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SOLIDYNE  462

dsp - broadcast digital processor

psychoacoustic sensation of power associated
with the audio peaks. This is related to the

Burst

Masking

 effect; recently discovered (Ref. 8).

6.2.8  DENSITY 

ECUALIZER

This technology operates in 5 bands modifying
the density of energy (instead the level) of each
band. Is formed by complementary filters of 24
dB/octave carefully designed to obtain a response
variation smaller than 0,2 dB. This built-in
equalizer offers an enormous flexibility.

By example: in the case of FM transmission; is
well-known that the use of EQ at the console
output has an adverse effect in the sound quality,
since the more a frequency band is emphasized,
grater is the action of the audio compressor (
previous to the transmitter) for that band. Equalize
a band implies to unbalance the entire audio
spectrum.  It doesn’t happen with DENSITY EQ,
since its action is coordinated with the following
stages. The boosting of a frequency band is
translated then in a correlative modification of
the multiband compressor threshold, to carry out
the new equalization. In this form, its action
extends to the range of sounds of very high
intensity, where the conventional EQ’s are
inefficient, due the excessive compression.

6.2.9  IM 

CANCELLED 

CLIPPER

The analogic era...

One of the techniques most well-known and used
to increase the energy of an audio signal is the
use    of    an    audio    clipper.  With its evolution,
the analogical processors was optimizing this
technique to reduce the udesired effects caused
by the clipping. The  problem  appears  because
when  an  audio signal  is clipped, it  generates  a
high  number  of harmonic components and
intermodulation (IM).

The psychoacoustic studies have demonstrated a
high tolerance of the ear towards the harmonic
components, increased by the aural masking that
the multiband processor allows to obtain.  In fact,
all the musical instruments, as much as the
synthesized ones, have a high amount of
harmonics, superposed to their fundamental
notes. Therefore adding harmonics artificially,
increases the wealth of the musical timbre.

Opposed is the effect that the distortion by IM
produces. This type of distortion DOES NOT
EXIST in the musical instruments, and its effect is
highly disagreeable and irritating for the ear of the
audience. For the exposed reasons, considerable

efforts in research have been made to obtain
audio clippers in which the intermodulation is
reduced or even better, cancelled, of being
possible. System RIMCA, developed at the
laboratories of Solidyne, begins in a multiband
clipper, was a good solution used in analogical
units.

The digital days...

In digital audio, the adverse effects derivates of
the clipping, far from disappearing, becomes more
complexes.

DSP technology, since works with digital signals,
has limitations in to manage nonlinear processes
(as it is the case of the clipping, that it generates
signals with very steep slopes). These type of
processes generates harmonic components of
very high frequency that violate the condition of
Nyquist, degrading remarkably the final audio
quality. The conventional digital clipping
techniques, used by other marks, work resampling
the signal at greater sample rates, thus to be able
to reduce (but to never eliminate) to the distortion
caused by the alias effect.

Although the result that is reached with these
techniques is acceptable, the “collateral effects”
caused by digital clipping are diminished, but not
eradicated completely. For this reason, the
laboratories of Solidyne continued developing new
techniques.

After long investigation and numerous tests;
462dsp/AM took a step more in the field of digital
clippers; using a new system of 4 channels with
10 MHz of bandwidth (that is equivalent to 32 bits
with 20 Megasamples), that obtains that
absolutely clean and crystalline sound; free of
spurious and stridencies caused by aliasing.

For it we used a configuration like the FIG-4 in
which we have two cut channels. The channel of
serious and average, on the one hand, does not
cause intermodulation. The channel of high
frequencies, main person in charge of the IM, has
a filter that eliminates all IM below 900 Hertz

Summary of Contents for 462dsp/AM

Page 1: ...gital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision July 2007...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 462dsp...

