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Appendix D: Service Information

No Audio into your Computer:

•  Confirm the mixer is receiving mic or instrument 

input signals.

•  Make sure you have selected the right driver in 

your DAW. In Tracktion, this is in the Settings menu.

•  If the mixer seems fine, click Restart Device in the 

Tracktion Settings menu.

•  In Tracktion, be sure the correct inputs are selected 

and the tracks are armed.

Echo or phasing from input while 

recording:

•  It sounds like you are monitoring both through 

software and directly. You should only do one or 
the other. See page 19 to help you decide which is 
best for your situation.

•  If you are overdubbing (or recording a new track 

alongside other tracks already recorded), try 
disabling your new track’s output to the mixer and 
monitoring the signal you are recording directly. 
Adjust the channel 15-16 fader and the subgroup 
1-2 faders so you can hear both your new input 
signal as well as the playback from the computer.

Glitchy/Distorted Playback from 

Computer:

Increase the Buffer Size/Latency Setting: 
•  Tracktion (PC): choose the Settings Tab and Audio 

Devices. Click the “show ASIO control panel” 
button and try a larger buffer size.

•  Tracktion (Mac): choose the Settings Tab and 

Audio Devices and increase the Latency slider.

•  In other applications, find the control panel to 

increase the ASIO (PC) or Core Audio (Mac) buffer 
size or latency.

•  Be sure the mixer is the only device on the USB 

chain. The easiest way to do this is to be sure the 
mixer is connected directly to your computer’s USB 
port; we do not recommend using USB Hubs. 

•  Try a song with fewer tracks, effects, and virtual 

instruments. If it plays fine, then you may be 
pushing your computer above it’s limits. Try 
increasing your latency settings as described 
above.

Large latency (delay) from input 

signal to output:

•  Change the latency/buffer setting to a lower 

setting, as described above.

•  Try using direct monitoring instead of software 

monitoring. See page 19 for details.

Warranty Service

Details concerning Warranty Service are spelled 

out in the Warranty section on page 27.

If you think your TAPCO Blend 16 has a problem, 

please do everything you can to confirm it before 
calling for service. Doing so might save you from 
the deprivation of your mixer and the associated 
suffering.

Here are some things you can check:

Troubleshooting

Bad Channel

•  Is the channel GAIN turned up?
•  Is the channel FADER turned up?
•  Try the same source signal in another channel, set 

up exactly like the suspect channel.

•  If your microphone requires phantom power, make 

sure you engage the Phantom Power button 
(48V) on the rear  panel of the mixer. Confirm the 
need to use phantom power by reading your 
microphone's documentation.

Bad Output

•  Is the 

 FADER at minimum perchance? 

•  If it’s a stereo pair, try switching them around. For 

example, if a left output is presumed dead, switch 
the left and right cords, at the mixer end. If the left 
speaker is still dead, it’s not the mixer. Perhaps it’s a  
bad cable, speaker, or amplifier channel.

Noise

•  Turn down the channel FADER, and 

 

controls, one by one. If the noise disappears, it’s 
either that channel or whatever is plugged into it, 
so unplug whatever that is.

Power

•  Our favorite question: Is the 

 switch on?

•  Is the power cord securely plugged into the Blend 

16?

•  Is the power supply cord securely plugged into 

an AC power strip? Make sure the power to the 
power strip is turned on.

•  Is the mixer set to the correct voltage?
•  Are all the lights out in your building?

Summary of Contents for BLEND16

Page 1: ......

Page 2: ...ss To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing pr...

Page 3: ...st of the manual when nobody is looking Please keep your receipt in a safe sock drawer and write your product information here for future reference i e insurance claims tech support return authorizati...

Page 4: ...the sounds but if you prefer connect a set of headphones to the PHONES jack 2 Choose one of the microphones or instruments connected to the mono MIC INST or LINE inputs 3 Press that channel s SOLO sw...

Page 5: ...then turn the level controls back up When you shut down your equipment turn off any external amplifiers first When powering up turn on the amplifiers last Save the shipping box and packing material Th...

Page 6: ...ux1 control monitor FX Return to main mix control CD Tape to main mix control 8 segment stereo LED VU metering Solo LED Each subgroup can be assigned to Left and or Right of main mix 60 mm fader for e...

