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Characterising the room.

 

Characterising the behaviour of the room is the first step towards your understanding of 
your listening room’s contribution to the audio system. Follow the simple procedure 
below to obtain a better understanding where changes could be made in order realise 
improvements. 
1.  Record data of the room dimensions onto a simple floor plan. Graph paper can assist 

you with this. 

2.  Apply the data (dimensions) to the  formula  
3.  Make a record of the predicted standing wave frequency characteristic for each 

parallel wall dimension of the room. 

4.  Verify your predictions using the Wilson Benesch test CD which has a number of 

fixed frequency tests and swept frequencies. Use these to verify and back up your 
prdictions. 

Note 1 big differences in percieved and calculated values will indicate an error 
Note 2 If the predicted frequency matches with the perceptible increase in output in the 
room   this has verified your prediction. 
Note 3 The listening tests should be taken whilst seated in the main listening position. 
Evaluate the data and look for errors. 
5.  Assess whether changes should be made and what can be changed in order to 

overcome any dramatic  and clearly in accurate increase in sound pressure levels. 

 
 
 
Middle and High Frequency Room Characteristics 
The middle and high frequncies are affected more by room contents rather than room 
shape. The “sound” of a room is described by the surfaces and how they 

reflect, absorb

 

or 

diffuse 

the acoustic energy. Like all energy acoustic energy cannot be destroyed it can 

only be converted into something else or refected. The shape of the surface will 
determine how it is reflected and the material will determine whether it is absorbed.  All 
rooms have a particular sound and to appreciate what influences are present in your 
room you should be aware of how the objects in your room will respond to sound.  
Sound waves behave in the same way as light waves or "rays" and so imagine the driver 
to be a flood light.  
 

Reflection: 

acoustic energy is not converted but reflected in an orderly, predictable 

fashion. 

 

Diffusion: 

acoustic energy is dispersed  in a random and or disordered fashion. 

 

Absorption: 

 acoustic energy is converted into kinetic energy or heat. All or a majority of 

the sound energy is "soaked up" or disposed of by the object surface or room boundary. 

 

 
 
 
 
 
 
 

 
 
 

Summary of Contents for Act

Page 1: ......

Page 2: ...Opera house in fact all natural forms are typically curved crystals being perhaps the exception to the rule We incorporate curves wherever possible in our furniture our cartridge structures and most importantly of course in our loudspeakers Our ability to bring completely new advanced materials technology to the market is now well known We have exploited the virtues of advanced composite technolog...

Page 3: ...es that have been specifically designed for the A C T One Loudspeakers should be treated with caution Turned from tool steel which is very hard they are very sharp and can easily inflict a severe wound to the unsuspecting and careless When setting up the speakers it is a good idea to leave the spikes off the speakers until the correct position for their operation has been found PRECAUTION WHEN LAY...

Page 4: ...lamped ring terminal A plate is provided for use with less than tri wiring This plate can also facilitate single or bi wiring according to how it is used It should be clamped between the terminals and the nuts when in use Running In Like anything of good quality a period of running in tends to see improvements in performance The speaker cabinet requires time to settle in to its surroundings Climat...

Page 5: ...ts not described above as required by the setting up procedure will nullify all guarantees Should there be any question regarding the performance of this system you should refer to your dealer immediately for advice and or assistance If in the unlikely event that the problem cannot be dealt with by your dealer do not under any circumstances return the goods to Wilson Benesch without prior consulta...

Page 6: ...pact upon the overall acoustic character of the room As you would expect hard surfaces like glass and concrete tend to reflect a broad band of acoustic energy Complimentary materials that are soft and thick in section such as heavy natural fibre curtains will tend to absorb a broad band of frequencies Room attributes that require more consideration The other important factor is room dimensions sha...

Page 7: ...k for errors 5 Assess whether changes should be made and what can be changed in order to overcome any dramatic and clearly in accurate increase in sound pressure levels Middle and High Frequency Room Characteristics The middle and high frequncies are affected more by room contents rather than room shape The sound of a room is described by the surfaces and how they reflect absorb or diffuse the aco...

Page 8: ...ibed amplified and converted back into sound energy without the additional views of the audio equipment designer being combined with that translation process When one considers this and finally that what one actually hears is a unique experience and subject to the realms of subjective evaluation It is for these reasons that when making recommendations about positioning loudspeakers it is only poss...

Page 9: ...ERENTIAL TUNING CROSSOVER MINIMUM PHASE PRIMARILY LOW ORDER 6dB OCTAVE SHORT SIGNAL PATH AIR CORE INDUCTORS SELECTED POLYPROPYLENE CAPACITORS BASS DRIVER WILSON BENESCH DRIVE UNIT BASS MID DRIVER WILSON BENESCH DRIVE UNIT TREBLE DRIVER WILSON BENESCH DRIVE UNIT INTERNAL WIRING MULTI STRAND SILVER PLATED STRANDED COPPER TEFLON JACKET INPUT TRI AND BI WIREABLE POWER HANDLING 200 w PEAK UNCLIPPED PRO...

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