 42 12 40 03 03 00 3A F7 4 Set Effect Control Source 1 address 40H 03H 1BH to C...

Page 132: ...nger Example 1 When Effect Control Depth is set to 100 Settings 1 Turn EFX on for Part 1 F0 41 10 42 12 40 41 22 01 5C F7 2 Set the effect type to 10 Stereo Flanger value 01H 23H F0 41 10 42 12 40 03...

Page 133: ...F 36 F7 4 Set Effect Control Source 2 address 40H 03H 1DH to CC17 11H F0 41 10 42 12 40 03 1D 11 0F F7 5 Set Effect Control Depth 2 address 40H 03H 1EH to 100 00H F0 41 10 42 12 40 03 1E 00 1F F7 Modi...

Page 134: ...ive messages letting you create data more efficiently Transmitting a Bulk Dump When transmitting or receiving Bulk Dump data check the settings and procedures on your sequencing program or sequencer H...

Page 135: ...be transmitted in the edit screen Edit All screen Drum screen and Effect screen Transmitting parameters for a single part all parts 1 In the Edit screen Edit All screen Drum screen or Effect screen se...

Page 136: ...Rate CAf LFOPitch CAf LFO TVF CAf LFO TVA CC1 p 53 CC1 Range CC1 Cufoff CC1 Amp CC1 LFO Rate CC1 LFOPitch CC1 LFO TVF CC1 LFO TVA U INST p 53 Vib Rate Vib Depth Vib Delay Cutoff Freq Resonance Attack...

Page 137: ...ess EDIT to select the Edit All screen Alternatively press EDIT in the Part Basic screen and then simultaneously press PART and ALL 2 Press WRITE F2 The display will ask Write User Setting fig 10 4 3...

Page 138: ...aneously press PART and ALL 2 Press LOAD F3 The display will ask Load User Setting fig 10 5 3 To load the User Settings press ENTER To quit without loading the User Settings press EXIT Shortcut Keys Y...

Page 139: ...IDI Transmit channel of the connected MIDI device p 145 Some parts do not sound when you press the VOLUME knob Try restoring the GS basic settings p 24 Check the Prevw Velo setting p 63 Prevw Velo is...

Page 140: ...the Computer switch will take effect when the power is turned on Turn off the power before changing the setting of the Computer switch Is the Thru function of your computer software turned on p 18 Is...

Page 141: ...ake the appropriate driver settings Connect the headphones to the headphone jack of the SC 8850 Can you hear sound through headphones Check the following points Are the output jacks of the SC 8850 cor...

Page 142: ...trol panel In Control panel double click the System icon 2 Click the Device manager tab and with View devices by type selected make sure that there is no Other devices If there is double click it and...

Page 143: ...connectors it can play a maximum of 32 parts Exclusive messages are not received Does the Device ID number of the transmitted Exclusive message match the Device ID number of the SC 8850 p 50 The SC 88...

Page 144: ...ed on It is also possible to make it start up with the settings that were saved in the user area p 63 If an exclusive message that transmits a GS Reset is included at the beginning of a song the SC 88...

Page 145: ...s are transmitted and received using two types of connector on the SC 8850 Connect MIDI cables to these connectors as appropriate for your setup fig 11 1e MIDI IN This connector receives messages from...

Page 146: ...cations that provide detailed def initions for functionality such as sound editing and effects that had not been defined in the General MIDI 1 and extend the sound map to allow a higher degree of per...

Page 147: ...umber of sounds 256 sounds 9 drum sets General MIDI 1 is 128 sounds 1 drum set Messages that must be received indicates those added by General MIDI 2 Note ON OFF Program Change Control Change Bank Sel...

Page 148: ...ve Sensing MIDI Messages That Can Be Received by the SC 8850 MIDI uses many different types of message to transmit musical performance data and there are many types of MIDI message For example informa...

Page 149: ...When this message is received the vol ume of a Part will change Expression control change number 11 This message conveys volume changes It can be used to add expression during a song Using Volume and...

Page 150: ...sustaining until a Sostenuto Off message is received Soft control change number 67 The soft pedal on a piano softens the tone during the time the pedal is pressed The Soft message conveys the movement...

Page 151: ...h Channel Pressure only Aftertouch is a message which conveys the pressure applied to the keyboard after playing a note so that this information can be used to control various aspects of the sound The...

Page 152: ...ring will stop System Exclusive messages Exclusive messages are used to control functions which are unique to specific devic es Although Universal System Exclusive messages can be used even between de...

Page 153: ...le if you use a synthesizer as a master device to control a digital piano the pitch bender the lever or wheel that modifies the pitch of the synthesizer will have no effect on the sound of the piano T...

