background image

7

Application Guide

The following section will describe some basic miking techniques for the various drums in

your kit. Use this as a guideline, but remember every sound system, every room, every

drum kit and every drummer is slightly different, so experiment around until you find the

sound that’s right for you.

Snare drum

When you mount the QSNARE on your snare drum rim you’ll be well on your way to getting

a great sound due to the close placement of the mic. You can experiment by changing the

angle of the microphone to change sound. If you want to get more stick attack try lifting the

mic slightly so that it is pointing bit way from the rim and aim it more in the direction

towards the center of the drum head. You can use the proximity effect to your advantage to

increase the low-end response by pointing the mic further downward. For recording and

advanced live sound applications try a second QSNARE under the snare drum to pick up

more of the sound from the snares. When using the second QSNARE under the drum, be

sure to reverse the phase polarity on the mic input, otherwise some of the sound will actu-

ally cancel.

Bass Drum

The QKICK is perfectly happy positioned outside the bass drum for more of an ambient

sound, which is sometimes desired for recording, or inside the bass drum for a tighter

sound like in live sound applications. When positioning the QKICK you will notice that

changing the distance the microphone is placed from the head will have an effect on the

low frequency response. You can use the proximity effect to your advantage by moving the

microphone closer to the head if the sound is too boomy, or try moving the QKICK back a

bit to add more low end. If you want more of the click attack sound from your bass drum,

try aiming the QKICK directly at the beater.

Tom-toms

When you mount the QTOM on your tom-tom rim you’ll be well on your way to getting a
great sound thanks to the close placement offered by the DMC100 clip. You can experi-
ment by changing the angle of the microphone to change sound. If you want to get more
stick attack try lifting the mic slightly so that it is pointing bit way from the rim and aim it
more in the direction towards the center of the drum head. You can use the proximity effect
to your advantage to increase the low-end response by pointing the mic further downward.

Using the 5KIT

Summary of Contents for SADK5

Page 1: ......

Page 2: ...75 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com Table Of Contents Introduction 3 Features 4 Mounting the QSNARE and QTOM 5...

Page 3: ...sounds are easy to get with this powerful complement of percussion mics In addition to the great sound the QSNARE and QTOM feature an integral mounting clip that easily installs on any standard drum r...

Page 4: ...rim therefore eliminating the need for an additional mic stand Tight super cardioid polar patterns minimizes feedback problems and effective ly rejects unwanted signals from other drums in the kit Ca...

Page 5: ...ighten the upper thumbscrew in place Once the DMC100 clip is fixed in place and the height is set you can adjust the angle Note While adjusting the angle you will want to place the mic in a position t...

Page 6: ...by positioning the mics close to your drums however there are some basic principles and fundamentals that should be followed If not at least understood The 5KIT drum microphones have cardioid pick up...

Page 7: ...ut otherwise some of the sound will actu ally cancel Bass Drum The QKICK is perfectly happy positioned outside the bass drum for more of an ambient sound which is sometimes desired for recording or in...

Page 8: ...d ambient sound like a live sound stage they deliver those signals originating directly in front of the mic capsule itself while rejecting those that originate from behind In addition the polar patter...

Page 9: ...5KIT Microphone Characteristics 9 QKICK Frequency Chart QKICK Polar Pattern QSNARE Frequency Chart QSNARE Polar Pattern QTOM Frequency Chart QTOM Polar Pattern...

Page 10: ...mic preamp using a standard microphone cable As shown in the wiring diagrams below con nect the female XLR end directly to the microphone s gold plated connector and the other end normally a male XLR...

Page 11: ...NARE Specifications Type Dynamic Microphone Polar Pattern Super Cardioid Frequency Response 50 16000 Hz Sensitivity 55 dBV pa 0 78mv pa Rated Impedance 200 Max SPL 133 dB THD 0 5 1000 Hz Weight 150g w...

Page 12: ...Samson Technologies Corp 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

Reviews: