TC Electronic GUITAR User Manual Download

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Pitch -12 and -5
C+W Diaton Solo in A
Eats Your Attack
Pedal Octave Down
Pedal Octave Up
Pitch Dm 5 and 3
Pedal Add Octave Up
Flanger Beautyverb
Verb Morphed to Dly

I've Been Drinking
Panner Pedal
Picking Style
Envelope Filter
Nervosa Doubler

Blues Room
Hammer to Fall
Iron Man

Thick'n Juicy Lead
Smooth Tubedrive
Duckman Lead
Lead Pedal Wah
Touch Wah Driven
Pedal Iiaahh
Driven Lead
Octavia Lead
The Smiths
Cyber Sci-fi Surfer

Steppers in Time

Spaceyplace
Bluebox Echophased

Echoverb
Duality Effects
Bowling Multitaps
Slow Swell Pad
Expandelay
Infinity and Beyond
Deep Bass 9
Flange Pedal Speed
Duck on Crack
Sus4 Dreamscape
Crazy Brown Lead

Eastern Ocean

Skysaw Doubler

Synthesized Leads

Sexwah Pedalead Fuzz

Industrial Mayhem
Electric Church
Trance Yer Ass Off

Dirty
Clean / Dirty
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Distorted
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Clean / Dirty

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Dirty
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Clean

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Clean

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Distorted
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X
X

Pedal to heel = Straight clean sound / Pedal to toe = two voice Pitch-shifting -12 and -5.
Play single-note runs for instant twangy Georgian C&W harmonies. Works best on higher strings.
Envelope controlled input volume. Will perform the Volume knob trick automatically.
Pedal performs a Whammy down when set to heel.
Pedal performs a Whammy up when set to toe.
Single note lead. Play in D-minor with a third and a fifth added.
Pedal to heel = crunchy lead sound, Pedal to toe = adds an octave voice.
Dense, thick reverb with medium long decay through a slow flanger. Good for leads and chords.
An Envelope controlled crossfade between Reverb and Delay. Reverb when you play,
Delay when you stop.
Pedal to heel = Phased guitar / Pedal to toe = Room spinning.
Pedal pans from left to right.
Input sensitive parallel Wah Filter, great for picking guitar.
Envelope Filter effect. Input level threshold dependent.
Fluttery Phaser and Panning with Chorus and Pitch-shifter doubles. Good on both lead
and chords.
Nice for blues.
Totally dominant distorted main rhythm guitar sound, inspired by the famed Queen song.
The Ultimate power chord sound. Metallica, saturated, ominous. Check the tittle, need we
say more?
Nice greasy lead.
Gives you that drive with a loose bottom that you know from older tube amps. Good for lead.
Quacks like a duck, thanks to a Wah-Wah. Brings back the 70's.
Feed the G-Force with a clean tone and Wah away with your pedal. Great for leads.
Feed the G-Force with a clean tone and Wah away with your picking power. Great for leads.
Feed the G-Force with a dirty tone and talk away with your pedal. Very special lead sound.
Overdriven lead sound with an octave shifter feed into a big hall.
Works well on distortion setting for wild "Yes" type solos.
Wide tremolo sound on top of a punchy distorted sound. Inspired by .....guess who!
Fast Panning Chorus, sweeping Phaser and Pitch-shifter doubles into filtered slap Delays
and very small Reverb.
Stepped Formant Filter that steps in time with repeating Delays. Play along with Delay time
for best effect.
Slow echoes and a big Reverb. Pedal controls Phaser level.
The kitchen sink, full fuzz, deep Phaser, pitch at -12 and -5, panned echo and Chorus. Good
on leads.
Smooth chorus, echo + a long hall Verb makes you sound like an ECM artist.
Two separate effect chains. Pedal controls the speed and level of the Phaser.
Play melodically in time with the echoes for fun and turn on the Drive for a fuzzed sound.
Dreamy "attack free" sound designed for slow chord or melody passages. Input level dependent
First four repeats become increasingly louder before subsequent repeats decrease in volume.
Long Reverb and Delays.
Highly compressed bass sound, designed for ambient/Techno/TR303 emulation.
Pedal controls the speed of the Flanger.
Pedal to heel = Moderately normal guitar / Pedal to toe = Dynamically contr. duck (1 Octave up).
Dual Shifters add a fourth and a fifth creating a sus4 chord with lots of Chorus, Delay and Reverb
Sounds best on leads. Shifter adds Octave up and down with a crazed Pan and Phaser.
Dynamic Delay.
Dual shifters at a 5th and octave above feed into a a very wet long Reverb.
Good for slow leads.
Crashy fuzz into dual Pitch-shifters set an octave up with sweeping high feedback Flanger.
Great for leads.
Fuzz, pitched an octave up and down into Compressor with Touchwah and slap Delays.
Good on soft leads.
A complex distorted effect with an a fifth feeding a Chorus and some tap Delays.
Pedal controls the Formant filters.
Touchwah and a low octave shifter. Input level dependent.
Removes your attack. Sounds very synth-like.
For single note lines. Use Ext. 1 to morph from Flanger to Detuned Octaver to Touchwah
and vice-versa.