Page 154: ...9 0 64 127 Vibrato Depth 1 p 65 1 10 0 64 127 Vibrato Delay 1 p 65 1 32 0 64 127 TVF Cutoff Frequency 1 p 66 1 33 0 64 127 TVF Resonance 1 p 66 1 99 0 64 127 TVF TVA Envelope Attack Time 1 p 67 1 100...

Page 155: ...Also the range of change will vary You may need to consult the manual that came with your equipment or software for details on how to properly input and transmit Control Change messages Note though t...

Page 156: ...the power of the connected MIDI device Cause 2 It is possible that a MIDI cable has been pulled out or has a short Action 2 Check the MIDI cables USB Off Line Cause 1 It is possible that the power ha...

Page 157: ...5 RXD 6 TXD 7 GPi 8 RXD HSKo 1 HSKi 2 TXD 3 GND 4 RXD 5 TXD 6 GPi 7 RXD 8 6 7 8 3 4 5 1 2 mini DIN 8 pin male D sub 9 pin female mini DIN 8 pin male D sub 9 pin female HSKo 1 HSKi 2 TXD 3 GND 4 RXD 5...

Page 158: ...sic screen simultaneously press PART and ALL Here you can mute all parts or forcibly switch the sound map of all part Edit screen In the Part Basic screen press EDIT Here you can set parameters for ea...

Page 159: ...Plays only the selected part Off On MUTE Mutes the selected part Off On DEC Decreases the value of the selected parameter by 1 INC Increases the value of the selected parameter by 1 INST MAP Switches...

Page 160: ...reen EFFECTS Enters the Effect screen SHIFT SOLO MUTE Mutes all parts Off On DEC INC INST MAP Forcibly changes the sound map of all parts No indication The Inst Map has not been changed SC 8850 SC 88P...

Page 161: ...t Fine Tune Bend Range Mod Depth Velo Depth Velo Offset Key Range L Key Range H CC1 C Number Out Asgn F3 MODIFY Sets MODIFY parameters Vib Rate Vib Depth Vib Delay Cutoff Freq Resonance Attack Time De...

Page 162: ...e Effect screen SHIFT SOLO MUTE Mutes all parts DEC Lowers the value of the selected parameter by 1 INC Raises the value of the selected parameter by 1 DEC INC Transmits the value of the selected para...

Page 163: ...ic screen EFFECTS Enters the Effect screen SHIFT SOLO MUTE DEC Lowers the value of the selected parameter by 1 INC Raises the value of the selected parameter by 1 DEC INC Transmits the value of the se...

Page 164: ...been changed SC 8850 SC 88Pro SC 88 SC 55 F1 F2 F3 F4 REVERB CHORUS DELAY EQ EFX CTRL F1 REVERB Sets REVERB parameters RevType Rev Level Rev Character Rev Pre LPF Rev Time Rev Dly Fb Rev PreDlyTm F2 C...

Page 165: ...8850 SC 88Pro SC 88 SC 55 F1 SYSTEM Sets SYSTEM parameters PrevwMode Prevw Note Prevw Velo LCD Contrast Startup Pressing EN TER after setting the parameter saves the system pa rameter settings F2 BUL...

Page 166: ...T Initializes All Factory Preset p 23 Shift PART Initializes GS GS Reset p 24 Shift VAR Initializes GM1 GM1 System On p 25 Shift INST Initializes GM2 GM2 System On p 26 Shift EDIT Enters the DEMO scre...

Page 167: ...SilentRhodes 2 Pro SilentRhodes 2 016 FM SA EP 2 Pro FM SA EP 2 88 FM SA EP 2 E Piano 1v 2 017 Dist E Piano 2 Pro Dist E Piano 2 024 Wurly 2 Pro Wurly 2 60 sE Piano 1 60s E Piano 1 025 Hard Rhodes 2...

Page 168: ...braphone 1 Pro Vibraphone 1 Vibraphone 1 Vibraphone 1 001 Pop Vibe 2 Pro Pop Vibe 2 Hard Vibe 2 008 Vibraphone w 1 Pro Vibraphone w 1 Vib w 1 55 Vib w 1 009 Vibraphones 2 Pro Vibraphones 2 000 013 Mar...

Page 169: ...6 4 008 Chorus Or 2 2 Pro Chorus Or 2 2 DetunedOr 2 2 Detuned Or2 2 009 Octave Organ 2 Pro Octave Organ 2 032 Perc Organ 2 Pro Perc Organ 2 Organ 5 2 Organ 5 2 033 Perc Organ 2 4 034 Perc Organ 3 4 0...

