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© 2003 TDM Audio, Inc. 

Electronic Crossover Owner’s Manual 

Page 22 

two different grounds. The problem is most often caused by a single piece of equipment 
grounded to two different power sources that are located some distance apart. For example, a 
mixing console is plugged into a grounded outlet at the back of an auditorium, and the power 
amplifiers are plugged into a different outlet 100 feet away at the stage. The mixing console is 
connected by shielded cable to the amplifiers and the shield is grounded. This causes both the 
mixer and the amps to be individually grounded, and each gets another ground from the other 
through the shielded cable.  
A problem like this can be fixed in several different ways. The mixer ground could be lifted. This 
is commonly done by plugging the mixer’s three-prong plug into a two-prong grounding adapter 
(you can get these at any hardware store), and plugging that into the outlet. This effectively 
disconnects the mixer’s ground lead from the outlet so that the mixer is now grounded only to 
the amplifiers. The ground could also be lifted at the amplifiers so that they are grounded only to 
the mixer. If the cable connecting the mixer to the amplifiers is a balanced (3-wire) type, the 
ground can be floated at either end of this cable by disconnecting the wire connected to pin 1 of 
the XLR adapter at one end or the other (but not both). Sometimes, because of the particular 
setup, you will have to try several of these options before finding one that works. 

CAUTION: Check local codes and regulations for rules 
pertaining to electrical grounding. It may be illegal in some 
places to lift the ground of a piece of equipment—especially if 
this piece of equipment is installed publicly. 

Another common cause of ground loops is direct input (or DI) boxes. These let you plug an 
instrument such as a guitar or bass directly into a microphone input. The problem is that the 
person playing the guitar or bass might be using an amplifier or some other signal processing 
equipment on the stage that is plugged into a grounded outlet. This creates a ground loop 
between their setup and the grounded outlet that the mixing console is plugged into. Fortunately, 
many DI boxes have a ground lift switch that you can use to break this ground loop. Because 
they are so convenient, ground lifts on DI boxes are often the first option tried when a hum or 
buzz surfaces. 
If you suspect that there is a problem with your TDM 24CX series crossover that is causing a 
hum or buzz, try removing the unit from the system and plugging its outputs directly into power 
amplifiers with speakers attached. Make sure that the TDM 24CX series crossover is plugged 
into the same electrical outlet as the amplifier. If the hum or buzz is still present, there might be a 
problem with the unit. In this case, contact your vendor, or call TDM for support and/or service 
(see 

Contacting TDM

). If the hum or buzz is not still present, the problem is somewhere else in 

the system, and is probably a ground loop. 

Contacting TDM 

If you have a problem with your TDM 24CX series crossover that you cannot solve using this 
troubleshooting guide, contact the vendor where you purchased the unit. If you need further 
assistance, you can call TDM at (818) 765-6200 during normal business hours (9 AM to 5:00 PM 
Pacific time). Our FAX number is (818) 765-8262. Our email address is support@tdmaudio.com 
and our web site is tdmaudio.com. Your satisfaction is our business, and we are happy to help 
you get the most out of your TDM 24CX series crossover. 

Summary of Contents for 24CX-2

Page 1: ...24CX 2 24CX 3 24CX 4 ELECTRONIC CROSSOVER OWNER S MANUAL TDM AUDIO INC 7270 BELLAIRE AVE NORTH HOLLYWOOD CA 91605 818 765 6200 TDMAUDIO COM TDM A U D I O...

Page 2: ...are turned down Never change the frequency range switch from the x10 to x1 position or vice versa with the crossover output levels passing signal Transients can result and speaker damage is possible...

Page 3: ...RATION 24CX 2 OR 24CX 4 12 THREE WAY OPERATION 24CX 2 OR 24CX 4 12 THREE WAY OPERATION 24CX 3 13 FOUR WAY OR FIVE WAY OPERATION 24CX 4 13 OPERATING THE CROSSOVER 14 FRONT PANEL CONTROLS 14 ADJUSTING T...

Page 4: ...roduce only a portion of the audible frequency spectrum A speaker system is made up of a collection of speaker components each of which can reproduce some part of the spectrum The crossover s role is...

Page 5: ...his makes them impractical for high power systems Fidelity The nature of the way passive crossovers work makes it difficult to design them with high fidelity in mind The kinds of components used in pa...

Page 6: ...f would be reproduced equally by both the low and the mid speakers Rolloff Rate A crossover s rolloff rate determines how sharp the transition between one set of speakers and another will be Higher ro...

Page 7: ...the output If you answered No you were correct In fact a signal at 999 Hz would be virtually as loud at the output of this filter as a signal at 1000 Hz Signals that are above or near the cutoff freq...

Page 8: ...over frequency Because the cutoff frequency of a filter is the point at which the output signal is 6 dB below the input signal which means that it has half of the amplitude of the input signal the cro...

Page 9: ...cies below a certain cutoff point This leaves a band of frequencies in the middle These middle bands have two different cutoff points Figure 6 shows the responses of the three bands of a three way cro...

Page 10: ...Using the Security Cover The security cover is used to prevent unwanted tweaking of the crossover settings If your crossover will be installed permanently for one particular purpose and will be set up...

Page 11: ...if you are connecting a 24CX 2 for stereo 2 way use you need two cables to feed your stereo signal source into the two channel inputs and two cables for each channel for a total of four to feed the lo...

Page 12: ...connections are made and you are ready to operate the unit The normal way to connect a crossover is between your sound signal source and your amplifiers For each channel the output of the signal sour...

Page 13: ...re using the second half of the 24CX 4 to the input of your mids amplifier Connect the low output of channel two or four to the input of your lows amplifier Three Way Operation 24CX 3 The 24CX 3 provi...

Page 14: ...nel of the 24CX 2 or 24CX 4 Input Level This lets you adjust the overall level of the channel By turning this level up or down you can adjust the volume of all speakers for a single channel simultaneo...

Page 15: ...Output Mute This button mutes the low output of the channel Mid Output Level This lets you set the mid frequency output of the channel Mid Output Phase Pressing this button reverses the phase of the...

Page 16: ...gh frequency speaker cable to the wrong speaker input If you have more than one high frequency speaker component on the same channel check them all If something is not hooked up right stop and fix it...

Page 17: ...est to have a little more than you need because you can always turn it down at the source if it is too loud If you cannot get enough volume with the output level all the way up raise the input level u...

Page 18: ...from the output This helps remove stage rumble and wind noise and also helps prevent speaker damage Another popular option is the parametric equalizer card Each card has two fully parametric equalize...

Page 19: ...miting As you turn the trimmers clockwise you lower the limiting threshold thus reducing the maximum output signal for a given crossover output Set up and adjust the crossover for normal operation the...

Page 20: ...s to be working correctly try plugging it into some sound reinforcement equipment that is known to work such as a monitor system If you do this and there is still no signal the problem is that the sig...

Page 21: ...noise in your system try to determine its origin systematically Remove each piece of processing gear from the signal chain one at a time until you hear the noise go away If none of the signal process...

Page 22: ...pecially if this piece of equipment is installed publicly Another common cause of ground loops is direct input or DI boxes These let you plug an instrument such as a guitar or bass directly into a mic...

Page 23: ...itch Led indication 24CX 3 Frequency Range Low Mid 80 Hz to 920 Hz Mid High 800 Hz to 9 2 kHz Hum and Noise 20 Hz 20 kHz Av 0 dB fc 230 2 3k Hz Low Frequency Section Output 0 dB 98 dBu Mid Frequency S...

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