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SWR® WorkingPro™ 10  Combo Amplifier

 Congratulations on your purchase of an SWR WorkingPro 10 combo 

amplifier!  You  now  own  the  famous  SWR  tone,  power,  clarity,  and 

true full-range response that’s made SWR the choice of profession-

als  for  over  twenty  years.  Your  WorkingPro 10  combines  the  best 

SWR features:
•  The famous preamp designed by original engineer Steve W. Rabe
•  The Aural Enhancer™ and Active EQ controls
•  Bass Intensifier™ circuit—simultaneously boosts and compresses 

specific  frequencies  to  add  pure  low-end  thickness  to  your  bass 

sound

•  New Wedge EQ specially designed for amp "tilt-back" operation

•  Side-mounted  monitor  input  converts  the  WorkingPro  into  a 

powered stage monitor or auxiliary input for your CD/MP3 player

Since our founding in 1984, SWR has served one purpose—to pro-

vide  bass  amplification  products  with  professional  quality,  tone, 

features  and  power  delivery  for  players  of  all  levels  and  styles.  We 

sincerely  thank  you  for  choosing  SWR,  and  remain  committed  to 

helping you Amplify Your Future™.
Read through this Owner’s Manual before using your amplifier—not 

only  for  your  safety  and  to  protect  your  investment,  but  to  take 

advantage of the full potential of your WorkingPro amplifier!

A.  INPUT—

   Plug  your  bass  into  this  jack  using  a 

shielded instrument cable.

B.   MUTE—

Disables  all  audio  output 

except

  EFFECTS  SEND 

{O},  TUNER  OUT {R},  and  HEADPHONES  {N}.  Use  during: 

instrument  changes,  tune-ups  and  when  using  head-

phones. The   LED indicates when MUTE is on.

C.   MASTER VOLUME—

Use to set the loudness output from 

your speakers (and headphones) after all other levels are 

set,  including  any  external  effects.  MASTER  Volume  will 

affect the BALANCED OUTPUT {S} and the UNBALANCED 

LINE OUT {Q} levels when DIRECT/LINE {S} is set to  LINE.  

NOTE: Select  DIRECT when you do 

not

 want MASTER to 

affect the signal level output to equipment, such as when  

recording or performing.

D.  AURAL ENHANCER—

Featured on just about every SWR 

amplifier since the company’s inception in 1984, the Aural 

Enhancer delivers that famous SWR Sound! It brings out 

the  fundamental  low  notes  of  the  bass  guitar,  enhances 

the  high-end  transients,  and  reduces  specific  frequen-

cies  that  mask  the  fundamentals.  This  provides  a  more 

transparent  sound,  particularly  when  slapping  and  pop-

ping and also gives "active" bass characteristics to passive 

basses (when set at “2 o’clock” or positions further clock-

wise).

 How  the  AURAL  ENHANCER  Works: 

Think  of  it  as  a  vari-

able  tone  curve  that  changes  depending  on  where  you 

set the AURAL ENHANCER control knob. As you rotate the 

control clockwise from the “MIN” position, you are elevat-

ing low– mid– and high–frequencies different than those 

of the active tone controls.  

 This  remains  true  up  to 

about the “2 o’clock” position, a favorite of many players 

because it brings out the low-end fundamentals and crisp 

highs plus lower midrange to help cut through the band. 

However, if you go further clockwise past the “2 o’clock” 

position,  the  mids  centered  around  200 Hz  will  start  to 

drop  off.  From  this  point  on,  the  effect  becomes  much 

more pronounced. However, the curves involved here are 

gentle, as opposed to the extreme curves you can create 

by boosting or cutting the active tone controls. 

 

 Most significantly for basses, the AURAL ENHANCER™ will 

help bring out the fundamentals of your lower registers 

without  masking  them  with  overtones,  as  is  possible 

when  using  the  BASS  control  only.  At  the  same  time,  it 

opens  up  the  sibilance  characteristics  of  all  instruments 

without being harsh. 

E.   BASS  INTENSIFIER—

Exclusive  SWR  tone  circuit  that  

integrates  low-frequency  boost  with  a  smooth,  fast-act-

ing compressor. This provides a radical increase of specif-

ic bass and low-midrange frequencies without the usual 

side-effect  of  overdriving  the  amplifier  circuitry.  This 

literally intensifies the bass tone in your sound! Use it for 

the heavier sections of a song, or as part of your overall 

preferred sound.

 

 ENGAGE—

Activates  the  BASS  INTENSIFIER  circuit  as 

indicated by the LED . 

Front Panel

Summary of Contents for WorkingPro 10

Page 1: ...WorkingPro 10 COMBO AMPLIFIER ...

Page 2: ...ect the power supply cord from being pinched or abraded This product should only be used with a cart or stand that is recommended by the manufacturer The power supply cord of this product should be unplugged from the outlet when left unused for a long period of time or during electrical storms This product should be serviced by qualified service personnel when the power supply cord or the plug has...

Page 3: ...eatured on just about every SWR amplifier since the company s inception in 1984 the Aural Enhancer delivers that famous SWR Sound It brings out the fundamental low notes of the bass guitar enhances the high end transients and reduces specific frequen cies that mask the fundamentals This provides a more transparent sound particularly when slapping and pop ping and also gives active bass characteris...

Page 4: ...ID Adjusts mid frequency response 15dB in the 400Hz to 3kHz range TREBLE Adjusts high frequency response 15dB in the 2kHz to 14kHz range G WEDGE EQ Use this tone circuit preset when playing the amplifier with the cabinet in the tilt back position to compensate for the loss of cabinet floor contact and the redirected tweeter horn H LIMITER This circuit protects the power amp and speak ers from dama...

Page 5: ...ut NOTE 75 ohm headphones are ideal O EFFECTS SEND RETURN Multi purpose jacks sug gested uses are numbered below EFFECTS SEND pro vides a preamp output signal that includes onboard tone shaping Output level is controlled by MASTER Volume C EFFECTS RETURN provides a power amp input that can be blended in any ratio with the onboard preamp signal using EFX BLEND I The Effects Loop circuit is on a sid...

Page 6: ...eave this switch out GROUND NOTE Lifting the ground connection will not solve hum noise due to bad cables poor connections miswired A C outlets nearby fluorescent lighting especially with single coil pickups or a cell phone in your pocket 0dB 10dB Reduces the BALANCED OUTPUT and UNBALANCED LINE OUT levels by 10dB Normally leave this switch out 0dB PART NUMBERS 4452400010 120V 60Hz 4452403010 240V ...

Page 7: ...L INSTRUMENTS CORPORATION CORONA CALIFORNIA USA SWR WorkingPro Aural Enhancer and Bass Intensifier are trademarks of FMIC Other trademarks are property of their respective owners 2005 FMIC All rights reserved P N 070610 REV A ...

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