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Multi-Effect Parameters
REVERB
Adds reverberation to the direct sound, simulating an acoustic space.
Parameter
Value
Explanation
Type
ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Type of reverb
Pre Delay
0.0–100msec
Adjusts the delay time from the direct sound
until the reverb sound is heard.
Time
0–127
Time length of reverberation
HF Damp
200–8000Hz,
BYPASS
Adjusts the frequency above which
the reverberant sound will be cut
(BYPASS: no cut).
Low Gain
-15–+15dB
Gain of the low range
High Gain
-15–+15dB
Gain of the high range
Level
0–127
Output Level
LONG REVERB
This is a very rich sounding reverb with a choice of character.
Parameter
Value
Explanation
Depth
0–127
Depth of the effect
Time
0–127
Time length of reverberation
Pre LPF
16–15000Hz,
BYPASS
Frequency of the filter that cuts the high-
frequency content of the input sound
(BYPASS: no cut)
Pre HPF
BYPASS,
16–15000Hz
Frequency of the filter that cuts the low-
frequency content of the input sound
(BYPASS: no cut)
Peaking Freq
200–8000Hz
Frequency of the filter that boosts/cuts a
specific frequency region of the input sound
Peaking Gain
-15–+15dB
Amount of boost/cut produced by the filter
at the specified frequency region of the input
sound
Peaking Q
0.5–8.0
Bandwidth of the filter that boosts or cuts
the specified frequency region of the input
sound
HF Damp
16–15000Hz,
BYPASS
Frequency at which the high-frequency
content of the resonant sound will be cut
(BYPASS: no cut)
LF Damp
BYPASS,
16–15000Hz
Frequency at which the low-frequency
content of the resonant sound will be cut
(BYPASS: no cut)
Character
1–6
Type of reverb
EQ Low Freq
200–400Hz
Center frequency of the low range
EQ Low Gain
-15–+15dB
Gain of the low range
EQ High Freq
2000–8000Hz
Center frequency of the high range
EQ High Gain
-15–+15dB
Gain of the high range
Level
0–127
Output Level
SUPER FILTER
This is a filter with an extremely sharp slope. The cutoff frequency can
be varied cyclically.
Parameter
Value
Explanation
Filter Type
Filter type
Frequency range that will pass through each filter
LPF
Frequencies below the cutoff
BPF
Frequencies in the region of the cutoff
HPF
Frequencies above the cutoff
NOTCH
Frequencies other than the region of the
cutoff
Filter Slope
Amount of attenuation per octave
-12dB
Gentle
-24dB
Steep
-36dB
Extremely steep
Filter Cutoff
0–127
Cutoff frequency of the filter
Increasing this value will raise the cutoff
frequency.
Filter
Resonance
0–127
Filter resonance level
Increasing this value will emphasize the
region near the cutoff frequency.
Filter Gain
0–+12dB
Amount of boost for the filter output
Modulation
Sw
OFF, ON
On/off switch for cyclic change
Modulation
Wave
How the cutoff frequency will be modulated
TRI
Triangle wave
SQR
Square wave
SIN
Sine wave
SAW1
Sawtooth wave (upward)
SAW2
Sawtooth wave (downward)
SAW1
SAW2
Tempo Sync
OFF, ON
Specifies whether the modulation rate is
specified as a note value (ON) or not (OFF).
Rate
0.05–10.00 Hz,
note
Rate of modulation
Depth
0–127
Depth of modulation
Attack
0–127
Speed at which the cutoff frequency will
change
This is effective if Modulation Wave is SQR,
SAW1, or SAW2.
Level
0–127
Output Level
DRIVE
This is a low-pass filter equipped with overdrive. It cuts the upper
range and adds distortion.
Parameter
Value
Explanation
Cutoff
0–127
Cutoff frequency of the filter
Increasing this value will raise the cutoff
frequency.
Resonance
0–127
Filter resonance level
Increasing this value will emphasize the
region near the cutoff frequency.
Drive
0–127
Amount of distortion
Level
0–127
Output Level
