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Notes and tips 

 
Notes and tips on using the Cue System 
 

Properly used, the Cue System can really improve your workflow. You will notice the available sends on the 
Cue Output Dsub are: 

1. Cue 1 Left 
2. Cue 1 Right 
3. Cue 2 Left 
4. Cue 2 Right 
5. Cue A 
6. Cue B 
7. Cue C 
8. Cue D 

 

Cue 1 

always

 carries the signal present on the Mix 1 input. 

Cue 2 is selectable on the left module. Your choices are: 

1. Mix 1 
2. Mix 2 
3. Digi 
4. iDock 
5. Aux 
6. Cue A/B 
7. Cue C/D 

Cue A, B, C and D are sent directly from the associated inputs on the Main Input Dsub. 
 
ALL OF THESE SENDS ARE UNATTENUATED FROM YOUR SOURCE 
 
Some example setups: 
 
Stereo Headphone amp in tracking room 

If you use a simple cue system, patch the Cue 2 outputs to the headphone amp in your tracking 
room.  This way, you can select if the artist hears your main mix, a cue mix you have created, or any 
of the additional sources available. 
 

2 Stereo Channel Headphone amp, such as a rackmount unit with a “main” input and an “aux” input 

Often on these types of headphone amps the artist can “pan” between available sources.  In this 
instance, try sending them Cue 1 and Cue 2. This way, different musicians sharing the amp can pan 
between the main mix and an alt mix you’ve created in your DAW or on your console. 
 
Additionally with this setup you can easily do a “more me” mix, where you use Cue 2 as your main 
input and Cue A/B as the aux in.  With this arrangement you can send an individual source relevant 
to the artist down the A/B line, and they can balance it against the main mix to their liking. Also, take 
a look at the sources available on Cue 2 (Left Hand Module). Great artist headphone options! 
 

Multichannel Headphone System 

With a multichannel system, you can easily send all the available sources. A typical setup might look 
like this: 

1. Cue 1 -  (Stereo) Main Mix 
2. Cue 2 - (Stereo) Alt Mix 
3. Cue A - (Mono) Vocal 
4. Cue B - (Mono) Kick & Snare 
5. Cue C - (Mono) Solo Instrument 
6. Cue D - (Mono) Click Track 

In this setup even an eight-channel headphone system can provide a very flexible monitoring 
system.  In the control room you can easily monitor all these sources.  

Raven MTX2 Analog Section Manual

Page 10 

Summary of Contents for Raven MTX2

Page 1: ...Raven MTX2 Analog Section Manual The Raven MTX2 Analog Section consists of a rackmount unit the 2RU and left and right hand control modules Their functions and features are described in this guide...

Page 2: ...ning the Analog Section on or off Damage may occur if you do not Please do not electrocute yourself while installing the unit Mains voltage can be very very dangerous and is not a thing to trifle with...

Page 3: ...here are two cards in a stereo unit the Aux Card and the Stereo Card Surround Units include a Surround Card Most connections are made with 25 pin Dsubs that follow the standard pinout In case you need...

Page 4: ...le headphones and Dock input Aux I O DB25 Includes passthroughs Aux In and Slate TB Functions 1 Pre Fade Main Out Left selected source 2 Pre Fade Main Out Right selected source 3 Pre Fade iDock Out Le...

Page 5: ...system Stereo Speaker Out DB25 1 Speaker A Left 2 Speaker A Right 3 Speaker B Left 4 Speaker B Right 5 Speaker C Left 6 Speaker C right 7 SLS Studio Left 8 SLS Studio Right Main Inputs DB25 1 Mix 1 L...

Page 6: ...ansition between Surround and Stereo listening Surround Speaker Outs DB25 Carries the surround outputs in the following format 1 Left 2 Right 3 Surround Left 4 Surround Right 5 Center 6 LFE 7 Rear Lef...

Page 7: ...se of these outputs Normal mode monitors Source outputs Meter modes illuminate blue when activated Secondary Mode monitors CUE outputs Meter modes illuminate red when activated Surround mode monitors...

Page 8: ...he SLS Studio Loudspeakers share some controls but not all CUE 2 Studio rotary source selector Selects which audio source is being monitored on CUE 2 Studio CUE 2 Studio Indicator LED Gives visual ind...

Page 9: ...thod To deactivate SPEAKER C subwoofer mode press and hold Speakers A and C together If SPEAKER C has also been paired with B un pair them by the same above method Please note that this arrangement is...

Page 10: ...on the right hand module that we select where talkback goes to when we depress either of the talk buttons or engage the auto talkback You may talk to the Cues Global for 1 2 or the SLS Studio Loudspe...

Page 11: ...input Often on these types of headphone amps the artist can pan between available sources In this instance try sending them Cue 1 and Cue 2 This way different musicians sharing the amp can pan between...

Page 12: ...t way to get system audio out of your CPU tower without having to use the unbalanced line out Get your internet and media player audio through your monitor controller in a classy way Many people ignor...

Page 13: ...plugged in that can add some gain Please adjust it with care and remember that the on board preamp does not supply phantom power Use a sufficiently sensitive dynamic mic the AKG D58 was used on the Ne...

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