10
KIT EDIT
OVERHEAD
Parameter
Value
Explanation
TEMPLATE
CLEAR, WARM, DRY, MILD, BRIGHT,
OTHER1–9
*2
When you edit this parameter, all of the overhead settings (except for Level) and each pad's input
filter selection and send amount will change to the optimal settings.
To quickly obtain the sound you want, select the desired template and then edit the settings.
* Depending on the settings of each parameter, the template name might not match the effect.
Also, if the default settings of the template do not match the current values, an “*” is shown for the
template setting.
If you attempt to change the template when the “*” is shown, a message indicates that the current
values will be discarded in order to apply the values of the template. If you want to discard the
current values and apply the values of the template, choose “OK” and press the [ENTER] button.
Level
-INF–+12.0dB
Volume of overhead
Mic Type *1
TYPE1–10
*2
Type of mic
Mic Width *1
0–4
Distance between mics
[F1] button (OFF, OVHEAD ON)
OFF, OVHEAD ON
Turns the overhead effect on/off.
*1: This can also be edited from the MIC SETTING items.
*2: These Overhead Template values (OTHER 5–OTHER 9) and Mic Type values (TYPE 5–10) are supported starting with program version 1.10.
Refer to the Roland website for the latest information.
https://www.roland.com/global/support/
SEND
OVERHEAD SEND screen
OVERHEAD FILTER ASSIGN screen
OVERHEAD INPUT FILTER SETTING screen
Parameter
Value
Explanation
[F2] button (SEND tab)
OVERHEAD SEND
-INF–+6.0dB
Depth of overhead for each pad
[F5] button (H & R)
H&R OFF, H&R ON
Specifies whether head and rim of instruments are selected as a set (ON) or independently (OFF).
[F3] button (ASSIGN tab)
OVERHEAD FILTER ASSIGN
BYPASS, 1–4
Overhead input filter selection for each pad
BYPASS
The input filter is not used; the sound is sent directly to the overheads.
1–4
The sound is sent to the specified input filter.
[F5] button (H & R)
H&R OFF, H&R ON
Specifies whether head and rim of instruments are selected as a set (ON) or independently (OFF).
[F4] button (FILTER tab)
Type
THRU, LO CUT, HI CUT, LO SHELV, HI
SHELV, PEAKING
Overhead input filter type
The sound sent to the overheads can be passed through a filter. You can choose from one through
four. By using a filter, you can input the kick, snare, toms, and cymbals into the overhead mics with
the low-frequency and high-frequency regions adjusted individually for each instrument.
THRU
Sends the input sound directly to the overheads.
LO CUT
Cuts the frequency region below the cutoff frequency and sends the sound to
the overheads.
HI CUT
Cuts the frequency region above the cutoff frequency and sends the sound to
the overheads.
LO SHELV
Boosts or attenuates the frequency region below the cutoff frequency and
sends the sound to the overheads.
HI SHELV
Boosts or attenuates the frequency region above the cutoff frequency and
sends the sound to the overheads.
PEAKING
Boosts or attenuates the region centered on the cutoff frequency and sends
the sound to the overheads.
Q *1
0.5–8.0
Width of the frequency range
A higher Q narrows the affected area.
Freq *2
20Hz–16kHz
Center frequency
Gain *3
-40.0–15.0dB
Amount of boost/cut
*1: This can be set only when Type is LO CUT, HI CUT, or PEAKING.
*2: This cannot be set when Type is THRU.
*3: This can be set only when Type is LO SHELV, HI SHELV, or PEAKING.
