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13

Setting Up and Using Your

Stage 55 Series/Stage 5 Series System

9.  Now it’s time to set the audio levels.  Turn on your connected amplifier and/or mixer but
keep its volume all the way down.  Next, make sure that your transmitter is unmuted by
setting its Audio switch to “On.”  Then set the Volume knob on the SR55 or SR5 fully
counterclockwise.  If you are using the HT5 transmitter or if you are using the ST5 transmit-
ter with a connected lavaliere microphone or headset, speak or sing into the mic at a nor-
mal performance level while observing the SR55 or SR5 front panel Audio Meter. If you are
using the ST5 transmitter with a connected instrument, play the instrument at normal per-
formance level while observing the SR55 or SR5 front panel Audio Meter. If the “0” (unity
gain) segment is lighting steadily, with just occasional higher excursions, the audio level is
correctly set.  If not, use the supplied plastic screwdriver to slowly adjust the HT5, or ST5
Gain control (trimpot) until the SR55 or SR5 Audio Meter “0” (unity gain) segment lights
steadily (with occasional higher excursions).  Then slowly raise the SR55 or SR5 Volume
knob to the 2 o’clock position (unity gain) and, finally, set the volume of your amplifier/mixer
until the desired level is reached.  If you are using a ST5 beltpack transmitter equipped with
a lavaliere microphone, note that correct lavaliere placement is critical to sound quality.
We  recommend that you place it as shown in the  illustration on the right—as close to your
mouth as  possible but off to one side (to minimize
nasality)  and unobstructed by clothing.  Bear in mind
also that omni microphones (mics which pick up sig-
nal from all directions) are more prone to feedback
problems than unidirectional (cardioid or supercar-
dioid
) ones; in  general, you can avoid feedback by
taking care not to use any microphone directly in front
of a PA speaker (if this is unavoidable, try using an
equalizer to  attenuate those high- or mid-range fre-
quencies which are causing the feedback “squeal-
ing”).

10.  If you hear distortion at the desired volume level
(or if the “+6” segment LED in the Audio Meter is
lighting frequently), first check that the SR55 or SR5
rear panel Audio Output Level switch is set correctly.
Next, make sure that the gain structure of your audio
system is correctly set (consult the owners manual of
your mixer and/or amplifier for details).  If you still hear distortion, do the following:

• If you are using a HT5 handheld transmitter or an ST5 transmitter with connected

lavaliere microphone or headset, its Gain control has been factory preset to provide
optimum level for the particular microphone model being used and so no adjustment
should be necessary.  Any distortion present should therefore simply be a matter of
the microphone being too close to the mouth; try moving it further away.  If this does
not solve the problem, use the supplied plastic screwdriver to turn the Gain control
(trimpot) on the HT5 or ST5 slowly counterclockwise until the distortion disappears.

• If you are using a ST5 transmitter with an instrument such as electric guitar or bass,

lower the output level of the instrument until the distortion disappears.  Alternatively,
you can use the supplied plastic screwdriver to turn the Gain control (trimpot) on the
ST5 slowly counterclockwise until the distortion disappears. 

Note that, following this setup procedure, you can always lower the Volume knob of the
SR55 or SR5 in order to further attenuate the output signal if necessary.

Summary of Contents for Stage 55

Page 1: ...W I R E L E S S AND W I R E L E S S S Y S T E M T R U E D I V E R S I T Y W I R E L E S S S Y S T E M...

Page 2: ...ax 516 364 3888 Table of Contents Introduction 3 Guided Tour SR55 Receiver Front Panel 5 Guided Tour SR55 Receiver Rear Panel 6 Guided Tour SR5 Receiver Front Panel 7 Guided Tour SR5 Receiver Rear Pan...

Page 3: ...one GC5 Heavy duty Guitar Instrument cable The HT5 hand held microphone transmitter is equipped with the Samson Q7 neodymium dynamic microphone element Your receiver and transmitter have been factory...

Page 4: ...er Samson products in the future If your Stage 55 Series or Stage 5 Series system was purchased outside of the United States contact your local distributor for warranty details SPECIAL NOTE for U S pu...

Page 5: ...u al for more information 4 Squelch control This control determines the maximum range of the SR55 before audio signal dropout Although it can be adjusted using the supplied plastic screwdriver it shou...

Page 6: ...cold 3 Audio Output Level switch Sets the audio output level attenuation of the balanced output see 4 below to 20 dBm line level or 40 dBm mic level See the Setting Up and Using Your Stage 55 Series...

Page 7: ...it little or no signal is being received See the Setting Up and Using Your Stage 55 Series Stage 5 Series System section on page 12 in this manu al for more information 4 Squelch control This control...

Page 8: ...cold 3 Audio Output Level switch Sets the audio output level attenuation of the balanced output see 4 below to 20 dBm line level or 40 dBm mic level See the Setting Up and Using Your Stage 55 Series S...

Page 9: ...r lights RF performance is degraded and the battery needs to be replaced 3 Audio on off switch When set to the on position audio signal is transmitted When set to the off position the audio signal is...

Page 10: ...r signal is too high or too low If necessary however you can use the supplied plastic screwdriver see 9 below to raise or lower the ST5 Gain control See the Setting Up and Using Your Stage 55 Series S...

Page 11: ...er be sure to leave it off when not in use 4 Gain control trimpot This input sensitivity control has been factory preset to provide optimum level for the particular microphone capsule provid ed with y...

Page 12: ...ff 5 Place a fresh 9 volt alkaline battery in the transmitter battery holder taking care to observe the polarity markings If you are using a ST5 belt pack transmitter gently replace the battery door b...

Page 13: ...k up sig nal from all directions are more prone to feedback problems than unidirectional cardioid or supercar dioid ones in general you can avoid feedback by taking care not to use any microphone dire...

Page 14: ...dropout however depending upon the particular environment your system is used in you may need to reduce that range somewhat in order to eliminate band noise or interference when the transmitter is tur...

Page 15: ...r conve nience when on the road your Stage 55 Series Stage 5 Series system includes an impact resistant polypropylene plastic carrying case with foam rubber padding As shown in the illustration below...

Page 16: ...7 in Weight ST5 100 grams 3 55 oz HT5 200 grams 7 1 oz Receiver SR55 and SR5 Receiving System SR55 Single conversion Superheterodyne Diversity SR5 Single conversion Superheterodyne Non Diversity Frequ...

Page 17: ...d licensability depends on the user s classification application and frequency selected This device complies with RSS 210 of Industry Science Canada Operation is subject to the following two condition...

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