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OPERATING MANUAL 

INTRODUCTION : KM SERIES 

The KM Series Microphones are hand held dynamic 
(KM-1,  KM-2,  KM-4  &  KM-5)  super-cardioid  & 
condenser  (KM-3)  cardioid  microphones  featuring 
super-cardioid  &  cardioid  patterns  to  minimize 
feedback and to reject signals not originating in front 
of the microphone. The microphones have extended 
frequency response for optimum reproduction. They 
are designed to provide exceptionally clear, articulate 
sound.  A  shock  mounting  system  isolates  the 
microphone element from external forces to greatly 
reduce handling noise. The well-balanced zinc-alloy 
die cast body ensures reliable performance in even 
the most demanding applications. Designed for high 
SPL  use,  the  KM  Series  Microphones  are  ideal  for 
mic'ing drums or other purcussion instruments, but fit 
into a wide range of applications. The high sensitivity 
capsule picks up all of the nuances of a performance. 
The  lightweight  neodymium  magnet  provides  6dB 
of  additional  sensitivity/gain  compared  to  other 
magnetic materials.

A  microphone  must  have  very  low  distortion  at 
intended  sound  pressure  levels.  Distortion  has  a 
profound  effect  on  the  way  we  hear  the  material 
being  auditioned.  Our  ears  can  be  fooled  by 
harmonics  and  undertones  that  are  a  product  of 
distortion  (Distortion,  by  a  simple  definition  is  the 
difference between the input sound and the sound 
coming  out  of  the  speakers).    Another  important 

Summary of Contents for KM-1

Page 1: ...www wharfedalepro com KM MICROPHONES KM 1 KM 2 KM 3 KM 4 KM 5 OPERATING MANUAL AND USER GUIDE Series ...

Page 2: ......

Page 3: ... Warnings Safety Instructions 1 Introduction 3 Features 4 Line Drawings of the KM Series 5 Dimensional drawings 5 Microphone use and placement 6 Connections Wiring 7 Specifications 8 Warranty 8 TABLE OF CONTENTS ...

Page 4: ...wering down a sound system With all system components connected turn on source equipment mixers signal processors record and playback units etc BEFORE powering up amplifiers Transient voltages from powering up source equipment can damage speakers HF Drivers if amplifiers are already turned on Make sure that amplifier volumes are set to their minimum settings and power up any system amplifiers LAST...

Page 5: ...speakers 6 CAUTION Professional sound systems are capable of generating very high sound pressure levels Use care with placement and operation to avoid exposure to excessive volume levels Permanent hearing damage can result when operated to extreme levels 7 SERVICE There are no user serviceable parts inside this product Users should not attempt to service this product Warranty nullification could r...

Page 6: ...ures reliable performance in even the most demanding applications Designed for high SPL use the KM Series Microphones are ideal for mic ing drums or other purcussion instruments but fit into a wide range of applications The high sensitivity capsule picks up all of the nuances of a performance The lightweight neodymium magnet provides 6dB of additional sensitivity gain compared to other magnetic ma...

Page 7: ...ressure High quality professional drum microphones High tech zinc finish 5 models to choose the best tool for the job KM 4 KM 5 easily mounted on drums Unidirectional dynamic microphones with exceptional feedback rejection Neodymium magnet for high output low distortion Dent resistant spring steel grill Rugged cast Zinc alloy body On off switch Gold plated XLR connector FEATURES ...

Page 8: ...OPERATING MANUAL Line Drawings of the KM Series Ø mm Ø mm mm KM Ø mm Ø mm mm KM Ø mm Ø mm mm mm KM Ø mm mm Ø mm mm KM Ø 0mm Ø mm mm KM ...

Page 9: ...the source When using KM1 or KM2 or other dynamic vocal mics for vocals instruct the user to get close to the windscreen If you speak into the mic more that a few centimeters inches away the sound will be thin and tinny no bass Using the mic off axis not dead center to the source will likely result in a tinny sound The microphones are most sensitive on axis Condenser microphones do not exhibit thi...

Page 10: ... output volume down as well as the amplifiers volume control Whilst watching the meters speak play the instrument beat the drums in the same sequence you have plugged them into the board or sing it s always good to warm up your voice into the mic at the same level of your performance and adjust the GAIN control usually at struck by wild drummers as this can result in a very loud crack through the ...

Page 11: ...g from the drums is not clipping the inputs and is a good mix of each drum in the kit You can then adjust the channel FADER to mix the drum kit If the mixer has GROUP send buttons see SR806 Manual you can assign the drum kit to a group That allows you to control the drum kit sound with one fader and you don t have to re mix the drums every time you make a slight volume change Also keep in mind tha...

Page 12: ...ositive voltage on pin 2 relative to pin 3 of output connector Zinc Alloy Ø45 5x178x Ø23 160g 5 6oz KM 3 Condenser Cardioid 30 20 000Hz 1000 Ohms 46 dBV Pa 18dB 120dB more than 70dB 4 6mA 11 52V phantom power 3 pin gold plated male XLR Positive voltage on pin 2 relative to pin 3 of output connector Zinc Alloy Ø30x154x Ø21 120g 4 2oz KM 4 Dynamic Super cardioid 30 12 000Hz 250 Ohms 54 dBV Pa 20dB 1...

Page 13: ...e original date of purchase In the event of malfunction contact your authorized Wharfedale dealer or distributor for information Be aware that warranty details may differ from country to country Contact your dealers or distributor for information These terms do not infringe your statutory rights WHARFEDALE LIMITED WARRANTY ...

Page 14: ...ness Park Huntingdon Cambs PE29 6XU England www wharfedalepro com Wharfedale Professional reserves the right to alter or improve specifications without notice All rights reserved 2008 Wharfedale Pro Wharfedale Pro is a member of the International Audio Group IAG ...

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