115
FX (Effects) Chapter 8 Parameters Guide
Chapter 8
*
Recording and playback of performances and other operations are
carried out with pedals while Hold is in effect. Connect external pedals
(footswitches) or an FC-300.
1.
Referring to
“Using the Switches, Pedals, and MIDI to
Control the Sounds (CONTROL ASSIGN)”
following functions to the connected external pedals
(footswitches) or FC-300 CTL pedals.
2.
Set TYPE to HOLD in the Delay screen.
3.
Press the pedal to which REC is assigned.
Recording starts when you press the pedal.
4.
Press the pedal to which REC is assigned again to stop
recording.
*
The maximum recording time is 10 seconds. If the recording time
exceeds 10 seconds, the recording stops automatically, and the
recorded content is then played back.
*
An oscillating sound may be audible with extremely short recording
times.
5.
When layering recordings, repeat Steps 4 and 5.
*
The recorded content is cleared when the TYPE or patch is switched to
a different setting or when the power is turned off.
6.
To return to recording standby, press the pedal to which
STOP is assigned.
The unit returns to recording standby.
*
When playback is stopped, the recorded content is erased.
*
You can also set REC SW MODE to MOMENT.
If you use this setting, be sure to keep the pedal held down during
recording.
CHORUS
In this effect, a slightly detuned sound is added to the original sound
to add depth and breadth.
Using the HOLD (Hold Delay)
Controller
TARGET PARAMETER
SW MODE
CTL3, etc
[A] FX (or [B] FX)
DELAY (HOLD)
REC
LATCH
CTL4, etc
[A] FX (or [B] FX)
DELAY (HOLD)
STOP
- - -
Parameter/
Range
Explanation
CHORUS SW
OFF, ON
Turns the CHORUS effect on/off.
CHORUS MODE
Selection for the chorus mode.
MONO
This chorus effect outputs the same sound
from both L channel and R channel.
ST1 (Stereo1)
This is a stereo chorus effect that adds differ-
ent chorus sounds to L channel and R
channel.
ST2 (Stereo2)
This stereo chorus uses spatial synthesis,
with the direct sound output in the L
channel and the effect sound output in the R
channel.
RATE
0–100,
BPM
–BPM
Adjusts the rate of the chorus effect.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
DEPTH
0–100
Adjusts the depth of the chorus effect.
To use it for doubling effect, set the
value to 0.
PRE DELAY
0.0 ms–40.0 ms
Adjusts the time needed for the effect sound
to be output after the direct sound has been
output. By setting a longer pre delay time,
you can obtain an effect that sounds like
more than one sound is being played at the
same time (doubling effect).
LOW CUT (Low Cut Filter)
FLAT, 55 Hz–800 Hz
This lets you cut the low-end component be-
low the set frequency to create a clear, dis-
tinct low end, thereby bringing out the high
end of the effect. When FLAT is selected, the
low cut filter will have no effect.
HIGH CUT (High Cut Filter)
700 Hz–11 kHz, FLAT This allows you to get a mild effect sound by
cutting the high-end component above the
set frequency. When FLAT is selected, the
high cut filter will have no effect.
EFFECT LEVEL
0–100
Adjusts the volume of the effect sound.
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