•
High-quality stereo recording at up 192kHz/24-bit or
DSD format
•
Records to Built-in 60GB hard drive, DVD+RW, CD-R/
RW media
•
Archives to DVD-R, DVD-RW, DVD+R and DVD+RW
discs
•
Multiband compression and 3-band EQ mixdown effects
•
USB 2.0 connection to PC for use as DVD data drive
•
Balanced XLR and unbalanced RCA inputs and outputs
•
Balanced AES/EBU inputs and outputs, running at nor-
mal, double-speed and double-wire formats
•
SDIF-3 DSD input and output for external conversion and
processing of DSD audio
•
Stereo S/PDIF digital output on coaxial connector
•
Word Sync In, Out, Thru
•
RS-232C serial control
•
PS/2 keyboard connector for title editing
•
User-definable function keys
•
Large, backlit LCD display
•
Records to standard CD-DA, Broadcast Wave and
DSDIFF formats
•
Dedicated input level control and adjustable maximum
output level
•
±6% pitch control
•
Fade in/out
•
Jog playback
•
Power on play feature
•
Various play and record modes such as auto track incre-
ment, auto cue, auto ready, single/continuous play and
program A/B play.
•
Wired remote control (RC-RA1000) included
•
1/4” Headphone output
TASCAM’s award-winning
DV-RA1000HD
shatters the
price barrier to recording mixes and masters to Direct
Stream Digital, Sony’s 2.822MHz/1-bit “Super Audio”
format that must be heard to be believed. The stereo re-
corder captures audio from 44.1kHz to 192kHz as WAV
files. In addition, the breakthrough DSD recording format
adds incredible detail with all of the depth and imaging
of quality analog recording.
The DV-RA1000HD records directly to a 60GB hard drive
or to a CD/DVD optical drive, and DVDs or CDs can be
made from hard drive playlists. The rich-sounding analog
converters are capable of recording DSD format audio -
no additional hardware is required. Designed for record-
ing studio mixdown, audiophile archival, live recording
and installed sound, you can trust the DV-RA1000HD with
your most treasured master recordings.
The
KS-342
is a feature-rich 4-channel mixer for
film and location video recording with an expand-
able design that enables you to grow your mixer
to fit your application.
It offers flexible output and monitor structures like
4-ch direct output capability while monitoring in
stereo, multiple headphone outputs and an aux
input that can cascade external sources or offer
the ability to monitor the return from a camera or
external recorder. No-compromise design includes
12/48V phantom power, LCF, internal oscillator
and built-in compression. The KS-342 even has a
96kHz-capable AES/EBU output.
The KS-342’s unique “piggy-back” plug-in module
expands the capabilities of the mixer. Available
modules add EQ, compression and even more
channels of mixing to the KS-342. Each of these
modules get their power from the KS-342, so no
additional power is required. An all-weather pock-
eted case is also available.
The
KS-T2000
offers the high standards of its big-
ger brother in a more compact, budget-conscious
mixer. This 3-channel location mixer is ideal for
news gathering, DV video production and more.
The lightweight KS-T2000 operates for six hours
on four AA batteries. It also includes 12/48V
phantom power and LCF. A multi-level stereo out-
put, oscillator and switchable headphone moni-
toring with EE input provide a wide selection of
bussing and monitoring options. An optional soft
case provides storage and all-weather access to
controls and connectors.
The
KS-1017
Lip Checker is a unique product
which tracks signal time differences in broadcast
and post production. The Lip Checker accepts both
video and audio signals, comparing an audio
source with a video burst or another audio source.
It then displays the time difference and signal
strength so problems can be fixed before the pro-
gram leaves the studio. A standalone sound and
light burst source – the KS-1018 Video Kachinko –
is also available for use in remote locations.