Page 170: ...Gt 2 Chorus Gt 2 Chorus Gt 2 009 JC Chorus Gt 2 Pro JC Chorus Gt 2 016 TC FrontPick 1 Pro TC FrontPick 1 017 TC Rear Pick 1 Pro TC Rear Pick 1 018 TC Clean ff 2 Pro TC Clean ff 2 019 TC Clean 2 2 Pro...

Page 171: ...Mr Smooth 2 88 Mr Smooth 2 008 Wood FlessBs 2 Pro Wood FlessBs 2 000 037 Slap Bass 1 1 Pro Slap Bass 1 1 88 Slap Bass 1 1 Slap Bass 1 1 001 Slap Pop 1 Pro Slap Pop 1 008 Reso Slap 1 Pro Reso Slap 1 88...

Page 172: ...ke Bass 1 022 House Bass 2 Pro House Bass 2 023 KG Bass 2 Pro KG Bass 2 024 Sync Bass 2 Pro Sync Bass 2 025 MG 5th Bass 2 Pro MG 5th Bass 2 026 RND Bass 2 Pro RND Bass 2 027 WowMG Bass 2 Pro WowMG Bas...

Page 173: ...t Slow Str 2 St SlowStr 2 011 St Slow Str2 2 012 S Str Choir 4 013 S Str Choir2 4 000 051 Syn Strings1 2 Pro Syn Strings1 2 SynStrings1 2 SynStrings1 1 001 OB Strings 2 Pro OB Strings 2 OB Strings 2 0...

Page 174: ...oiceWah Mal 1 033 ChorusWahMal 2 034 VoiceWoh Mal 1 035 ChorusWohMal 2 036 VoiceAah Mal 1 037 VoiceOoh Mal 1 040 Humming 2 000 055 SynVox 1 Pro SynVox 1 88 SynVox 1 55 SynVox 1 001 SynVox 2 1 002 SynV...

Page 175: ...orn Orche 2 Pro Horn Orche 2 003 Wide FreHrns 2 Pro Wide FreHrns 2 008 F Hrn Slow 1 Pro F Hrn Slow 1 Fr HornSolo 1 009 Dual Horns 2 Pro Dual Horns 2 016 Synth Horn 2 Pro Synth Horn 2 Horn Orch 2 024 F...

Page 176: ...1 2 88 VeloBrass 1 2 Analog Brs2 2 017 Transbrass 2 Pro Transbrass 2 VeloBrass 2 2 Reed CC00 PC SC 8850 Map Voices SC 88Pro Map Voices SC 88 Map Voices SC 55 Map Voices 000 065 Soprano Sax 1 Pro Sopr...

Page 177: ...8 Whistle 1 55 Whistle 1 001 Whistle 2 2 Pro Whistle 2 2 000 080 Ocarina 1 Pro Ocarina 1 88 Ocarina 1 55 Ocarina 1 Synth lead CC00 PC SC 8850 Map Voices SC 88Pro Map Voices SC 88 Map Voices SC 55 Map...

Page 178: ...Saw 1 030 CS Saw 1 Pro CS Saw 1 031 MG Saw Lead 1 Pro MG Saw Lead 1 032 OB Saw Lead 1 Pro OB Saw Lead 1 033 P5 Saw Lead 2 Pro P5 Saw Lead 2 034 MG unison 2 Pro MG unison 2 035 Oct Saw Lead 2 Pro Oct S...

Page 179: ...Fantasia 4 4 006 After D 4 007 260HarmPad 4 000 090 Warm Pad 1 Pro Warm Pad 1 88 Warm Pad 1 55 Warm Pad 1 001 Thick Matrix 2 Pro Thick Matrix 2 Thick Pad 2 002 Horn Pad 2 Pro Horn Pad 2 88 Horn Pad 2...

Page 180: ...Stack 4 014 Deep Sweep 2 015 Stray Pad 2 Synth SFX CC00 PC SC 8850 Map Voices SC 88Pro Map Voices SC 88 Map Voices SC 55 Map Voices 000 097 Ice Rain 2 Pro Ice Rain 2 88 Ice Rain 2 55 Ice Rain 2 001 H...

Page 181: ...010 LFO RAVE 2 Pro LFO RAVE 2 011 LFO Horror 2 Pro LFO Horror 2 012 LFO Techno 2 Pro LFO Techno 2 013 Alternative 2 Pro Alternative 2 014 UFO FX 2 Pro UFO FX 2 015 Gargle Man 1 Pro Gargle Man 1 016 Sw...

