SoundField DSF-2
User Guide
A Practical Guide for use on 5.1 Outside Broadcasts
Page 13
A PRACTICAL GUIDE FOR USE ON 5.1 OUTSIDE BROADCASTS
by Robert Edwards, VSS Ltd.
Only now have the true benefits of SoundField microphones become apparent to the sound mixers
in the live television community who are now being asked to deliver 5.1 audio and more, to
accompany live High Definition Broadcasts. Many such HDTV Broadcasts are for sporting events
where there is no rehearsal and a limited amount of set-up time.
Where should the microphone go in the stadium? The microphone is simplicity itself to rig and is
very tolerant of positioning. It has been said that as long as the microphone is in the same stadium
as the event, the ambience captured will be very enjoyable! However, there are some basic rules
that should be followed...
The microphone must be placed at least five metres from any individual crowd members, and in
such a position so as not to be physically disturbed. Individual claps or voices that are too close to
the microphone will result in making the rest of the ambience difficult to control. The microphone
must be securely mounted, generally clamped to a stadium structure, protected from the elements
(direct wind and rain) with suitable wind and rumble isolation. Generally, the higher and more
centrally-placed above the main crowd or audience, the better the overall sound experience will be.
Typical Crowd Stand
Optimum position for
SoundField Microphone
