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Spectralizer

SPL digital audio processors are designed in cooperation with

Spectral Design of Bremen, Germany, who are responsible for
the DSP programming. 

C

oncept:

The S

PECTRALIZER

is the first digital harmonics processor

employing a new process which allows you to re-synthesize
second and third harmonics separately, and with full control
over their amplitude.

The S

PECTRALIZER

benefits from SPL's expertise in psycho-acou-

stic principles and is the ideal tool to improve the clarity, trans-
parency and intelligibility of any signal in the digital domain. 

A single instrument or vocal gains better penetration within a

mix, while complete mixes benefit from improved subjective
loudness without a measurable change in levels.

While developing the DSP-program, a strong emphasis was

placed on achieving warm and smooth sounding harmonic re-
synthesis. The digital domain tends to be susceptible to “sharp-
ness” at the HF end of the spectrum, which made the design of
the S

PECTRALIZER

all the more demanding. The result is a tool able

to increase brightness and detail without adding harshness or
sounding fatiguing.

In comparison to ostensibly similar analogue systems, the

S

PECTRALIZER

does not produce any phase deterioration, nor

introduce unmusical intermodulation products.

O

peration:

The S

PECTRALIZER

is fitted with six encoder controls,

and the actual parameters values are shown in the LCD
window. I

NPUT

G

AIN

sets the overall input level with gain adjust-

ment available from -20 dB to +6 dB, while the starting
frequency for the re-synthesis of the harmonics is set using the 
F

REQUENCY

control. This functions as a high-pass filter adjustable

over the range 1kHz to 7 kHz in 500 Hz steps; signals with a
frequency lower than that selected using the F

REQUENCY

control

remain unaffected. The D

ENSITY

control offers a choice of six

settings to determine the amplitude envelope of the added
harmonics and works rather like a digital compressor to
increase the density of the re-synthesized harmonics – which
makes them more prominent. The 2

ND

and 3

RD

H

ARMONIC

controls set the relative levels of the re-synthesized harmonics
while the M

IX

control defines the balance between the new

harmonics and the original signal.

The S

PECTRALIZER

has three switch functions: S

OLO

mutes the

original input signal so that the added harmonics can be heard
in isolation while K

ICK

adds a greater proportion of harmonics

to transients (attack parts of the signal). 

The A

CTIVE

button switches the S

PECTRALIZER

in and out of

operation; when connected via AES/EBU, a relay-operated
hard bypass switches the digital input directly to the output.
Signal flow remains uninterrupted, even if the mains power is
switched off. 

The software bypass function compensates for the inevitable

(but very short!), digital domain processing delay so as to avoid

Introduction

Re-synthesizing second and
third harmonics separately

Improving clarity, intelligibi-
lity and depth without 
introducing harshness

Warm and smooth sounding
harmonic re-synthesis

Easy and intuitive 
operation

Summary of Contents for Spectralizer 9631

Page 1: ...Manual Digital Harmonics Processor Spectralizer Model 9631 ...

Page 2: ...ion of SPL Limitations of Liability In no event will SPL be liable for any damages including loss of data lost profits cost of cover or other special incidental consequential or indirect damages arising from the use of the unit however caused and on any theory of liabi lity This limitation will apply even if SPL or an authorized dealer has been advised of the possibility of such damage SPL electro...

Page 3: ... I would like to start with my thanks to all our staff who created what is to be described here Special thanks go to Jörg Houpert Klaus Peter Webersinke and Andreas Skäbe from Spectral Design as well as Harald Obenland from Octum elec tronics The importance of their exceptional qualification and talents cannot be overestimated Our products are often tested and compared in many publica tions and by...

Page 4: ...s the overall input level with gain adjust ment available from 20dB to 6dB while the starting frequency for the re synthesis of the harmonics is set using the FREQUENCY control This functions as a high pass filter adjustable over the range 1kHz to 7kHz in 500Hz steps signals with a frequency lower than that selected using the FREQUENCY control remain unaffected The DENSITY control offers a choice ...

Page 5: ...friendly opera tion the external controls access only the sonically relevant parameters Additionally all controls with a wide value range e g 0 to 100 are programmed with an alpha dial logic Turning the encoder rapidly causes the values to jump in steps of 10 whereas turning the encoder slowly causes the values to proceed in single increment steps The housing of the SPECTRALIZER has the standard 1...

