Version 3.2
Page: 62
Tone Tweaking
Below are some modifications you might choose to implement in order to change the tone and
response of your Trinity Tweed. There are several Fender interest groups on the Internet who can
provide some direction.
Reducing Low End Response
Change the 1st two coupling caps from .1uF to .022uF to reduce the low end response [boominess].
Reduce the value of just the coupling cap on the bright channel from 0.1uF to 0.022uF to brighten it up
a little bit and to increase the difference in tone between the two channels.
You can reduce the 0.1uF coupling caps between the PI and the power tubes from 0.1uF to 0.047uF or
0.022uF.
Increase Headroon
Remove or add a switch to toggle the value of the 2nd stage cathode capacitor: either 25uF (stock
value) or 0.68uF (less bass, brighter overall tone) or remove this bypass capacitor completely. This
would be effective for reducing the woofiness of a humbucker for example and also less break-up at
higher volumes. Distortion wont start until volume is closer to 5 instead of 3.
Smoothen Distortion
Add a try 470K to pin 7 of V2 feeding the phase invertor to smoothen out the break-up, and minimize
any 'blatting', 'swirling' or 'grainy' sounds sometimes heard in amps using the Tweed cathodyne kind of
phase inverter. Make sur
e the resistor goes right on the pin as it is acting as a ‘grid=stopper’.
Use the same Volume and Tone circuit as the 6G3
Brownface Deluxe.
Rewire the pots to mix the 2 channels with a pair
of 220K resistors. The reason for installing this
mod is that the standard Tweed ramps up fast and
breaks up very soon with reduced range in the
volume pots. The tone/volume mod fixes that and
at the same time smoothes out the response and
volume curve. Plus it reduces the dark muddy
tones as you play louder. After this mod is
installed both channels are a little brighter and
cleaner. The normal channel is more useable and
the bright channel is special with better highs and
note definition, while the amp doesn't crank out
until the volume pots are around 4.5-7 instead of
1.5 to 3.
Add a modification that allows you to switch in a [56K from 8 ohm output] negative feedback loop to
reduce overall volume and tighten and brighten up the sound a little bit and flatten out the frequency
response (reduce bass response) when tone control is centered. Connect the feedback to pin 3 of V2
Put a .0022 cap in the tone control instead of .005 uF to reduce Bass control response curve.
DC-bias the phase inverter. The result is a slightly smoother breakup at higher volumes and slight
increase in headroom (though not much).
Summary of Contents for Trinity Tweed Amp
Page 2: ...Version 3 2 Page 2 ...
Page 16: ......
Page 20: ...Version 3 2 Page 20 Input Jack Theory from 18watt com ...
Page 25: ...Version 3 2 Page 25 ...
Page 49: ...Version 3 2 Page 49 ...
Page 65: ...Version 3 2 Page 65 HEYBOER OT for TWEED 6L6GT CONVERSION ...
Page 66: ...Version 3 2 Page 66 ...
Page 75: ...Version 3 2 Page 75 ...
Page 76: ...Version 3 2 Page 76 ...
Page 77: ...Version 3 2 Page 77 Trinity Amps Schematics and Layouts ...