Sonoma Audio Workstation User Guide
Copyright © 2003, Sony Corporation of America. All rights reserved.
2.11.4.4
A - Edit-in Minus
S - Edit-in to Nowline
D - Edit-in Plus
F - Edit-out Minus
G - Edit-out to Nowline
H - Edit-out Plus
A = Edit-in Point - by nudge amount
S = Edit-in Point to Nowline
D = Edit-in Point + by nudge amount
F = Edit-out Point - by nudge amount
G = Edit-out Point to Nowline
H = Edit-out Point + by nudge amount
Editorial change.
2.11.5.1
Gains are displayed as positive dB but are
interpreted with a minus sign before them.
--
Deletion.
2.11.5.1
The in/out gains can be set absolutely by
typing and pressing enter. The plus/minus
buttons add/subtract the dB nudge amount
to each gain in the selection.
The in/out gains can be set directly by
entering numerical values and pressing
ENTER
. The
+
/
-
buttons add/subtract the
dB nudge amount to each gain in the
selection.
Editorial change.
2.11.5.1
Shift+Z - Fade-in Gain Minus
Shift+X - Fade-in Gain Plus
Shift+C - Both Gains Minus
Shift+V - Both Gains Plus
Shift+B - Fade-out Gain Minus
Shift+N - Fade-out Gain Plus
Shift+Z = Fade-in Gain - by nudge
amount
Shift+X = Fade-in Gain + by nudge
amount
Shift+C = Both Gains - by nudge amount
Shift+V = Both Gains + by nudge amount
Shift+B = Fade-out Gain - by nudge
amount
Shift+N = Fade-out Gain + by nudge
amount
Editorial change.
2.11.6.1
The fade-in or fade-out length can be set
absolutely by typing in and pressing enter.
The fade-in (or fade-out) length can be set
to an absolute value by typing numbers in
the respective fade length box and then
pressing
ENTER
.
Editorial change.
2.11.6.1
Z - Fade-in Minus
X - Fade-in Plus
B - Fade-out Minus
N - Fade-out Plus
Z = Fade-in Length - by nudge amount
X = Fade-in Length to Nowline
C = Fade-in by nudge amount
V = Fade-out Length - by nudge amount
B = Fade-out Length to Nowline
N = Fade-out by nudge amount
Correction and Editorial
change.
2.11.7
Changing the channel number by typing
and pressing enter moves all the selected
ingredients to the same channel.
Changing the channel number and pressing
ENTER
moves all the selected ingredients
to the same channel.
Editorial change.
2.12.2
In order to select a sequence separately
you may unsplice the entire sync. group or
selectively remove a sequence’s aligned
splices using the splice editor.
In order to select a sequence separately
either unsplice the entire sync. group or
selectively remove a sequence’s aligned
splices using the splice editor.
Editorial change.
2.13.1
--
Note: all these commands
only
work when
the transport is idle.
Footnote addition.
2.13.4
Next comes nudge registers for the relative
edit commands. Finally there are buttons for
changing the current channel and current
edit and for selectively unsplicing channels.
These are followed by buttons for changing
the current channel and current edit, and,
finally, there are nudge registers for the
relative edit commands and a button for
selectively unsplicing channels.
Correction.
2.13.7.2
The outgoing or incoming edit points can be
set absolutely by clicking on an item, typing
in, and pressing enter.
The outgoing or incoming edit points can be
set absolutely by clicking on an item,
entering a numerical value and pressing
ENTER
.
Editorial change.
2.13.7.2
The plus/minus buttons add/subtract the
nudge amount to the outgoing or incoming
edit points.
The
+
/
-
buttons add/subtract the nudge
amount to the outgoing or incoming edit
points.
Editorial change.
Section Ver. 1.5.17
Ver. 1.6.1
Remarks