Page 7: ...7 SUB OUTS MAIN INSERT CONTROL RM OUT USB IN OUT MAIN OUT Hookup Diagrams Stereo PA system...

Page 8: ...8 SUB OUTS MAIN INSERT CONTROL RM OUT USB IN OUT MAIN OUT SUB OUTS MAIN INSERT CONTROL RM OUT USB IN OUT MAIN OUT Studio tracking and overdubbing Transferring records while yodelling and playing along...

Page 9: ...driven by virtually any line level signal Guitars and other instrument level sources should not be connected directly to inputs 3 8 You should use a preamp to provide a line level output first 3 INSE...

Page 10: ...ys in the right Careful use of PAN allows you to set up a nice stereo image in the left and right For the mono channels if PAN is in the center position the mono signal appears equally in both the lef...

Page 11: ...dd numbered channels and the right signals into even numbered channels 20 LINE PHONO switch channels 13 and 14 only In the up position channel 13 and 14 accept line level signals In the down position...

Page 12: ...c Signals coming into these inputs are routed directly to the CD TAPE TO MAIN MIX 49 control and through to the main mix You will need to MUTE 14 all the other channels if you just want to hear the CD...

Page 13: ...B either side of unity gain The frequency bands are 64 Hz 125 Hz 400 Hz 1 kHz 2 5 kHz 8 kHz and 16 kHz Adjust the EQ wisely and subtly Do not overdo the EQ gain as this might lead to overloading or cl...

Page 14: ...er will have a short reverb time and a larger number will have a longer reverb time 36 FX INPUT LEVEL and OL LED This knob allows you to adjust the signal level going into the internal effects process...

Page 15: ...ush MAIN MIX to hear the main mix Push CD TAPE to hear your CD or Tape player Push SUBS 1 2 to hear subgroup 1 and 2 outputs Push SUBS 3 4 to hear subgroup 3 and 4 outputs Note If any channel has its...

Page 16: ...ELECT 42 switches SUB 1 2 or SUB 3 4 are engaged The faders range from minimum at the bottom to unity gain at 75 up and to 10 at the top For an example of subgroups suppose you have a group of microph...

Page 17: ...then plug the power supply into a suitable and properly rated AC outlet 57 PHONO GROUND If you have a turntable connected use this screw terminal to connect the turntable s ground wire This will preve...

Page 18: ...he CD Tape input has a level control to adjust the amount of signal going onto the main mix The FX RETURN input has a similar control to adjust the level of internal and external effects going on to t...

Page 19: ...desirable echo of your recording Subgroups The channel audio signals can also be sent to the subgroups These let you group together similar or related sources For example your drum kit microphones can...

Page 20: ...nd assign 15 16 to the main mix Studio Software Monitoring Configuration 1 Follow steps 1 to 6 above to get your sounds into the computer using subgroups 1 2 Do not assign the subgroups to the main mi...

Page 21: ...gs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and in many other applications They are unbalanced and electrically equivalent to a 1...

Page 22: ...nput and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Control Room Output 84 dB Phones Output 84 dB Inst Input to Main Output 49 dB Tape Outp...

Page 23: ...Hz or better is recommended for Tracktion At least 128 MB RAM 256 MB is recommended for heavy duty Tracktion work Super VGA 1024 x 768 or higher resolution video adapter and monitor CD ROM or DVD driv...

Page 24: ...V MIC HI Z CH1 2 3 BAND EQ 3 BAND EQ 3 BAND EQ LINE CH3 8 TO CH15 16 EQ IN CH15 16 CH13 14 CH9 12 TO CH13 14 EQ IN FROM USB INPUT D A CONVERTER USB SOURCE L R MONO CHANNELS 1 8 STEREO CHANNELS 9 12 ST...

Page 25: ...ne then you may be pushing your computer above it s limits Try increasing your latency settings as described above Large latency delay from input signal to output Change the latency buffer setting to...

Page 26: ...oblems Be sure you are running the latest drivers If after updating you still are having problems please call tech support Repair Service for TAPCO mixers is available at our corporate headquarters an...

Page 27: ...any location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to damage resulti...

Page 28: ......

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