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7, Master Equaliser (EQ) Controls

 - (TREBLE / BASS) – A 3-band equaliser for adjusting

    different frequency bands within the main mix output. The BASS control is centered at 80Hz, 

    MIDDLE centered at 2.5kHz and the TREBLE centered at 12.5kHz.

8, CD/TAPE Line Input -

 Linked directly to the CD/TAPE Line input on the rea r panel this controls 

    the level for the CD/TAPE Line input within the main/master mix.

9, EFF Return Control (EFF RETURN)

 - This adjusts the level of signal returned from the built-in  

    Effects processor to the main mix output.

10, MASTER

 - The MASTER is for overall control of the level or volume of the amplifier. This

should be adjusted slowly as introducing too much gain to the system can cause feedback

and damage speakers/amplifiers and also produce high frequencies at high sound levels and

may damage your hearing. 

11, MAINS Input

 - The mixer amplifier requires a standard 220-240Vac ~ 50Hz mains supply.

The mixer amplifier is supplied with a BS1363A UK type 13A fused plug fitted. The plug

contains a fuse – should this blow the fuse should be replaced with one of the exact same

rating. Do not fit a fuse with a higher rating.

12, FUSE

 - Should the mains fuse fail this can indicate a problem with the mixer amplifier or the 

speakers connected. The mains fuse should only be replaced after the product has been checked 

for damage the fuse should be replaced with the exact same type. This unit uses a T1.6A 250V 

20x5mm glass fuse.

13, REC OUT

 - A standard line level output for connection to audio recorders or for use as an

external line output to external amplification. Output is via two phono sockets.

14, TAPE IN

 - A standard line level input for connection to audio recorders or for use as an

external line output to external amplification.

15, SEND JACK

 - If an external effects processor is to be used with the mixer amplifier this

output will provide a line level feed via an unbalanced 6.35mm (¼”) mono jack. The signal

can then be routed via an effects processor, graphic equalizer or similar before being

returned to the RETURN located adjacent to the SEND. Inserting a Jack plug into the SEND

socket will cut the feed to the main mix, this socket must be used with an external

processor and the signal returned post-processing to the RETURN jack.

16, RETURN JACK

 - Accepts a line level feed via an unbalanced 6.35mm (¼”) mono jack, this

is used in conjunction with the SEND output where external processing is required.

17, SPEAKER OUTPUTS

 - These provide the main speaker outputs via standard 6.35mm (¼”) 

mono jack plugs. All speaker cables should be manufactured from two core, double insulated 

cable suitable for carrying high currents. This amplifier is designed to work with 4Ω - 8Ω impedance 

loads – the minimum impedance per speaker output is 4Ω. If in any doubt please contact your 

dealer or the Pulse Technical as the wrong combination of speakers can damage either the

amplifier, the speakers or worst case both!

NOTE:

 Guitar signal leads are not suitable and may fail causing damage to the speakers and or amplifier. Speaker outputs can pre-

sent high voltages capable of delivering an electric shock – care should be taken with connections to ensure no bare wires are visable. 

All connections/ disconnections should be made when the amplifier is turned off. Speaker cables made for use with this product should 

be wired as per the following chart. If in any doubt please contact your local dealer who will be able to manufacture cables to suitor sell 

suitable cables for the system.

7

Summary of Contents for SPEA43

Page 1: ...ENGLISH Order Code SPEA43 GIG RIG PERFORMER...

Page 2: ...ned to the supplier it is important that the equipment is returned in the original carton and packaging CAUTION Keep this equipment away from rain moisture and liquids SAFETY INSTRUCTIONS Every person...

Page 3: ...ally If the equipment is dropped or damaged disconnect the mains power supply immediately Have a qualified engineer inspect the equipment before operating again If the equipment has been exposed to dr...

Page 4: ...mediately when distortion can be heard When speaker systems are damaged by overdriving the guarantee becomes void The ambient temperature must always be between 5 C and 45 C Keep away from direct sunl...

Page 5: ...channel Convection cooled 2 x 75Wrms 2 x 100W peak power output Dimensions 490 x 270 x138mm Weight 7 3Kgs Gig Rig Performer Speaker features Continuous RMS power 75W Peak power 100W Efficiency 1watt...

Page 6: ...Hot Sleeve ve Cold GND 6 Power ON OFF Switch Turns amplifier power on or off When on the Red Neon will illuminate 6 POWER GIG RIG PERFORMER MIXER TREBLE MIDDLE BASS 0 0 0 EFF MASTER 10 0 10 0 10 0 15...

Page 7: ...l input for connection to audio recorders or for use as an external line output to external amplification 15 SEND JACK If an external effects processor is to be used with the mixer amplifier this outp...

Page 8: ...If long cables runs are unavoidable you should use balanced cables In order to obtain the highest sound quality only use high quality cables for connecting the units Balanced XLR Connection Connection...

Page 9: ...ng transportation Always install the cables in a structured way and protect them from damage The cables must be installed in a way that no person can trip over them Always fix the cables with an appro...

Page 10: ...dual parts must never exceed the maximum load of the installation area Unintended movement of the load has to be avoided also in case of fire Loosen the fixing screws of the legs pull the legs out unt...

Page 11: ...11...

Page 12: ......

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