14
6.
If you’ve connected ToneLabSE to a mixer/recorder, press the GLOBAL switch to
access the OUT SEL menu, and use value knob 6 or the
▲
,
▼
buttons to select
“Ln” (LINE). If you’ve connected ToneLabSE to a guitar amp, select “AP” (AMP).
7.
To adjust the volume, turn up your amp or mixer and ToneLabSE’s rear panel
LEVEL knob to a desired level (11.3).
NOTE:
Since ToneLabSE uses an actual valve (vacuum tube), it will produce no
sound for several seconds until the valve warms up. This isn’t a malfunction
–
it’s
just the nature of valves.
U
SING
T
ONE
L
AB
SE
WITH
A
MIXER
OR
RECORDER
E
XAMPLE
OF
CONNECTIONS
TO
A
MIXER
OR
RECORDER
• When using ToneLabSE for direct-line recording, connect the OUTPUT L/
MONO and R jacks to the input jacks of your mixer or recorder. Press the GLO-
BAL switch to access the OUT SEL menu, and use value knob 6 or the
▲
,
▼
buttons to select “Ln” (LINE).
HINT:
If you’re using a mono connection, use the OUTPUT L/MONO jack only.
HINT:
If you’re using a stereo connection, pan the input channels of your mixer/
recorder to the far left and right respectively.
INPUT
ToneLabSE
R
OUTPUT
L/MONO
LINE/AMP
SEND
RETURN
~AC9V
PHONES
Headphones
to your mixer/recorder
or guitar amp
to your MIDI
sequencer/computer
AC/AC
power supply
to an
AC outlet
External effect processor
Monaural phone jack INPUT
Guitar
INPUT
ToneLabSE
Tape
Send
Tape
Return
LINE IN 1
PAN L
LINE IN 2
PAN R
R
OUTPUT
L/MONO
MIC
1
BAL
OR
UNBAL
LINE IN 1
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
PHONES
MICRO SERIES 1402-VLZ
14-CHANNEL MIC/LINE MIXER
MIC
2
BAL
OR
UNBAL
LINE IN 2
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
3
BAL
OR
UNBAL
LINE IN 3
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
4
BAL
OR
UNBAL
LINE IN 4
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
5
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
MIC
6
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB -40dB
10
60
U
-10dBV
MI
C GAIN
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
1
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
2
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
60
30
40
50
60
30
40
50
60
30
40
50
60
30
40
50
60
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
3
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
4
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
5
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
6
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
7–8
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
9–10
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
11–12
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
13–14
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
dB
10
5
U
5
10
20
dB
10
5
U
5
10
20
U
+10
U
+20
U
+20
1
2
AUX 1 MASTER
PRE
POST
NORMALLED
AUX 1
SELECT
EFX TO
MONITOR
AUX
RETURNS
SOURCE
MAIN
MIX
LEFT
RIGHT
CLIP
+28
+10
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
0dB=0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN
TO MAIN MIX
NORMAL(AFL)
LEVEL SET(PFL)
SOLO
MODE
PHANTOM
POWER
CONTROL
ROOM
/ PHONES
MAIN MIX
PHONES
Guitar
Monaural phone jack
Mixer/recorder
Headphones
Summary of Contents for Valvetronix ToneLab SE
Page 1: ...Owner s Manual E 1 ...
Page 22: ...12 ...
Page 82: ...E 1 2003 VOX AMPLIFICATION LTD Printed in China Owner s Manual ...