background image

3

9.

  Now that you have a rough mix going, you 

may need to readjust the MAIN MIX FADER to a 
comfortable listening level. The meters should 
indicate by lighting most of the green LEDs when 
music is playing, and occasionally light the yellow.

0.

 Depending on how much time you have, keep 

tweaking. Walk the room to see how it sounds 
away from your mixer. Keep tweaking FADERS and 
EQ as needed. Watch out for any OL overload 
LEDS blinking, as the band plays on. 

A FEW PRECAUTIONS:

Never listen to loud music for prolonged 
periods. Please see the Safety Instructions 
on page 2 of the owner’s manual (on the 
CD) for information on hearing protection. 

•  Only plug your amplifier’s speaker-level outputs 

into speakers, never to the mixer.

•  Never use guitar cables to connect amplifiers to 

speakers. Next thing, you’ll be running with scissors.

•  Before making connections to an external 

amplifier, or reconfiguring an amp’s routing, turn 
the amp’s level (gain) controls down, turn the 
power off, make the changes, turn the power 
back on, and then turn the level controls back up.

•  When you shut down your equipment, turn off any 

external amplifiers first. When powering up, turn on 
the amplifiers last.

•  Save the shipping box and packing material! 

The box can also be turned into a unique hat for 
attending Audio Society meetings, or stepping out 
in style.

Mic Inputs

Inserts

Instrument  

Inputs

Level Set

Gain Knob

Low Cut

Aux 1 Send

EQ Section

Aux 2 Send

Pan

Mute

Ch Fader

OL LED

Assign

Solo

Mono Ch -8

Stereo Ch. 0-6

Master Section

Phones

Internal 
Effects

Graphic EQ

Rude Solo

CD/Tape to 
Main

Main Fader

Meters

Power 

Phantom LEDs

USB

Master Aux 

Sends

Subgroup 

Faders

Subgroup 

Assign

Control room/

phones

Stereo 

Line 

Inputs

FX 

Returns

CD/Tape 

In Out

Aux 

Sends

FX Returns

MIC

1

INST

INSERT

1

GAIN

1

MUTE

EQ

PAN

1

2

AUX

HIGH

MID

LOW

10

dB

30

20

10

40
50

5

5

60

U

AUX

LINE

(

)

1

2

15

13

16

MUTE

GAIN

14

CD/ TAPE

15

16

MUTE

13

14

11

12

MUTE

11

12

9

(

)

(

)

(

)

GAIN

10

MUTE

9

10

PAN

PAN

PAN

LINE

LINE

LINE

GAIN

GAIN

PAN

EQ

MID

EQ

EQ

EQ

L

FX

R

1

2

AUX

1

2

AUX

1

2

AUX

1

2

AUX

HIGH

LOW

MID

HIGH

LOW

MID

HIGH

LOW

MID

HIGH

LOW

(

)

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

U

U

U

U

U

U

MAX

PHONES

LAMP

BYPASS

EQ IN

FX OL

MAIN MIX

AUX1

(

MON

)

POWER

PHANTOM 48V

1

MAIN

MIX

SUB

2

SUB

3

SUB

4

SUB

SUB ASSIGN

TO MAIN MIX

       MASTER

    AUX 

   SEND

CTRL RM

PHONES

CD/TAPE IN

TO MAIN MIX

 TO 

MAIN

MIX

TO

AUX1

MON

INTERNAL EFFECTS

SUBS

1-2

SUBS

3-4

MAIN

MIX

CD/

TAPE

FX

BYPASS

SOURCE

SELECT

RUDE SOLO

0dB = 0dBu

OUTPUT LEVEL

USB

SOURCE

OL

MAX

MAX

MAX

MAX

L

R

L

R

L

R

L

R

1

MON

2

FX

+15

+15

FX

RETURN

+15

+15

15

-

15+

5

10

0
5

10

-

15

+15

5

10

0

5

10

STEREO GRAPHIC EQ

64Hz

125Hz 400Hz

1kHz

2.5kHz

8kHz

16kHz

16

LEVEL

SET

12

8

4

0

-4

-12

-24

FX

INPUT

LEVEL

SPRING

M DELAY

ST DELAY

CHORUS

REV + FLANGER

REV + CHORUS

REV + DELAY

FLANGER

TAPE REV

PLATE

SM HALL
LG ROOM

LG HALL

VOCAL 1

SM ROOM

VOCAL 2

VARIATIONS

MAIN MIX
SUBS 1-2

(

PRE-FADER

)

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

USB OUTPUT

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

U

U

U

U

U

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