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12

OUTPUT CONNECTIONS

24. MAIN OUTPUTS 

These 1/4" TRS jacks represent the end of the mixer 

chain, where your fully mixed stereo signal enters the 
real world.

Connect these outputs to the inputs of your 

amplifi ers, powered speakers, or serial effects 
processor (graphic equalizer, for example).

25. CTRL ROOM OUTPUTS

These 1/4" TRS jacks can be used to provide 

another main mix output (with the CTRL ROOM (18) 
switch set to MAINS), or to monitor the CD/Tape Inputs 
(CTRL ROOM switch set to CD/TAPE).

Connect these outputs to the inputs of an amplifi er, 

powered speakers, or recording device.

26. AUX SEND 1 MON OUTPUT 

To create a stage monitor mix, connect this 1/4" TRS 

output into your monitor amplifi er’s input, or powered 
monitor’s input. This jack can also be used to feed the 
inputs of an effects device.

Each channel strip has an AUX 1 MON (8) send 

control knob that adjusts how much of that channel’s 
signal appears at this output. The output from this jack 
is the sum of all those active channels that have their 
AUX 1 knobs set to more than the minimum position.

This output 

is not

 affected by the channel LEVEL 

(11), or MAIN MIX (22) controls.

27. AUX SEND 2 FX OUTPUT

This 1/4" TRS output can be used to connect to the 

input of an external effects device.

Each channel strip has an AUX 2 FX (9) control that 

adjusts how much of that channel’s signal appears 
at this output. The output from this jack is the mix of all 
those active channels that have their AUX 2 knobs set 
more than minimum.

This output 

is

 affected by the channel LEVEL (11), 

but not the MAIN MIX (22) control.

Note:

 Since this output is post-channel EQ and 

LEVEL, it is not used as a traditional stage monitor cue. 

It is intended to patch into an effects device’s input, 
hence the name FX.

28. TAPE OUTPUTS 

Use these jacks to capture the entire performance to 

tape. The signal at these jacks is a sample of the main 
mix, as it appears at the MAIN (24) output. The TAPE 
OUTPUT level is affected by the MAIN MIX (22) control.

29. PHONES OUTPUT 

The stereo signal at this output jack is the same as 

the CTRL ROOM (25) outputs, but it is not affected by 
the position of the CTRL ROOM (19) knob. You can 
listen to the main mix, or the CD/TAPE, depending 
upon the position of the CTRL ROOM (18) switch.

The PHONES (20) control allows you to set the levels 

in your headphones as desired, without disturbing the 
main mix or control room levels.

Note:

 Be very careful because 

the PHONES jack can drive any 
standard headphones to very 
loud levels. Please see page 2 for 
information on hearing protection. 

See Appendix B for information about 1/4" TRS 

stereo connectors.

REAR PANEL FEATURES 

30. POWER SWITCH

Push the side of the switch labeled “

ON

” to turn the 

mixer on; you should see the 

POWER 

LED (16) glow 

with happiness. To turn the mixer off, push the switch 
the other way.

As a general rule, turn the mixer on fi rst, before any 

amplifi ers or powered speakers. At the end of a show, 
turn it off last. This will prevent any turn-on or turn-off 
thumps from being heard in the speakers.

31. POWER IN

This connection is where you connect the supplied 

external AC power supply to provide AC power to 
the mixer. Connect the external power supply to the 
Blend 6 fi rst, then plug the power supply into a suitable 
and properly rated AC outlet.

WARNING:

 Make sure you use the correct external 

power supply capable of providing 9 VDC at 1.5 amps.

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Summary of Contents for BLEND6

Page 1: ......

Page 2: ...from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d pas...

Page 3: ...eep your receipt in a safe place and not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Contents Safety Instructions...

Page 4: ...ST input Make some noise If it s a microphone sing at your normal singing volume If it s an instrument play it at its normal output level 2 While making noise turn up that channel s GAIN until the adj...

Page 5: ...rs Before making connections to an external amplifier or reconfiguring an amp s routing turn the amp s level gain controls down turn the power off make the changes turn the power back on and then turn...

Page 6: ...tor Inter Planetary Space Drive control OK we made that last one up but we can pencil it in for next time Introduction Thank you for choosing a TAPCO Blend 6 mixer by Mackie The TAPCO family of mixers...

Page 7: ...UNBAL L R LINE IN 5 6 BAL UNBAL L R LINE IN 1 2 MONO MONO MIC INPUT MIC INPUT INST INPUT IN OUT L R PHONES L R L R R AUX SENDS IN OUT OUT AUX RETURN MAIN MIX CTRL ROOM FX MON CD TAPE MONO L LEVEL SET...

Page 8: ...ary 3 GAIN CONTROL If you haven t already please read SET THE LEVELS on page 4 The GAIN control adjusts the input sensitivity of the MIC and INST inputs This allows signals from the outside world to b...

Page 9: ...of the channel s stereo signals For instance channel 3 L and 4 R mix together to feed that channel s AUX send knobs 8 AUX 1 MON AUX 1 MON is designed to send a separate mono mix to your stage monitor...

Page 10: ...to howl as loud as the speakers ouch 15 CD TAPE INPUTS This is where you connect the outputs of your intermission entertainment Any line level mono or stereo device can be used such as tape DVD CD pl...

Page 11: ...a CD or Tape Deck connected to the CD TAPE inputs push down this switch to add the CD TAPE signal to the main mix This is useful if you want to play some entertainment while the band is taking a break...

Page 12: ...el EQ and LEVEL it is not used as a traditional stage monitor cue It is intended to patch into an effects device s input hence the name FX 28 TAPE OUTPUTS Use these jacks to capture the entire perform...

Page 13: ...packing box and must have the RA number on the box Once it s repaired we ll ship it back the same way in which it was received This paragraph does not necessarily apply to non warranty repair Warranty...

Page 14: ...Stereo Headphones 1 4 TRS Stereo Unbalanced Wiring 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connections availabl...

Page 15: ...els Mic Input 18 dBu Gain 3 dB Inst Input 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Con...

Page 16: ...hange these specifications at any time without notice During a recent Garden Fete put on by the Society for the Prevention of Misunderstandings SRSoF this mixer was accidentally awarded first prize in...

Page 17: ...O BLEND 6 BLOCK DIAGRAM SSE 01 04 L L R R PAN AUX 2 FX SUM THING SUM THING ELSE AUX RETURN TO MAIN MIX AUX RETURN TO AUX 1 MON AUX 1 MON L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX 1 MON BUS AUX 2 FX BUS...

Page 18: ...18 Track Sheets Use these sheets to record some of your favorite settings 22dB 25dB 3 50 22dB 25dB 3 50 TAPCO Blend 6 NOTES 22dB 25dB 3 50 22dB 25dB 3 50 TAPCO Blend 6 NOTES...

Page 19: ...nologies to any location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to da...

Page 20: ......

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