Page 3: ...Chapter 4 Audio processing settings 17 4 1 PROGRAM SELECTION 17 4 2 DEFAULT PROGRAMS 17 4 3 USER PROGRAMS 18 4 3 1 COPY PROGRAM 18 4 3 2 EDIT PROGRAMS 18 4 4 PROGRAM ADJUSTMENTS 18 4 4 1 PROGRAM NAME...

Page 4: ...flat screws with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or e...

Page 5: ...elcome screen on start up and then will load the last used program SETTINGS Controls All settings values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing brie...

Page 6: ...e studies In other configurations the processor locates in the transmitting plant and a digital link is used to send the audio multiple sends can be used for backup In this case the remote control of...

Page 7: ...nd HF to the highs The LOUDNESS concept associates to the sensation of sonorous power perceived by the human ear With no need to exceed the maximum percentage of modulation fixed by the laws the proce...

Page 8: ...Page 8 broadcast digital processor SOLIDYNE 462dsp THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 9: ...ocked nor covered not to obstruct the refrigeration of the internal components 462dsp AM has internal protection against RF fields which allows locate it next to transmitters AM or FM Avoid strong ele...

Page 10: ...o with extended range 20 Hz 15 KHz It is used for transmission of the radio via Internet The output level is FIXED 2 dBm It has soft clipping limiters that optimize the yield of the streaming coder In...

Page 11: ...grounding the MICstart input When this happens the processor exchanges the program and the access from the JOG wheel is blocked When the MICStart input is opened 462dsp AM returns to the previous pro...

Page 12: ...Page 12 broadcast digital processor SOLIDYNE 462dsp THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 13: ...y programs 3 1 3 Modes of control The processor can be controlled of many ways a Manually controlled from the frontal panel c The programs can be created and edited using the 462dsp AM VirtualRack sof...

Page 14: ...enerated in the receiver the digital streaming follows present but without content of audio channels muted Reestablishing the signal in Auto Search mode The unit switches automatically to the analogic...

Page 15: ...tive one can vary between 100 and 150 The advanced asymmetric clippers with double stage of Log clipping developed by Solidyne allows to increase the transmitted power and the reach of the radio This...

Page 16: ...e JOG cancels the process in any instance equivalent to escape except when OK is selected in such case confirm the password To delete the password edit it entering 3 space characters Write down the pa...

Page 17: ...nd on the air with the same level The attack of the AGC also must be fast to make level abrupt changes of level that can take place by shouts discussions or outbursts of laughter The attack time of th...

Page 18: ...er radio stations Please read carefully the description of each adjustments made by Solidyne Take it the time to listen to each program and how each control affects to the sound on the air Once you kn...

Page 19: ...rect this situation increasing its gain When the speaker returns the AGC will reduce their gain again And it will have to act with very little delay The hold threshold will have to be low to avoid tha...

Page 20: ...g program according to the music style Remember that VirtualRack 5 also allows defining program changes according to a scheduling Next a screenshot of the multiband compressor stage and soon its descr...

Page 21: ...stened on the air Chapter 5 Remote Control 462dsp AM can be controlled from a PC by means of RS 232 connection The control software VirtualRack 462dsp AM offers numerous features To change the current...

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Page 23: ...ly see mentioned article AES Today our ideas are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing...

Page 24: ...OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio en...

Page 25: ...t is known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to...

Page 26: ...alue That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays belo...

Page 27: ...to obtain the desired effect The ear will perceive a greater loudness when the band compressors increase the relative loudness level The processor Solidyne 462dsp AM has digital frequency splitters wi...

Page 28: ...their fundamental notes Therefore adding harmonics artificially increases the wealth of the musical timbre Opposed is the effect that the distortion by IM produces This type of distortion DOES NOT EXI...

Page 29: ...combined RF IF and AF typical of 6 dB at 6 KHz and 10 at 8 KHz The characteristics of these receivers vary Excesive response Pre emphasis that does not provide audible benefits on narrow receiver but...

Page 30: ...Page 30 SOLIDYNE 462dsp broadcast digital processor...

Page 31: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 32: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 33: ...tack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max co...

Page 34: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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