background image

2

1

3

1

2

3

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH XLR CONNECTORS

BALANCED OUTPUT

SIGNAL DIRECTION

INPUT to Wharfedale Pro unit

Ground (earth)

CABLE

Only connect ground if hum occurs

,, 

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH  1/4 JACK to XLR CONNECTORS 

SIGNAL DIRECTION

BALANCED OUTPUT

INPUT to Wharfedale Pro unit

1

2

3

Ground (earth)

CABLE

Only connect ground if hum occurs

SLEEVE

RING

TIP

RING

2

1

3

1

2

3

BALANCED OUTPUT WIRING FROM WHARFEDALE PRO UNIT WITH XLR CONNECTORS TO BALANCED UNIT

OUTPUT from Wharfedale Pro unit

SIGNAL DIRECTION

BALANCED INPUT

Ground (earth)

CABLE

Only connect ground if hum occurs

TIP

SLEEVE

Ground (earth)

CABLE

TIP

SLEEVE

INPUT to Wharfedale Pro unit

SIGNAL DIRECTION

OUTPUT

INPUT 

SIGNAL DIRECTION

OUTPUT  Wharfedale Pro unit

,,

UNBALANCED INPUT  AND OUTPUT WIRING WITH MONO 1/4  JACK CONNECTIONS

2

1

3

Ground (earth)

CABLE

Only connect ground if hum occurs

RING

SIGNAL DIRECTION

INPUT to 

Wharfedale Pro unit

TIP

SLEEVE

,,

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH XLR CONNECTORS to STEREO 1/4  JACK 

BALANCED OUTPUT

TIP

SLEEVE

Ground (earth)

CABLE

Only connect ground if hum occurs

SLEEVE

TIP

RING

SIGNAL DIRECTION

INPUT to Wharfedale Pro unit

,,

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH STEREO 1/4  JACK to XLR CONNECTORS 

BALANCED OUTPUT

 A great deal of mistakes in sound
installations can be down to wrongly
wired audio connections. It is 
important that the connections are 
correct to suit your system.

Unbalanced System

An unbalanced audio system is 
typically a single conductor shielded
with the centre conductor relaying the
signal and the shield at ground.

Balanced System

Using a balanced audio system is 
where a two conductor shielded cable
has each of the two centre conductors
carrying the signal but of opposite
phase. This gives each conductor an 
equal but inverted potential difference
from that of the ground.

It is recommend that you use balanced
audio connections if the unit before
your crossover  has a balanced output. 
This will eliminate interference
such as mains hum. For the best results 
common grounding should be avoided. 
This means not connecting the ground 
on both the crossover  input and output 
connectors. Wharfedale Pro advise 
that you connect the ground (shield) of 
the input connecting cable to the  
ground of the signal source while 
making sure the ground (shield) is not 
connected to the crossover input 
connector. The output cable connector 
from the crossover when connecting to 
an amplifier should have the ground
(shield) connected. The input
connector ground (shield) to the 
amplifier should not be connected.
This is the process by which the 
ground (shield) is connected (tied) at
the source unit but is not connected to 
the destination unit. If hum develops in 
some instances the ground (shield)
can be connected on the input. Some
manufacturers have units that
recommend that the input connector
ground (shield) is tied and the output
disconnected. In this instance you may
need to connect the input connector
ground (shield) going to the input of 
the Wharfedale Pro unit.
If an unbalanced system is used with
XLR connections please connect pin 3
to pin 1 (ground) of the connector. This
will mean that pin 2 transports the 
positive (+ / hot) signal. If pin 1 and 3
are not connected this results in the

,

,

negative (- / cold) input being  open .
This will give an audible degradation of
the signal to noise ratio. This would
relate to both the input and output
connectors and involve the cable
ground (shield) connected at both.

Please note that some manufacturers
run their units with pin 2 (- / cold) and
pin 3 (+ / hot). This should be looked
out for and then the wiring could be
modified with labelled cables so that
connections of + / hot go to their
corresp / hot etc. Some
manufacturers run their units with
balanced inputs and unbalanced
outputs, therefore care should be 
taken with the connections when
inserted into the system.

L E C T R O N I C     

C R O S S O V E R     

M A N U A L

Summary of Contents for Pro WPG-202

Page 1: ...WPG 202 WPG SERIES PROFESSIONAL ELECTRONIC CROSSOVER OPERATING MANUAL ...

Page 2: ...any system malfunction due to abuse or using the units beyond the limits and conditions as stated within the specified ratings Wharfedale shall not be liable for any consequential damages Any implied Warranties expire after the given term This warranty is only valid providing i Warranty applies to original purchaser only warranty not transferable ii Warranty card must be filled in fully and return...

Page 3: ... crossover and high voltages are present DO NOT remove the covers Be sure to make all audio connections to the crossover before connecting to the mains supply Safety Instructions PLEASE READ THESE IMPORTANT INSTRUCTIONS See picture above for key descriptions 1 Power switch should be pressed in to turn on the power 2 The Power LED indicates that the unit is ON 3 Input Level rotary control 10dB gain...

Page 4: ...d at this end to anything Operation The WPG 202 Series of Electronic crossovers can be used as a 2 way stereo crossover or a mono 3 way crossover The unit comes in the signal chain before the power amplifier and after the source mixer disco equipment etc and other units such as graphic equalisers or other equaliser units Using the WPG 202 Series of Electronic as a 2 way stereo crossover In the ste...

Page 5: ... manufacturers supply low and or high frequency cut off points for each driver These cut off crossover points frequencies are badec on the loudspeaker drivers performance at and beyond this point with a safety margin built in to accommodate gentler filter roll offs Be careful to operate speaker components within their recommended limits This will allow a safety margin so that the crossover points ...

Page 6: ...ED FREQUENCY RANGE 50Hz 10kHz HIGH CUT FILTER 15kHz 12dB OCTAVE LOW CUT FILTER 40Hz 12dB OCTAVE CD HORN EQUALISATION 3kHz POWER CONSUMPTION 12 VA POWER 95V 130 VOLTS AC 50 60Hz 190V 250 VOLTS AC 50 60Hz DIMENSIONS HEIGHT WIDTH DEPTH 483 x 160 x 44 mm 19 x 6 3 x 1 7 inches WEIGHT 2 7Kg 6lbs POWER SUPPLY FOR WPG SERIES ELECTRONIC CROSSOVER UK DISRIBUTED UNITS COME WITH FITTED MAINS PLUG 250V 13 AMP ...

Page 7: ...at of the ground It is recommend that you use balanced audio connections if the unit before your crossover has a balanced output This will eliminate interference such as mains hum For the best results common grounding should be avoided This means not connecting the ground on both the crossover input and output connectors Wharfedale Pro advise that you connect the ground shield of the input connect...

Page 8: ...speakers WPG 202 Two channel Electronic Crossover SE Series of Power Amplifiers Lix Series of High Performance Loudspeakers Action Series Mixers The information in this manual is subject to shange without notice c All rights reserved 1998 Wharfedale Pro IAG group Wharfedale International Limited Sovereign Court Ermine Business Park Huntingdon Cambs PE29 6XU England WHARFEDALE website www wharfedal...

Reviews:

Related manuals for Pro WPG-202