Page 6: ...t your computer with the SPECTRALIZER via a serial port with a standard Z modem cable RS 232 for PC and RS 422 for MAC 2 Open a terminal program like Hyperterminal on PC and make the following adjustments Baud rate 9600 Stop bit 1 Parity none Data bit 8 Handshake no Transfer mode ZMODEM 3 Switch on the SPECTRALIZER and depress both PRESET UP and PRESET DOWN until the LC display says wait for Zmode...

Page 7: ...s 2 Set MIX to 50 You will notice an increase in high frequencies above 1kHz starting position FREQUENCY 3 Set DENSITY to 1 to increase the audibility of the harmonics in the next step 4 Set 2ND HARMONIC to 50 and 3RD HARMONIC to 30 5 If you are using full scale material for this initial test drive the CLIP LEDs may illuminate Reduce the INPUT GAIN to give additional headroom for the new harmonics...

Page 8: ...rols the input level of the digital source You can boost the input gain by up to 6dB or attenuate it by up to 20dB The LC display see 8 shows the actual value Adjustment If you are about to process pre production mate rial which has not yet been normalized nor limited you should set the INPUT GAIN to 0dB If your source material has already been mastered and limited it is advisable to adjust negati...

Page 9: ...EQUENCY control Until now you have not yet added any harmonics The increase in high frequencies is a boost of all frequencies above 1kHz You can change the starting frequency by turning the FREQUENCY encoder clockwise to higher frequen cies For some applications this may already do the job To add harmonics set 2ND HARMONIC to 50 and 3RD HARMONIC to 30 If the audible effect is very subtle increase ...

Page 10: ...audible use the DENSITY control see DENSITY 7 to increase their loudness The 3RD HARMONIC encoder controls the intensity of the added third harmonics which are being generated above the adjusted highpass frequency see FREQUENCY 3 The third harmonics are odd harmonics which carry brilliance but also sharpness and aggressiveness A good combination of even and odd harmonics is the key to a natural so...

Page 11: ...ng and harmonics generation The KICK function boosts the amplitude of the generated harmonics in the event of creation attack period After that the amplitude drops back to its original value KICK should be used when you want to apply additional sparkle and presence to the signal The SPECTRALIZER allows you to store up to 99 presets which can be changed by MIDI program change command If you want to...

Page 12: ... to activate the UP and DOWN buttons Depressing STORE and APPLY simultanouesly for about one second gets you into a hardware dialogue called INFO The LC display shows status informations of the digital data stream With UP DOWN you will jump from one page to the next or previous If a selection is provided use APPLY to select 1 Software version and date 2 Selecting inputs The SPECTRALIZER automatica...

Page 13: ...cted S P DIF with wordclock detected or S P DIF input without wordclock is detected 3 Displaying the detected sample frequency The SAMPLE FREQUENCY will be detected automatically The display either shows 44 1 kHz 48 kHz or 32 kHz 4 Displaying the Audio Error flag NO no error detected YES error detected 5 Displaying the CRC Error flag NO no error detected YES error detected ...

Page 14: ...lag set 8 Displaying the Original flag NO no Original flag YES Original 9 Displaying the Emphasis flag NO no emphasis YES with emphasis 10 Selecting a serial port RS 232 interface for update download from PCs or press APPLY RS 422 interface for update download from MACs 11 Selecting a MIDI channel Depress APPLY to step from MIDI CHANNEL 01 up to MIDI CHANNEL 16 Control Elements ...

Page 15: ...lly be useful when you are mastering a song for example that requires different settings for chorus refrain or bridge The APPLY LED illuminates indica ting that a program change command is received You leave the INFO pages by depressing STORE The OUTPUT LED chains are PPM peak level meters with signal and clip indicators The metering offers 1dB resoltion for the last 3dB before 0dB The first LED i...

Page 16: ...splay yes Input transformer AES EBU yes Output transformer AES EBU yes Relay Hard Bypass AES EBU yes Measurements AES EBU Jitter 1ns S P DIF Jitter 3ns Wordclock In Jitter 1 5ns Power supply Torroidal transformer 60 VA Fuse 1A slow blow GND Lift switch yes Voltage selector 115V 230V Dimensions 19 1U 482 x 44 x 350mm Weight 4 9 kg 1 AES EBU is defined for levels from 2V to 7V Measurements AES EBU 4...

Page 17: ...thorized SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all trans portation costs and full insurance paid each way by the purchaser or owner All remedies and the measure of damages are limited to the above services It is possible that economic loss or injury to person or property may resul...

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