Page 182: ...Gu Zheng 2 Pro Gu Zheng 2 008 Taisho Koto 1 Pro Taisho Koto 1 88 Taisho Koto 1 Taisho Koto 2 016 Kanoon 2 Pro Kanoon 2 88 Kanoon 2 019 Kanoon Choir 2 Pro Kanoon Choir 2 024 Oct Harp 1 Pro Oct Harp 1...

Page 183: ...2 Pro Real Tom 2 88 Real Tom 2 002 Real Tom 2 1 003 Jazz Tom 1 004 Brush Tom 1 008 Melo Tom 2 1 Pro Melo Tom 2 1 88 Melo Tom 2 1 55 Melo Tom 2 1 009 Rock Tom 2 Pro Rock Tom 2 88 Rock Tom 2 016 Rash SD...

Page 184: ...20 G StrokeMenu 1 021 Gt SlideMenu 1 022 A Bs Mute Nz 1 023 A Bs TouchNz 1 024 A Bs AtackNz 1 025 TC Up Nz 1 026 TC DownMt Nz 1 027 TC UpMt Nz 1 028 TC Down Nz 1 029 DstGT Up Nz 1 030 DstGT DwnNz1 1 0...

Page 185: ...st Noise 2 55 Burst Noise 2 010 Calculating 2 Pro Calculating 2 011 Perc Bang 2 Pro Perc Bang 2 012 Burner 2 013 Glass Glam 1 014 Ice Ring 1 015 Over Blow 2 016 Crack Bottle 1 017 Pour Bottle 1 018 So...

Page 186: ...rdion 2 017 127 Harpsi 1 1 018 127 Harpsi 2 2 019 127 Harpsi 3 1 020 127 Clavi 1 1 021 127 Clavi 2 1 022 127 Clavi 3 1 023 127 Celesta 1 1 024 127 Celesta 2 1 025 127 Syn Brass 1 2 026 127 Syn Brass 2...

Page 187: ...o obtain the desired effect depending on the circumstances PC SC 8850 map SC 88Pro map SC 88 map SC 55 map 001 STANDARD 1 STANDARD 1 STANDARD 1 STANDARD 002 STANDARD 2 Pro STANDARD 2 88 STANDARD 2 003...

Page 188: ...2 Room Mid Tom 2 Jazz Mid Tom 2 Open Hi Hat 1 EXC1 Open Hi Hat EXC1 RND Open Hi Hat EXC1 Room Open Hi Hat 3 EXC1 Room Open Hi Hat EXC1 Mid Tom 1 RND Mid Tom 1 Room Mid Tom 1 Jazz Mid Tom 1 High Tom 2...

Page 189: ...Crash Cymbal TR 909 High Tom 1 TR 606 High Tom 1 Room High Tom 1 TR 909 High Tom 1 Power High Tom 1 Ride Cymbal 1 Ride Cymbal 1 RND Room Ride Cymbal TR 909 Ride Cymbal Reverse Cymbal Reverse Cymbal R...

Page 190: ...Hi Hat EXC1 TR 606 Open Hi Hat EXC1 Electric Mid Tom 1 TR 808 Mid Tom 1 Electric Mid Tom 1 CR 78 Mid Tom 1 TR 606 Mid Tom 1 Electric High Tom 2 TR 808 High Tom 2 Electric High Tom 2 CR 78 High Tom 2 T...

Page 191: ...om 2 TR 707 Open Hi Hat EXC1 TR 909 Open Hi Hat EXC1 Open Hi Hat 2 EXC1 RND Jazz Open Hi Hat EXC1 Brush Open Hi Hat EXC1 TR 707 Mid Tom 1 TR 909 Mid Tom 1 Jazz Mid Tom 1 RND Jazz Mid Tom 1 Brush Mid T...

Page 192: ...Thai Gong 88 Jazz Kick 2 Brush Crash Cymbal RND Brush Crash Cymbal Timpani c Rama Cymbal 55 Concert BD 1 Brush High Tom 1 RND Brush High Tom 1 Timpani d Gamelan Gong 88 Room Kick 1 Brush Ride Cymbal...

Page 193: ...XC1 Jublag Jublag TR 909 Kick 1 Yyoo Dude TR 808 Open Hi Hat EXC1 Jublag Jublag Standard 1 Snare 1 Buk CR 78 Open Hi Hat EXC1 Penyacah Penyacah Standard 1 Snare 2 Buk Rim Crash Cymbal 1 EXC3 Penyacah...

