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12

     

Using only piezo

A. Increase the 

LEVEL

 of Ch1 untill you have a good audible volume.

B. Set the 

EQ1

 knob to 15 o’clock and search with the corresponding frequen-

cy  knob for the most unpleasant frequency. If you are using a piezo it should 
be between 12 and 15 o’clock

Once you are there, use the 

EQ1

 knob to 

remove it untill the sound is more natural. In most cases placing the 

EQ1

 knob 

at 9 o’clock will do the job. 

C. Keep the Level of Ch2 to minimum since you will not use this channel. 

D. Adjust  your Low - Mid - High from the three band parametric EQ control of 
the blended signal to bring the sound to the desired shape.

Handling acoustic feedback tips.

Audio feedback is a special kind of positive feedback which occurs when a 
sound loop exists between your mic and the AMP or PA speaker.

The two major parameters that determine the amount of feedback are: 

A. the distance from your cabinet/monitor and 

B. the volume of your mic. 

There are two main frequencies that are most sensitive to feedback. The first 
area is the LOW-LOW MID (100Hz-250Hz) and the second area is the MID area 
(400Hz-1.5KHz). For the LOW-LOW MID area the 

NOTCH

 filter is a perfect solu-

tion. For the MID area you can use the low pass shelving button (

)and the 

EQ2

 knob.

By changing the phase of the blended channel (

ALL

 switch) you virtually 

move your instrument in to another physical location and therefore you 
change the feedback settings.

On stage In-ear Monitoring

You can use your Abox II auxiliary input and headphones output for on stage 
in-ear monitoring. 

Ask the sound engineer to send a mix to your Auxiliary input and use the Head-
phones out for your own monitoring. The signal on 

XLR L+R 

and 

AMP

 outputs is 

clean (will not include the signal of the Auxiliary input).

Backtrack Rehearsal

You can use your Abox II auxiliary input and headphones for backtrack re-
hearsal. Connect your auxiliary input min jack to your phone/Ipad/Mp3 player 
and  play our track. Adjust via XLR L+R the level your instrument and enjoy the 
practice.

 

 

Piezo, Feedback, In-ear

Summary of Contents for Acoustic Box II

Page 1: ...Acoustic box II Owner s Manual Ver 2 1...

Page 2: ...d advice in the preparation of this handbook The close contact with many skilled musicians at the labs of VR and by correspondance has been most inspiring and beneficial in the development of our new...

Page 3: ...8 Compressor EQ Tuner Mute Output p9 Phantom Power Metronome Effects p10 ACOUSTIC BOX II IN PRACTICE Levels Outputs Sources p11 Using microphone and Piezo p11 UsingAKGC411and piezo p11 Using only piez...

Page 4: ...reo Reverb and Delay pre installed including Tap De lay Foot switch input for turning on off internal or external effects Effect send and return loop stereo Auxiliary input and output can be used for...

Page 5: ...particu lar attention to cords plugs convenience receptacles and the point where they exit from the apparatus 7 Abnormal smell If an abnormal smell or smoke is detected from the apparatus turn the po...

Page 6: ...rformances of the preamp avoid detaching connecting any of the cables while the Acoustic Box is powered on Before powering on the preamp make sure that the output knobs are not set to maximum Keep in...

Page 7: ...150Hz For double bass the high pass filter remove the subhar monic thump generated by the plucked bass which otherwise can drive ported bass speakers to over excursion Parametric equalizer EQ1 Ch1 is...

Page 8: ...quency 50Hz 250Hz Parametric equalizer Ch2 Ch2 is equipped with a parametric Eq designed to control the low mids of your mic It operates between 350 to 4KHz by correcting within 12dB High pass filter...

Page 9: ...e blended signal on your acoustic sound Parametric Equaliser To equalize the mixed channels the Abox uses a 3 band parametric eq Low Mid High 40Hz 125Hz 250Hz 1KHz 3 5KHz 12KHz respectively by correct...

Page 10: ...n Tempo mode You can either set the tempo by tapping the Tempo button or by using the keys The Tempo LED will blink on the tempo you set allowing to use it as a visual metronome Press and hold the Tem...

Page 11: ...e EQ1 knob at 9 o clock will do the job C Before adding the mic signal unpress the NOTCH filter the low pass filter the High Pass filter and the Phase buttons on Ch2 D Gently increase the LEVEL of cha...

Page 12: ...volume of your mic There are two main frequencies that are most sensitive to feedback The first area is the LOW LOW MID 100Hz 250Hz and the second area is the MID area 400Hz 1 5KHz For the LOW LOW MID...

Page 13: ...nce 1 Meg 8 2 Meg Selectable Signal level up to 0 dBu Adjustable Channel 1 level Parametric equalizer of Channel 1 Frequency range 360 Hz 4KHz MID level correction 12dB Ch2 Channel 2 active channel 48...

Page 14: ...gnal 3 Compressor sensitivity 4 Compression level led 5 Makeup Compression Output level 6 Parametric Low 40Hz 125Hz 7 Parametric Low 12 dB Correction 8 Parametric Mid 250Hz 1KHz 9 Parametric Mid 12 dB...

Page 15: ...1 q w e r t y u Ch2 o Comp EQ q w e r t y u o a q w e Output Effect Metronome Display w r y e r t q y w u i Top Side Controls Left Side Inputs Back Side External effects Effect Switch USB Right Side O...

Page 16: ...Return XLR R XLR L Aux in R XLR R Headphones R Aux in L Headphones L AMP XLR L AMP Phase All Imp switch 1Meg 8Meg 10dB 350 4KHz 40 150Hz 50 250Hz 350 4KHz 40 150Hz 250 1KHz 3K 12KHz Mic Line Switch Pr...

Page 17: ...17 My notes...

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