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KM

MICROPHONE USE/ PLACEMENT

When  mic’ing,  the  position  of  the  instrument 
microphones  is  not  trivial.  If  the  microphone  does 
not have a smooth polar pattern, it is difficult to mic 
vocals, instruments or instrument amplifiers.

The  uniform  dispersion  of  the  KM  SERIES  makes 
it  easy  to  place  the  microphones  where  you  need 
them.  For  best  results  use  the  included  stand  and 
mounting  adapters to place the microphone on the 
0  degree  axis  (i.e.  point  it  directly  at  the  source). 
The  dynamic  microphones  exhibit  increased  low 
frequency response when placed close to the source. 
When  using  KM1  or  KM2  or  other  dynamic  vocal 
mics for vocals, instruct the user to get close to the 
windscreen.  If  you  speak  into  the  mic  more  that  a 
few centimeters (inches) away, the sound will be thin 
and “tinny”; no bass. Using the mic “off-axis” (not 
dead center to the source) will likely result in a “tinny” 
sound. The microphones are most sensitive “on-axis”.

Condenser microphones do not exhibit this feature. 
You  may  place  a  condenser  mic  farther  away 
from the source and still maintain good full range 
frequency response.This makes them especinlly well 
suited  to  drum  over  head  applications.  Using  the 
mounting brackets, you can place the KM-4 & KM-5 
mics  on  drums  and  other  instruments  easily  and 
with flexibility. Try to place them so they will not get 

Summary of Contents for KM-1

Page 1: ...www wharfedalepro com KM MICROPHONES KM 1 KM 2 KM 3 KM 4 KM 5 OPERATING MANUAL AND USER GUIDE Series ...

Page 2: ......

Page 3: ... Warnings Safety Instructions 1 Introduction 3 Features 4 Line Drawings of the KM Series 5 Dimensional drawings 5 Microphone use and placement 6 Connections Wiring 7 Specifications 8 Warranty 8 TABLE OF CONTENTS ...

Page 4: ...wering down a sound system With all system components connected turn on source equipment mixers signal processors record and playback units etc BEFORE powering up amplifiers Transient voltages from powering up source equipment can damage speakers HF Drivers if amplifiers are already turned on Make sure that amplifier volumes are set to their minimum settings and power up any system amplifiers LAST...

Page 5: ...speakers 6 CAUTION Professional sound systems are capable of generating very high sound pressure levels Use care with placement and operation to avoid exposure to excessive volume levels Permanent hearing damage can result when operated to extreme levels 7 SERVICE There are no user serviceable parts inside this product Users should not attempt to service this product Warranty nullification could r...

Page 6: ...ures reliable performance in even the most demanding applications Designed for high SPL use the KM Series Microphones are ideal for mic ing drums or other purcussion instruments but fit into a wide range of applications The high sensitivity capsule picks up all of the nuances of a performance The lightweight neodymium magnet provides 6dB of additional sensitivity gain compared to other magnetic ma...

Page 7: ...ressure High quality professional drum microphones High tech zinc finish 5 models to choose the best tool for the job KM 4 KM 5 easily mounted on drums Unidirectional dynamic microphones with exceptional feedback rejection Neodymium magnet for high output low distortion Dent resistant spring steel grill Rugged cast Zinc alloy body On off switch Gold plated XLR connector FEATURES ...

Page 8: ...OPERATING MANUAL Line Drawings of the KM Series Ø mm Ø mm mm KM Ø mm Ø mm mm KM Ø mm Ø mm mm mm KM Ø mm mm Ø mm mm KM Ø 0mm Ø mm mm KM ...

Page 9: ...the source When using KM1 or KM2 or other dynamic vocal mics for vocals instruct the user to get close to the windscreen If you speak into the mic more that a few centimeters inches away the sound will be thin and tinny no bass Using the mic off axis not dead center to the source will likely result in a tinny sound The microphones are most sensitive on axis Condenser microphones do not exhibit thi...

Page 10: ... output volume down as well as the amplifiers volume control Whilst watching the meters speak play the instrument beat the drums in the same sequence you have plugged them into the board or sing it s always good to warm up your voice into the mic at the same level of your performance and adjust the GAIN control usually at struck by wild drummers as this can result in a very loud crack through the ...

Page 11: ...g from the drums is not clipping the inputs and is a good mix of each drum in the kit You can then adjust the channel FADER to mix the drum kit If the mixer has GROUP send buttons see SR806 Manual you can assign the drum kit to a group That allows you to control the drum kit sound with one fader and you don t have to re mix the drums every time you make a slight volume change Also keep in mind tha...

Page 12: ...ositive voltage on pin 2 relative to pin 3 of output connector Zinc Alloy Ø45 5x178x Ø23 160g 5 6oz KM 3 Condenser Cardioid 30 20 000Hz 1000 Ohms 46 dBV Pa 18dB 120dB more than 70dB 4 6mA 11 52V phantom power 3 pin gold plated male XLR Positive voltage on pin 2 relative to pin 3 of output connector Zinc Alloy Ø30x154x Ø21 120g 4 2oz KM 4 Dynamic Super cardioid 30 12 000Hz 250 Ohms 54 dBV Pa 20dB 1...

Page 13: ...e original date of purchase In the event of malfunction contact your authorized Wharfedale dealer or distributor for information Be aware that warranty details may differ from country to country Contact your dealers or distributor for information These terms do not infringe your statutory rights WHARFEDALE LIMITED WARRANTY ...

Page 14: ...ness Park Huntingdon Cambs PE29 6XU England www wharfedalepro com Wharfedale Professional reserves the right to alter or improve specifications without notice All rights reserved 2008 Wharfedale Pro Wharfedale Pro is a member of the International Audio Group IAG ...

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