Page 194: ...e Closed Hi Hat Reverse TR 909 Kick 2 Screaming Reverse Ride Cymbal Reverse TR 606 Closed Hi Hat Reverse TR 909 Kick 1 Punch Reverse CR 78 Open Hi Hat Reverse TR 707 Closed Hi Hat Reverse Fat Kick Hea...

Page 195: ...Breath 2 Standard 1 Crash Cymbal Ice Ring Voice One Room Crash Cymbal Crack Bottle Voice Two Jazz Crash Cymbal Pour Bottle Voice Three Brush Crash Cymbal Soda Voice Tah Hard Crash Cymbal Car Engine 2...

Page 196: ...8 Standard 2 Snare 1 L Standard Ride Cymbal Pro Impact Hit 88 Standard 2 Snare 2 L Standard Snare 2 Pro Lo Fi Rave 55 Snare Drum 2 L Standard Low Tom Pro Bam Hit Pro Standard 1 Snare 1 L Standard Clos...

Page 197: ...m Mid Tom Pro Tape Rewind Tape Rewind Pro Phonograph Noise Pro Phonograph Noise L Room Ride Bell Pro Phonograph Noise Phonograph Noise 88 Power Snare 1 88 Power Snare 1 L Room High Tom 88 Power Snare...

Page 198: ...8 Brush Swirl 1 88 Dance Snare 1 88 Dance Snare 1 88 Brush Swirl 2 L Jazz Open Hi Hat EXC8 88 Brush Swirl 2 88 Dance Snare 2 88 Dance Snare 2 88 Brush Long Swirl R Jazz Kick 2 88 Brush Long Swirl 88 D...

Page 199: ...R 606 Snare 2 88 Brush Swirl 2 L Brush Open Hi Hat EXC8 55 Timpani A Pro TR 707 Snare 1 88 Brush Long Swirl R Brush Kick 2 55 Timpani B Pro TR 707 Snare 2 88 Jazz Snare 1 R Brush Kick 1 55 Timpani c P...

Page 200: ...Beep 1 Reverse Clean Guitar Cut Noise Down Big Shot Reverse Clap Hit Percussion Bang Reverse Boeeeen Reverse Bounce Reverse CD Tray Reverse Drill Reverse Glass Stir Reverse Ice Ring Reverse Industry...

Page 201: ...Mid Tom 2 Open Hi Hat EXC1 Open Hi Hat EXC1 RND Open Hi Hat EXC1 Open Hi Hat 3 EXC1 Room Open Hi Hat EXC1 Mid Tom 1 Room Mid Tom 1 TR 909 Mid Tom 1 High Tom 2 Room High Tom 2 TR 909 High Tom 2 Crash...

Page 202: ...Pedal Hi Hat EXC1 TR 808 Closed Hi Hat EXC1 TR 909 Mid Tom 2 TR 808 Mid Tom 2 Power Mid Tom 2 Electric Mid Tom 2 TR 808 Mid Tom 2 TR 606 Open Hi Hat EXC1 TR 909 Open Hi Hat EXC1 Open Hi Hat 2 EXC1 TR...

Page 203: ...gh Tom 2 CR 78 High Tom 2 TR 606 High Tom 2 TR 707 High Tom 2 TR 808 Crash Cymbal TR 808 Crash Cymbal TR 808 Crash Cymbal TR 909 Crash Cymbal Electric High Tom 1 CR 78 High Tom 1 TR 606 High Tom 1 TR...

Page 204: ...ni F TR 707 Closed Hi Hat EXC1 Closed Hi Hat 2 EXC1 Brush Closed Hi Hat EXC1 Timpani F TR 909 Low Tom 1 Brush Low Tom 1 Timpani G TR 707 Closed Hi Hat EXC1 Pedal Hi Hat EXC1 Pedal Hi Hat EXC1 Timpani...

Page 205: ...Cymbal 1 EXC3 Talking Drum 88 Standard 2 Snare 1 Gengari p EXC1 Crash Cymbal 2 EXC4 Bend Talking Drum 88 Standard 2 Snare 2 Gengari Mute Low EXC1 Crash Cymbal 3 Caxixi 55 Tight Snare Gengari f EXC2 B...

Page 206: ...verse Open Hi Hat Reverse Closed Hi Hat Screaming Reverse Ride Cymbal Reverse TR 606 Closed Hi Hat Punch Reverse CR 78 Open Hi Hat Reverse TR 707 Closed Hi Hat Heart Beat Reverse Closed Hi Hat Reverse...

Page 207: ...88 Brush Slap 3 55 Timpani G TR 606 Snare 1 88 Jazz Snare 1 88 Power Snare 1 88 Brush Swirl 1 55 Timpani A TR 606 Snare 2 88 Jazz Snare 2 88 Dance Snare 1 88 Brush Swirl 2 55 Timpani A TR 707 Snare 1...

Page 208: ...2 EXC1 Closed Hi hat3 EXC1 Closed Hi hat3 EXC1 Closed Hi hat2 EXC1 Low Tom1 Room Low Tom1 Power Low Tom1 Electric Low Tom1 Pedal Hi hat EXC1 Mid Tom2 Room Mid Tom2 Power Mid Tom2 Electric Mid Tom2 Ope...

Page 209: ...ow Tom1 Timpani G 808 CHH EXC1 808 CHH EXC1 Timpani G 808 Mid Tom2 Electric Mid Tom2 Brush Mid Tom2 Timpani A 808 OHH EXC1 CR 78 OHH EXC1 Open Hi hat2 EXC1 Brush Open Hi hat EXC1 Timpani A 808 Mid Tom...

Page 210: ...ick Footsteps1 Reverse Gong Tabla Te 808 Bass Drum Footsteps2 Reverse Bell Tree Tabla Na 909 Bass Drum Applause Reverse Guiro Tabla Tun Dance Kick Door Creaking Reverse Bendir Tabla Ge Standard 1 Snar...

Page 211: ...oom Mid Tom1 Room Mid Tom1 Elec Mid Tom1 808 Mid Tom1 Timpani B High Tom2 Room Hi Tom2 Room Hi Tom2 Elec Hi Tom2 808 Hi Tom2 Timpani c Crash Cymbal1 808 Cymbal Timpani c High Tom1 Room Hi Tom1 Room Hi...

Page 212: ...Fl Key Click CM Ride Cymbal Laughing Scream Punch CM Tambourine Heart Beat Footsteps1 CM Cowbell Footsteps2 Applause Door Creaking Door CM High Bongo Scratch CM Low Bongo Wind Chimes CM Mute High Cong...

Page 213: ...2 1 Chorus Or 2 2 2 Perc Organ 2 19 0 Organ 3 2 20 0 Church Org 1 1 1 Church Org 2 2 2 Church Org 3 2 21 0 Reed Organ 1 1 Puff Organ 2 22 0 Accordion Fr 1 1 Accordion It 1 23 0 Harmonica 4 24 0 Bandon...

Page 214: ...9 0 Whistle 1 80 0 Ocarina 1 Synth Lead 81 0 Square Wave 2 1 MG Square 1 2 2600 Sine 1 82 0 Saw Wave 2 1 OB2 Saw 1 2 Doctor Solo 2 3 Natural Lead 2 4 SequencedSaw 2 83 0 Syn Calliope 2 84 0 Chiffer Le...

Page 215: ...2 126 0 Helicopter 1 1 Car Engine 1 2 Car Stop 1 3 Car Pass 1 4 Car Crash 2 5 Siren 1 6 Train 1 7 Jetplane 2 8 Starship 2 9 Burst Noise 2 127 0 Applause 2 1 Laughing 1 2 Screaming 1 3 Punch 1 4 Heart...

Page 216: ...trum 01 01 Band 1 12 4 12 34 4C 03 Band 2 12 1 12 34 4C 04 Band 3 12 3 12 34 4C 05 Band 4 12 6 12 34 4C 06 Band 5 12 2 12 34 4C 07 Band 6 12 1 12 34 4C 08 Band 7 12 4 12 34 4C 09 Band 8 12 5 12 34 4C...

Page 217: ...5 Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Pan L63 0 R63 00 7F 15 Level 0 104 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 15 Limiter 01 31 Threshold 0 85 127 00 7F 03 Ratio 1 1...

Page 218: ...3 Accel 0 10 15 14 04 Feedback 98 32 98 0F 71 05 HF Damp 315 8k Bypass 8 06 EFX Pan L63 0 R63 00 7F 07 Balance D 0E D 74E D 0 E 00 7F 12 Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Level 0 127...

Page 219: ...lue Hex MSB LSB H 36 OD Flanger 02 01 OD Drive 0 48 127 00 7F 03 OD Pan L63 0 R63 00 7F 04 OD Amp Small BltIn 2 Stk 3 Stk 00 01 02 03 05 OD Amp Sw Off On 00 01 06 FL Dly 0 1 6ms 100ms 1 08 FL Rate 0 0...

Page 220: ...0C Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Level 0 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 46 Cho Flanger 02 0B Cho Dly 0 1 0ms 100ms 1 03 Cho Rate 0 05 0 45 10 0 6 04 Cho...

Page 221: ...7 00 7F 12 Dly HF 315 8k Bypass 8 13 Dly Mix 0 30 127 00 7F 14 Level 0 95 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 52 Clean Gt Multi2 04 04 AW Filter LPF BPF 00 01 03 AW Man 0 55 127 0...

Page 222: ...98 0F 71 0B FL Bal D 0E D E D 0 E 00 7F 0C FL Pan L63 0 R63 00 7F 14 FL Level 0 127 00 7F 15 Level 0 88 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 59 OD1 OD2 11 03 OD1 Sel Odrv Dist 00 0...

Page 223: ...T Hi Accl 0 11 15 14 0E RT Hi Lev 0 64 127 00 7F 0F RT Sept 0 96 127 00 7F 10 RT Speed Slow Fast 00 7F 11 RT Pan L63 0 R63 00 7F 14 RT Level 0 127 00 7F 15 Level 0 127 00 7F 16 64 PH AutoWah 11 08 PH...

Page 224: ...rl Delay 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Pre Delay Delay Delay Delay Delay HF Cutoff EQ Value Value Time Time 1 Time 2 Time 3 Time 4 Rate1 Rate2 Damp Freq Freq LPF Manual Azimuth Accl Hex Dec ms ms m...

Page 225: ...8 440 4 45 4 45 4000 3150 2500 3150 4300 11 59 89 39 740 690 39 445 4 50 4 50 4400 5A 90 40 750 700 40 450 4 55 4 55 4500 R84 5B 91 41 760 710 50 455 4 60 4 60 4600 5C 92 42 770 720 60 460 4 65 4 65 4...

Page 226: ...the value of the Bank Select MSB Controller number 0 expressed in decimal The SC 8850 recognizes the Bank Select LSB Controller number 32 as a flag for switching between the SC 55MAP the SC 88MAP the...

Page 227: ...e BnH 4DH vvH n MIDI channel number 0H FH Ch 1 16 vv Vibrato Depth Value relative change 00H 7FH 64 0 63 Initial Value 40H no change Vibrato Delay Controller number 78 8850 Status 2nd byte 3rd byte Bn...

Page 228: ...erent GS devices relative change parameters may sometimes differ in the way the sound changes or in the range of change Parameters marked absolute change will be set to the absolute value of the param...

Page 229: ...H 0 16 The same processing will be carried out as when All Sounds Off and All Notes Off is received and the corresponding channel will be set to Mode 4 M 1 regardless of the value of mm mono number PO...

Page 230: ...ssage 02H Sub ID 2 General MIDI Off F7H EOX End Of Exclusive When this message is received the SC 8850 will reset to the GS default state GS reset GS Reset is a command message that resets the interna...

Page 231: ...ol 01H Slot path length 01H Parameter width 01H Value width 01H Slot path MSB 02H Slot path LSB Effect 0102 Chorus ppH Parameter to be controlled vvH Value for the parameter F7H EOX End Of Exclusive p...

Page 232: ...amount of data at once In either case the Data Request 1 RQ1 message format is used and the Address and Size included in the message determine the type and amount of data that is desired For Individua...

Page 233: ...s of the data to be sent ccH Address LSB lower byte of the starting address of the data to be sent ddH Data the actual data to be sent Multiple bytes of data are transmitted in order starting from the...

Page 234: ...ers can be received If more than 16 characters are received the display will automatically be scrolled Address H Size H Data H Parameter Description Default Value H 10 01 00 00 00 40 00 1F Displayed D...

Page 235: ...arameters common to all Parts in each module are called Patch Common parameters Address H Size H Data H Parameter Description Default Value H Description 40 00 00 00 00 04 0018 07E8 MASTER TUNE 100 0...

Page 236: ...DELAY TIME CENTER 0 1 ms 1 sec 61 340 40 01 53 00 00 01 01 78 DELAY TIME RATIO LEFT 4 500 01 4 40 01 54 00 00 01 01 78 DELAY TIME RATIO RIGHT 4 500 01 4 40 01 55 00 00 01 00 7F DELAY LEVEL CENTER 0 1...

Page 237: ...ect parameter will be set to the most suitable value Patch Part parameters The SC 8850 has 16 Parts in Group A Group B Group C and Group D respectively Parameters that can be set individually for each...

Page 238: ...er Parts are set to normal instrumental Parts OFF 0 Address H Size H Data H Parameter Description Default Value H Description 40 1x 16 00 00 01 28 58 PITCH KEY SHIFT 24 24 semitones 40 0 semitones 40...

Page 239: ...8 BEND PITCH CONTROL 0 24 semitones 42 2 semitones 40 2x 11 00 00 01 00 7F BEND TVF CUTOFF CONTROL 9600 9600 cents 40 0 cents 40 2x 12 00 00 01 00 7F BEND AMPLITUDE CONTROL 100 0 100 0 40 0 40 2x 13 0...

Page 240: ...effect by modifying the LFO 1 and LFO 2 parameters 40 4x 00 00 00 01 00 04 TONE MAP NUMBER MAP 0 4 00 CC 32 Bank number LSB 00 SELECTED 01 SC 55 MAP 02 SC 88 MAP 03 SC 88Pro MAP 04 SC 8850 MAP When G...

Page 241: ...p 00 00 01 00 7F USER INST MODIFY4 2 64 63 40 0 TVF Resonance 20 b7 pp 00 00 01 00 7F USER INST MODIFY5 2 64 63 40 0 TVF TVA Env attack 20 b8 pp 00 00 01 00 7F USER INST MODIFY6 2 64 63 40 0 TVF TVA E...

Page 242: ...transmission may take more than half a minute In order to reduce transmission time and data volume we suggest that you request a dump only of the necessary data Panel button operations allow you to t...

Page 243: ...SC 8850 MAP PC Program number Drum instrument list dump Drum instrument list dump request receive only This command requests a bulk dump transmission of the Instrument list of an internal Preset Drum...

Page 244: ...es have the same status MIDI has a provision called running status which allows the status byte of the second and following messages to be omitted Thus the above messages have the following meaning B3...

Page 245: ...m Exclusive MASTER TUNE address 40 00 00H RPN 1 allows tuning to be specified in steps of approximately 0 012 cents to be precise 100 8192 cent and System Exclusive MASTER TUNE allows tuning in steps...

Page 246: ...X X X X X X X X X X X X O O O O O O O O O O O O O O O X O X O X X X X X X X X X O X 1 16 1 16 Mode 3 Mode 3 4 M 1 O X 0 127 0 127 O 1 O 1 O 1 O 1 0 127 O 1 X X X X X O 120 126 127 O X O 123 125 O X B...

Page 247: ...cts 64 kinds Indicators 160x64 Dots Graphic LCD backlit LCD Connectors USB Connector Serial Connector MIDI Connectors IN 1 IN 2 OUT 1 OUT 2 Audio Input jack stereo Audio Output 1 Jack stereo Audio Out...

Page 248: ...herooq Bldg No 14 Grand Floor DUBAI U A E P O Box 8050 DUBAI U A E TEL 04 360715 EGYPT Al Fanny Trading Office P O Box 2904 El Horrieh Heliopolos Cairo EGYPT TEL 02 4185531 REUNION Maison FO YAM Marce...

Page 249: ...Amp 53 CC1 Amplitude 53 CC1 C Number 57 CC1 Controller Number 57 CC1 Cutoff 53 CC1 Cutoff Frequency 53 CC1 LFO Pitch 53 CC1 LFO Rate 53 CC1 LFO TVA 53 CC1 LFO TVF 53 CC1 Range 53 Channel 46 Channel a...

Page 250: ...itch Coarse 154 Drum Instrument Reverb Send Level 154 Drum Instrument TVA Level 154 Drum Part 43 Drum Parts 37 Drum Screen 163 Drum Set 31 70 73 75 76 Drum Set List 44 Drum Sets 73 DS Chorus 109 DS De...

Page 251: ...erface 12 interface board 12 J Just Intonation Tonic of C 58 K Key Range H 57 Key Range L 57 Key Shift 35 55 Keyboard Multi 120 Keyboard Range High 57 Keyboard Range Low 57 L LCD Contrast 63 Legato en...

Page 252: ...to Wah 126 PH Rotary 126 Phaser 94 PHONES jack 11 PHRASE PREVIEW 29 pitch 50 55 58 Pitch Bend 55 149 pitch bend 58 Pitch Coarse 71 pitch shift 104 Plate 80 Poly 55 Poly Mode 55 Portamento 150 Portamen...

Page 253: ...tion 18 Tm Ctrl Delay 102 TPQN 155 Transmit 135 Transpose 35 Tremolo 96 Tremolo Chorus 98 Troubleshooting 139 Tune 50 TVF Cutoff Frequency 154 TVF Resonance 154 TVF TVA Envelope Attack Time 154 TVF TV...

Page 254: ...anging the level of a part 33 Changing the map and variation sound of a part 42 Changing the pan of a part 34 Changing the pan of a part to Random 34 Changing the pitch of a drum instrument 155 Changi...

Page 255: ...t off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment...

Page 256: ...SC 8850 Owner s Manual 01891545 00 7 A3 31N...

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